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Star Trek: The Next Generation
S6.E15
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IMDbPro

Tapestry

  • Episode aired Feb 13, 1993
  • TV-PG
  • 45m
IMDb RATING
8.8/10
4.7K
YOUR RATING
Patrick Stewart and John de Lancie in Star Trek: The Next Generation (1987)
ActionAdventureDramaSci-Fi

When Captain Picard's artificial heart fails, he is offered the rare opportunity to go back in time and set right the mistake that led to his demise.When Captain Picard's artificial heart fails, he is offered the rare opportunity to go back in time and set right the mistake that led to his demise.When Captain Picard's artificial heart fails, he is offered the rare opportunity to go back in time and set right the mistake that led to his demise.

  • Director
    • Les Landau
  • Writers
    • Gene Roddenberry
    • Ronald D. Moore
    • Brannon Braga
  • Stars
    • Patrick Stewart
    • Jonathan Frakes
    • LeVar Burton
  • See production info at IMDbPro
  • IMDb RATING
    8.8/10
    4.7K
    YOUR RATING
    • Director
      • Les Landau
    • Writers
      • Gene Roddenberry
      • Ronald D. Moore
      • Brannon Braga
    • Stars
      • Patrick Stewart
      • Jonathan Frakes
      • LeVar Burton
    • 35User reviews
    • 8Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos36

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    Top cast30

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    Patrick Stewart
    Patrick Stewart
    • Captain Jean-Luc Picard
    Jonathan Frakes
    Jonathan Frakes
    • Commander William Thomas 'Will' Riker
    LeVar Burton
    LeVar Burton
    • Lieutenant Commander Geordi La Forge
    • (voice)
    Michael Dorn
    Michael Dorn
    • Lieutenant Worf
    Gates McFadden
    Gates McFadden
    • Doctor Beverly Crusher
    Marina Sirtis
    Marina Sirtis
    • Counselor Deanna Troi
    Brent Spiner
    Brent Spiner
    • Lieutenant Commander Data
    Ned Vaughn
    Ned Vaughn
    • Ensign Cortan 'Corey' Zweller
    J.C. Brandy
    J.C. Brandy
    • Ensign Marta Batanides
    Clint Carmichael
    Clint Carmichael
    • Nausicaan #1
    Rende Rae Norman
    Rende Rae Norman
    • Penny Muroc
    • (as Rae Norman)
    John de Lancie
    John de Lancie
    • Q
    Clive Church
    • Maurice Picard
    Marcus Nash
    • Young Jean-Luc Picard
    Majel Barrett
    Majel Barrett
    • Enterprise Computer
    • (voice)
    David Keith Anderson
    David Keith Anderson
    • Ensign Armstrong
    • (uncredited)
    Michael Braveheart
    • Crewman Martinez
    • (uncredited)
    Cameron
    • Ensign Kellogg
    • (uncredited)
    • Director
      • Les Landau
    • Writers
      • Gene Roddenberry
      • Ronald D. Moore
      • Brannon Braga
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews35

    8.84.7K
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    Featured reviews

    7beginasyouare

    junior science officer

    Time travel always has problems and Tapestry episode is no exception. Others have mentioned some of this so I'll add another perspective to it. When Picard returns to the past and chooses to not fight the Nausicaans and ends up a junior science officer why does the show assume he'd be unhappy in that role? If the course of his life choices took him to become 'junior science officer', took him anywhere, why would he not like it there or at least why not blame himself for it? Instead Picard becomes a perpetual whiner. If he got there by his own his choices, he'd find a way to accept his state in life, whatever it is. But Picard plays the whiner to Riker and Troi because he isn't on the fast track to a command job. It isn't realistic. On the other hand, if his whining was rooted in the fact that the time traveler Picard had all the skills of the Picard we know at the beginning of the show, then why wouldn't the time traveling Picard up and do what it takes to get a command job immediately. The story really falls apart if you think about, as all time travel shows do. But I won't say the show gets ruined by these failings, TNG is one of the best so I forgive and try to look at what it was trying to say which was that some of our personal regrets from growing up may be misplaced. And don't be so sure we totally understand how we are best shaped. Also it was certainly fun to watch Picard out of place, beneath those who are usually his underlings. The turn-about was entertaining even if it didn't add up.
    10the_oak

    Introspection while watching

    The use of violence to make a point is perhaps the real weakness of this episode. I do agree that Picard is passive in a way that is very unlike him, but isn't that the whole point? He wants to change things he did in his youth, and in doing that the tapestry of his life unravels. The very act of trying to change makes him a different person.

    I think the real strength of this episode is not seeing Picard going back to change his youth, but the introspection each viewer does into his own past while watching. This is another one of those episodes I've watched many times. I don't think you can go wrong with it.
    10snarky-trek-reviews

    Your "mistakes" make you who you are, own them.

    What if Picard was a pitiable man whom commander Riker could describe as punctual, but not much else. What if he got that way by playing it safe when he was younger instead of standing up for his friends and fighting some Nausicaans. The moral lesson here is clear and the story which contains that lesson is well told. The Q Picard dynamic is the only thread running through the entire series, from Encounter at Far Point to All Good Things, and this episode really gives it strength. Picard's realization is touching and true to his character.

    Great episode for a rainy day! Watch once daily in place of your ordinary antidepressant.
    7Hitchcoc

    The Twists and Turns of Time

    Q in his dalliances decides that he needs to invade Picard's space one more time and force him to live an incident in his life over one more time. There are opposing forces that are at work here. First of all, the whole immutability issue. Events are tightly connected to one another and random acts create random results. The opportunities and choices are not self determined with an eye toward the future. When Picard decides to avoid trouble with those bad guys, he now engages in a whole new randomness. He should be aware of this, but Q forces him to see what happens. The second may have more to do with opportunity than with integrity. His being just a dull starfleet anyone is an interesting result of his "inaction." Many factors, among those the prejudicial decision of someone in power could have just as much to do with this. Also, is one act a definition of a person; especially where one's heart is in the right place (so to speak). This is an inconsistent, though provocative, episode.
    7frankelee

    A Good Episode That Loses a Couple Stars on Repeat Viewings

    I'll get this out of the way quick, we all know this is a thoughtful episode, but it relies on you not knowing where it's going, and not thinking very deeply about it as it's going there to make any sense. The great final point is totally mixed up and doesn't actually make any sense whatsoever.

    Picard wants to not be the sort of reckless youth who gets stabbed through the heart in a fight over a game of a pool. An event which one presumes helped lead him to become his on-show persona, a responsible man who is somber, sober, and wise. His youthful self was brash, reckless, and stupid, and he's grown to be the polar opposite of that.

    Except now, according to Q, if he doesn't get stabbed through the heart he becomes too somber and not reckless enough? Are we supposed to believe that getting stabbed through the heart made him realize to never change? Picard repeatedly states in this episode and others that he's changed a lot since he was young. But he didn't change? And if he doesn't get stabbed through the heart he doesn't realize how precious life is, and realizing that is what causes him to do risky stuff in the line of duty? But if he never almost died and has no brush with death, he doesn't appreciate the fragility of life so he doesn't do reckless things? And by suffering no consequences for being hot-headed and irresponsible he over-learns the lesson to not be hot-headed and irresponsible?

    Of course, I can easily see where the writer tripped over their own two feet on this. Picard regrets that as a young man he was a bit of an idiot and user of other people. And therein could be a lesson that, "Hey, who you were, even if you weren't perfect, is what helped make you become the much better person you are now." What a great literary theme for an episode. Except none of it makes any sense as written, as Picard learned a lesson getting stabbed, that lesson was to get serious. Because being serious and thoughtful is how he's shown as succeeding in life. So he can't now go back and time and be serious, and therefore become a failure because he never learned to be reckless and take risks. He was already reckless and took risks, he learned to temper that with foresight and reason.

    If Picard avoids getting nearly stabbed to death what that should teach him is there are no consequences to being an immature jerk. So instead of being a milquetoast nobody thirty years later, he'd be an irresponsible, people user thirty years later, just like he was at 21. But the writer missed that, because they were thinking they wanted to show how taking risks and being daring is what made Picard a success. But Picard doesn't regret being a responsible 30-something who is willing to take charge in the moment, he regrets being a dumb 20-something who almost died in a bar fight. And there's just no way to make getting stabbed in a bar fight and then using the incredibly flimsy excuse of a near-death experience to paper over this moral idiot plot work. It just doesn't work if you're paying attention.

    Also the morning-after scene with his female friend, who had been gazing at him in desperation up until that point, just really stuck out like a sore thumb. The "we ruined our friendship because we had sex," really feels dated nearly 30 years on, it's painfully clunky. Nobody would write a line like that nowadays, you can tell that's a writer raised in the 1950s, in a time with very different ideas about sex and sexuality. And of course, these are supposed to be 21 year-olds living centuries from now, for them to sound like they had to be born during the Eisenhower years really sounds goofy.

    It's still a good episode because everything else in it works well, the acting, Q, the fun of Picard going back in time, but the point of the story really has lost it's luster watching this now as a more discerning adult.

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    Sci-Fi

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Portraying the afterlife caused some technical problems. With John de Lancie in a white robe on a white background, the production crew were concerned that Q would appear as a floating head. Both actors were aware of the difficulties in the shot, and even de Lancie felt it made his performance in some scenes more subdued than usual. The staff thought this was perfect for a more serious Q episode.
    • Goofs
      As Picard chats with Q in the "afterlife", they pause their conversation and watch a visual recreation of the "young" Picard fighting with a bunch of Nausicaans. After the young Picard hits the first Nausicaan, he (the Nausicaan) falls backward and, as he hits the ground, his long black wig comes off. The Nausicaan then quickly rolls out of the camera shot, leaving the wig behind. (This all happens very quickly and is easier to see in slow motion.)
    • Quotes

      Lt. J.G. Jean-Luc Picard: You having a good laugh now, Q? Does it amuse you to think of me living out the rest of my life as a dreary man in a tedious job?

      [turbolift doors open, and Picard finds himself back in the otherwordly realm with Q]

      Q: I gave you something most mortals never experience: a second chance at life. And now all you can do is complain?

      Lt. J.G. Jean-Luc Picard: I can't live out my days as that person. That man is bereft of passion... and imagination! That is not who I am!

      Q: Au contraire. He's the person you wanted to be, one who was less arrogant and undisciplined in his youth, one who was less like me. The Jean-Luc Picard you wanted to be, the one who did *not* fight the Nausicaan, had quite a different career from the one you remember. That Picard never had a brush with death, never came face to face with his own mortality, never realized how fragile life is or how important each moment must be. So his life never came into focus. He drifted through much of his career, with no plan or agenda, going from one assignment to the next, never seizing the opportunities that presented themselves. He never led the away team on Milika III to save the ambassador, or took charge of the Stargazer's bridge when its captain was killed. And no one ever offered him a command. He learned to play it safe. And he never, ever, got noticed by anyone.

      [turns to walk away]

      Lt. J.G. Jean-Luc Picard: You're right, Q. You gave me the chance to change, and I took the opportunity. But I admit now, it was a mistake.

      [Q stops walking, looks back over his shoulder]

      Q: Are you asking me for something, Jean-Luc?

      Lt. J.G. Jean-Luc Picard: Give me a chance to put things back the way they were before.

      Q: Before, you died in sickbay. Is that what you want?

      Lt. J.G. Jean-Luc Picard: I would rather die as the man I was... than live the life I just saw.

    • Connections
      Featured in Star Trek: Nemesis Review (2009)
    • Soundtracks
      Star Trek: The Next Generation Main Title
      Composed by Jerry Goldsmith and Alexander Courage

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    Details

    Edit
    • Release date
      • February 13, 1993 (United States)
    • Country of origin
      • United States
    • Official site
      • Official site
    • Language
      • English
    • Filming locations
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA(Studio)
    • Production company
      • Paramount Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 45m
    • Color
      • Color
    • Sound mix
      • Stereo
      • Dolby Digital
    • Aspect ratio
      • 1.33 : 1

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