Reunion
- Episode aired Nov 3, 1990
- TV-PG
- 46m
When the leader of the Klingon High Council dies, Picard finds himself in the middle of the struggle for the now-vacant position. Meanwhile, Worf reunites with a past love, only to find he n... Read allWhen the leader of the Klingon High Council dies, Picard finds himself in the middle of the struggle for the now-vacant position. Meanwhile, Worf reunites with a past love, only to find he now has a son.When the leader of the Klingon High Council dies, Picard finds himself in the middle of the struggle for the now-vacant position. Meanwhile, Worf reunites with a past love, only to find he now has a son.
- Alexander Rozhenko
- (as Jon Steuer)
- Crewman Nelson
- (uncredited)
Featured reviews
Another excellent Worf episode
I don't know what it is about Worf-centric episodes but TNG always knock them out of the park, turning the character into one of the best in Trek history. The story is gripping even if the identity of the assassin is rarely in question but thanks to quality performances from Dorn, Plakson and O'Reilly in his first appearance as Gowron, this is a great episode and an essential one for Klingon fans.
Another Klingon classic
This is an excellent episode with some memorable character moments and Klingon entertainment.
The story not only has lots of thrilling political intrigue but it has great arcs for Worf, K'Ehleyr and Picard.
Worf has some of his most emotional and dramatic moments of the franchise and it's hard not to cheer him on in the most brutal part.
K'Ehleyr makes another brilliant appearance and is at the heart of some of the best scenes in the episode.
Picard has an important role in the story but as the audience we are as much caught up in the Klingon politics as him. It's enjoyable as ever to see his mediation skills and take on Klingon customs.
Reunion has some unforgettable visuals, such as the Enterprise faced with the three Klingon ships, the bat'leth fight scene and the inspired bloodied hands sequence.
All performances are top drawer, with Patrick Stewart and Michael Dorn in great form. Suzie Plakson steals a lot of scenes as she oozes charisma and magnetism in every scene.
Klingon STRENGTH
Suzie Plakson reprises her role as Worf's half-human, half-Klingon girlfriend to perfection. I loved her first appearance as K'Ehleyr in season two. Some internet critics claimed in those reviews that she was overacting, which is nonsense. If any actress can cause you to believe that a female Klingon-- even a half-human Klingon-- is sexy then it's an outstanding performance. She adds the right amount of fiery temper and sex appeal to the role.
The story is never boring. As is the case with every Klingon-centered Next Generation episode, it combines the perfect amount of political intrigue, introspection and violence to maintain everyone's interest. However, this episode also has an unexpected and depressing tragedy.
Over acted
Is Worf a father?
That aside, this is one of the best episodes of the series. It's not only a touching episode, but it really helps establish the Klingon mythos that would play out through the remainder of the series and through Deep Space Nine.
Jonathan Frakes makes his directing debut here. He's a much better director than actor.
Did you know
- TriviaJonathan Frakes came to observe that Jon Paul Steuer came off as too shy for a young Klingon, and speculates this to be a primary reason for the eventual recasting of Alexander.
- GoofsWhen Gowron meets K'Ehleyr in the observation lounge, the camera points toward the ceiling. The top of the wall/set is briefly visible in the upper right corner of the screen, showing that there is no ceiling.
- Quotes
Captain Jean-Luc Picard: [after Worf has refused to meeting K'Ehleyr with regard to his dishonor] Lieutenant, you are a member of this crew, and you will not go into hiding whenever a Klingon vessel uncloaks!
Lieutenant Worf: [agrees] I withdraw my request, sir.
- ConnectionsReferenced in Star Trek: The Next Generation: Firstborn (1994)
- SoundtracksStar Trek: The Next Generation Main Title
Composed by Jerry Goldsmith and Alexander Courage
Details
- Release date
- Country of origin
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- Production company
- See more company credits at IMDbPro
- Runtime
- 46m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1






