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Star Trek: The Next Generation
S1.E14
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11001001

  • Episode aired Jan 30, 1988
  • TV-PG
  • 46m
IMDb RATING
7.4/10
4.5K
YOUR RATING
Patrick Stewart, Katy Boyer, Gene Dynarski, and Alexandra Johnson in Star Trek: The Next Generation (1987)
ActionAdventureDramaSci-Fi

The Enterprise docks at a starbase for repairs where it is commandeered by a race of technologically-linked aliens intent on using the vessel for their own purposes.The Enterprise docks at a starbase for repairs where it is commandeered by a race of technologically-linked aliens intent on using the vessel for their own purposes.The Enterprise docks at a starbase for repairs where it is commandeered by a race of technologically-linked aliens intent on using the vessel for their own purposes.

  • Director
    • Paul Lynch
  • Writers
    • Gene Roddenberry
    • Maurice Hurley
    • Robert Lewin
  • Stars
    • Patrick Stewart
    • Jonathan Frakes
    • LeVar Burton
  • See production info at IMDbPro
  • IMDb RATING
    7.4/10
    4.5K
    YOUR RATING
    • Director
      • Paul Lynch
    • Writers
      • Gene Roddenberry
      • Maurice Hurley
      • Robert Lewin
    • Stars
      • Patrick Stewart
      • Jonathan Frakes
      • LeVar Burton
    • 23User reviews
    • 13Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos12

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    Top cast29

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    Patrick Stewart
    Patrick Stewart
    • Captain Jean-Luc Picard
    Jonathan Frakes
    Jonathan Frakes
    • Commander William Thomas 'Will' Riker
    LeVar Burton
    LeVar Burton
    • Lieutenant Geordi La Forge
    Denise Crosby
    Denise Crosby
    • Lieutenant Natasha 'Tasha' Yar
    Michael Dorn
    Michael Dorn
    • Lieutenant Worf
    Gates McFadden
    Gates McFadden
    • Doctor Beverly Crusher
    Marina Sirtis
    Marina Sirtis
    • Counselor Deanna Troi
    • (credit only)
    Brent Spiner
    Brent Spiner
    • Lieutenant Commander Data
    Wil Wheaton
    Wil Wheaton
    • Wesley Crusher
    Carolyn McCormick
    Carolyn McCormick
    • Minuet
    Gene Dynarski
    Gene Dynarski
    • Cmdr. Orfil Quinteros
    Katy Boyer
    Katy Boyer
    • Zero One
    Alexandra Johnson
    • One Zero
    Iva Lane
    • Zero Zero
    Kelli Ann McNally
    • One One
    Jack Sheldon
    Jack Sheldon
    • Piano Player
    Abdul Salaam El Razzac
    Abdul Salaam El Razzac
    • Bass Player
    Ron Brown
    • Drummer
    • Director
      • Paul Lynch
    • Writers
      • Gene Roddenberry
      • Maurice Hurley
      • Robert Lewin
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews23

    7.44.5K
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    Featured reviews

    7Benjamin_Cox

    Horny Riker plays his 'bone

    The Enterprise docks at Starbase 74 for routine maintenance on its computers, led by a strange alien race known as the Binars. While the rest of the crew indulge in some R&R, Riker finds himself on the holodeck and falling for yet another enigmatic woman.

    A bit less successful than 'The Big Goodbye', this holodeck episode works well alongside a decent narrative involving the Enterprise being taken over. The Binars are an intriguing species that deserved to be revisited in future but the subplot involving Horny Riker never really works as well as it should. After all, it's fairly obvious to the viewer what's going on so why does it take the characters so long to figure it out?
    5skinnybert

    Mushy Star Trek

    All Star Trek (up through ENT) has great episodes and terrible ones. 11001001 is good example of an interesting concept (which is why we love Star Trek) which is poorly written (which is why some people dislike Star Trek). Overly simplified, ignorant of science, shallow in character, it's so caught up in the gosh-wow of its own concepts that it disregards much of the show's own premise. If this were the only/first Star Trek you ever saw, you would conclude that: 1. The Enterprise pretty much drives itself 2. Supernovas are akin to earthquakes, and happen only for short periods of time -- days, or even minutes -- and then life goes on as before 3. Combadges are powerful enough to talk from one star system to another instantly 4. A pretty face is all it takes to sidetrack a (male) officer from duty.

    You might also reasonably wonder how crew members are tracked by their combadges in other episodes when they don't here, and what kind of vetting Star Fleet does for aliens working on their top-of-the-line starships.

    Abounding also are the usual TNG weaknesses: the first guess anyone comes up with in a crisis proves to be exactly the right answer; the overweening social psychobabble (even when they're correct, it's superficially so); the characters explaining to each other what they should already know.

    The good news is Carolyn McCormick's portrayal of Minuet is nuanced, if necessarily flawed by the script she was given. The Bynar actors are occasionally pretty good -- again, within the script they were given.

    There was a lot of idea/concept shoveled in here, mostly haphazardly and incompletely -- and honestly, that is something to be excited about. The actual episode, though, suffers from ham-fisted assertions and flat-out ignorant science. Which is sometimes necessary for the structure of TV drama, but even that is mushy here.

    So: is it good? No. Should you still watch it? Why yes, of course. Just know you're going to have a lot of "What the --?" moments.
    7snarky-trek-reviews

    Riker plays with his bone on the holodeck while what I assume are Facebook employees of the future steal the ship

    This. Star. Base. Is. Awesome.

    Que the sci- fi sound effects at -45:03 and again at -44:32 Netflix standard time and we are off to meet the Binares. Observe the subtle smiles of the one on the left (no, stage left) as they make their way to engineering.

    The Bynars are an interesting race and I wish we would have seen more of them throughout TNG's run though they are, to my knowledge, a one off. Turns out its another Riker episode with Picard as second fiddle. We saw the beginning of diplomat Picard in Code of Honor but we haven't seen much else of interest since then. He's largely relegated to explaining things for the audience and badly timed and largely unnecessary words of encouragement to his crew. The most memorable character from the show isn't all that interesting yet.

    We do see the crew start to function as a team here but its frustrating how underdeveloped the main cast still is. The Data/Geordi bromance is well underway though Levar Burton is still over acting: "REALLY!" The set up for something fun with Worf and Tasha is there but the writers fail to pay it off. And while Wesley is less irksome than he used to be he still has too much screen time. Troi is absent but you will hardly notice. We also get some foreshadowing of Crusher's exit from the show. Her excitement about "cybernetics and regeneration" is noteworthy given the upcoming introduction of the Borg.

    As a side note, the Bynar and the Borg seem to have a lot in common which makes their absence from future episodes feel like a real missed opportunity. Computer/human hybrids were clearly on the writer's minds as they imagined the TNG universe.

    The episode falls apart at the end but only if you think about it which is completely optional. How did the Bynars get the data from their planetary computer to the Star Base to begin with? Where did they store it while waiting for the Enterprise? Or did their star go super nova after they took control of the Enterprise but before Picard and Riker left the holodeck? And how does a star the in the Bynar system go nova without wiping out everything else within the solar system.

    The writers don't know as much about science as we've been led to believe, but at least there are always chairs on the bridge when you need them despite the fact that they were clearly missing in the previous scene and no one else is onboard the ship.

    Que the sci-fi sound effects at -3:03 and were out.

    All things considered this episode is pretty easy to watch and even somewhat memorable, but the show still feels lopsided. Tasha and Worf remain underdeveloped while Data and Wesley get too much screen time. Riker is the only character that seems to have come into his own.

    Verdict: Pretty good for season 1

    Fun Facts:

    1) In 41 seconds, two people came make their way from the bridge to a transporter room, beam out, hold a conversation, and still have time to watch their ship leave space dock and go to warp before exploding.

    2) It only takes two presses of a button on the transporter pad to beam two people to separate location on the bridge on a ten second delay.

    3) There are twenty transporter rooms onboard the enterprise, not counting the cargo bays.
    russem31

    Binary success

    ST:TNG:16 - "11001001" (Stardate: 41365.9) - this is the 16th episode produced but the 15th one aired on TV. "11001001" is one of my more favorite episodes of season 1 (and of the whole series) - it really gets to the heart of Star Trek and introduces a species that is quite different from humans - that of the Bynars who always travel in pairs since they need two to decipher their binary code (when interacting with each other and other beings). I really liked the beginning when the Enterprise docked at a Starbase, entering it (and exiting later on in the episode) just like the original Enterprise entering Spacedock in Star Trek III: The Search For Spock - though it's obvious they took the matte paintings from that movie, it is a welcome homage to The Next Generation's past. See this episode, you won't be disappointed.

    Trivia: Carolyn McCormick who plays Minuet will be back in the fourth season episode "Future Imperfect".
    8snoozejonc

    Blind man teaching an Android how to paint

    Enterprise docks at a Starbase for a computer upgrade from the Bynars.

    This is a solid episode that is a little slow to get going, but once it kicks into life, it's very entertaining and has some good character moments.

    The plot is simple but effective and I won't mention any specifics not to spoil. It is safe to say that once we find out what's going on it puts a more interesting spin on what's been happening in the first part of the episode. It has an interesting concept when we consider how much society relies on computers.

    I like how a number of different characters provide good contributions to what happens. Picard, Riker, Data and Wesley (ish) all get their share of cool moments. Worf briefly provides a moment of humour with his fiercely competitive Klingon nature on display.

    Visuals and sound effects are excellent. I love the design of the Bynars which is similar to the Talosians. Their manner of communication and backstory is also interesting. This includes great visuals of Starbase 74 as the Enterprise docs and undocks.

    All performances are solid, especially Patrick Stewart, Jonathan Frakes, Brent Spiner and Michael Dorn.

    For me this is a 7.5/10 but I like to round upwards.

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    Sci-Fi

    Storyline

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    Did you know

    Edit
    • Trivia
      Jonathan Frakes is actually able to play the trombone and has done so since the age of nine. However, the producers wanted a more professional sound, so they hired session musicians to overdub his playing. No effort was made to match the overdub to the visual image, and as a result it often looks as though the actor has no idea what he's doing. This would be repeated throughout the series nearly every time Riker plays.
    • Goofs
      It was a mistake for the Bynars to have sealed off the Bridge from turbolift access. They knew that--in fact, their plan depended on--Riker getting to the Bridge to help them.
    • Quotes

      Commander William T. Riker: A blind man teaching an android how to paint? That's gotta be worth a couple of pages in somebody's book.

    • Connections
      Edited from Star Trek III: The Search for Spock (1984)
    • Soundtracks
      Star Trek: The Next Generation Main Title
      Written by Jerry Goldsmith and Alexander Courage

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    Details

    Edit
    • Release date
      • January 30, 1988 (United States)
    • Country of origin
      • United States
    • Official site
      • Official site
    • Languages
      • English
      • French
    • Filming locations
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA(Studio)
    • Production company
      • Paramount Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 46m
    • Color
      • Color
    • Sound mix
      • Stereo
      • Dolby Digital
    • Aspect ratio
      • 1.33 : 1

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