The Devil in the Dark

Leonard Nimoy's Vulcan mind meld proves of invaluable assistance in this Star Trek episode. Life may not look anything like it does on earth and it may not even function bodily as we do on earth. But life can be found in the strangest of places.

Consider this planet which looks to be made of solid rock, yet something is killing off the miners in Ken Lynch's crew. Which is why he sent a distress call and the Enterprise responds.

Lynch's men are not being killed, in fact they're being burned to a crisp. It's being done by a creature we learn calls itself a Horta and to our eyes it's not aesthetically pleasing.

This Star Trek story reduces life to a problem of communication. The Horta has a very good reason for doing what it does.

It's a good moral this story has, all we need in the Universe is better communication.

Kirk and the crew are visiting a federation mining colony on a remote planet rich in mineral resources. The Devil in the Dark is the Horta, a very unusual silicon based life-form which tunnels through solid rock. The Horta has been killing miners and, it is decided, must be destroyed. But how?

It is hard to continue this review without writing a spoiler, so instead I simply concentrate on the technical aspects of the episode and touch on its themes. The special effects are OK, but many of the scenes with the Horta look a little absurd. The acting is fairly average for TOS. Some of the miners are a little awkward. Nimoy has the most difficult role of all in Devil in the Dark, and he pulls it off well.

Why is this still a favorite of mine?

Devil in the Dark is really an anthropological and ecological morality play disguised as an adventure. More than many episodes of this great TV series, it brings home the importance of maintaining an open mind and at least some degree of empathy toward others. Plus, it involves one of the most interesting, if not probable, plot twists in the original series.

Enjoy!

In 1975 a friend of the family took me to a local JC in Sacramento for one of the first "Star Trek" conventions. I remember someone had taken some electrical tape and spelled out on the floor in the foyer at the convention entrance "NO KILL I".

The homage paid by this act reflects the importance of the social trend and awareness happening at the time. The country (the western world in fact) had just come off of one social upheaval in the midst of the Cold War, and was entering another. Trek was ahead of the curve by telling another great parable regarding not just a conservationist message, not just an environmental message, but one that levels a finger at mankind in his treatment of other living creatures.

This episode hits empathetic folks on a gut level. My mother included (or especially I should say), for while watching this episode with me (one of the few times she and I watched Trek together) she sternly agreed with Captain Kirk when Shatner's character berates Jarvis for the wanton and irresponsible acts of destruction.

It's not just a warning for today's companies and their forefathers, however still relevant and timely. It's more than that. It's a future warning to mankind, and any sentient who would mindlessly exploit that of which they knew nothing.

Another review comments on the thesping by Shatner and Nimoy. I agree that it's high caliber. The matte painting of the mining facility is what it is, as is the Horta itself. It is, after all, 1960's sci-fi TV. Even so, I'm hard pressed to find better props used in today's TV offerings (part of the reason I don't watch too much contemporary television anymore). Good shots, good dialog, good story, and a profound theme.

Enjoy.

I sympathized with the plight of the first man, Schmitter, we see killed in this episode. He reminded me of the trepidation associated with being a lone security guard at night somewhere - the type of work I did briefly about 20 years ago. Of course, I was never in danger of being burned to a crisp, as the colony chief (Lynch) is fond of describing. The monster in the dark here, murdering members of a deep mining colony, creates a scary impression in the first act. We don't really see it in the early scenes and, as many of us realize, the best monsters are sometimes left to the imagination. 'Big and shaggy' is one voiced description, but it actually turns out to resemble a big, lumpy pepperoni pizza, skittering along the ground like a silicon centipede - a limitation of the show's budget, unfortunately. This also shows in the latest matte painting, famous to Trek fans, the only way to convey a long shot of the mining operations.

But, the whole theme of this episode is about what's on the inside, rather than outward appearances, anyway. Sure, this Horta, a newly-discovered silicon-based life-form, looks like a mindless monster at first glance. Thanks to Spock's telepathic ability (probably the best use of a Vulcan mind meld for plot purposes), we learn it's a highly intelligent, even sophisticated creature. Besides Spock's instrumental use of his talent, McCoy gets to supersede his usual medical routine - healing a creature resembling rocks or asbestos. He also gets to utter one of his most famous lines, "I'm a doctor, not a bricklayer!" I found it very true-to-life in his scene where he exults in his success, though he's unable to get Kirk to share in his enthusiasm - Kirk's too busy organizing results. The episode throws unexpected turns in character & motivation at the audience as the story progresses; Spock champions the need to possibly preserve this discovered life as Kirk takes his usual stand on preventing the deaths of any red-shirts (no half measures, as in "The Man Trap"). But later, it's Kirk who, for some reason, holds back on firing a killing blast, as if the heat of the hunt had worn off and he'd had time to reflect on Spock's point (I believe it was during this episode's filming that Shatner learned his father had died). Uncharacteristic for most of the first season, this has a happy ending. The conflict stems from the needs of basic capitalism, such as meeting standard quotas, versus protecting the natural environment and its inhabitants - a space age version of protecting owls from the tractors of modern advancement. Somehow, despite many killings and a sense that everything could go to hell at any moment with one raised phaser, Kirk and Spock manage to broker an agreement which satisfies everyone. I guess people and silicates are more reasonable in the 23rd century.

Enter the Horta, possibly the show's ugliest prop, but still manages to convey an alien presence. Or in this case, a monster, one who's terrorizing the grunts in a mining colony. It's an extermination mission and that episode-long buildup is how the creature takes on a life of its own, no matter the level of production values. And it's a story of hard-won tolerance, thanks to that twist ending.

But it's also a good showcase for the Kirk-Spock-McCoy relationship. Isolated from the rest of the crew, this mystery is left to them to solve. All kidding aside, it's a great episode all around.

8/10