As a young lieutenant aboard the Enterprise commits suicide, his shipmates deal with the loss and Deanna deals with feelings surrounding her as she and Worf begin to form a relationship.As a young lieutenant aboard the Enterprise commits suicide, his shipmates deal with the loss and Deanna deals with feelings surrounding her as she and Worf begin to form a relationship.As a young lieutenant aboard the Enterprise commits suicide, his shipmates deal with the loss and Deanna deals with feelings surrounding her as she and Worf begin to form a relationship.
- Starfleet Ensign
- (uncredited)
- Crewman Garvey
- (uncredited)
- Crewman Martinez
- (uncredited)
- Ensign Kellogg
- (uncredited)
- Lt. Jae
- (uncredited)
Featured reviews
Everything you can ask for a Star trek and a TV épisode 8.5/10.
"Something terrible must have happened to him. It's not like Dan to take his own life"
By this point in the series some people weren't even trying any more
Where there aren't a whole lot of fire fights nor fist fights, nor "the ship can't take it..." moments, and where there's the usual nonsense of character interaction coming to the fore (Worf and Dianna), the plot actually comes to the fore and takes precedent, as opposed to the subplots taking center stage in previous episodes to offer exposition on character interaction.
Having said that the show continues to offer soft music with an emphasis on synthesizer, horns and violin, and the usual soft lighting to give an "ease of viewing" feel in spite of the menace. And there's the Worf-Troi interaction which ... had it been in the context of the plot would have helped some, but instead is in the context of The Next Generation looking at interpersonal relations. Oh well.
Regrettably the episode ends with a "we got him off screen" moment preceded by a sort of confrontation between the characters involved. So, regrettably the plot ends with a whimper instead of a bang. As per previous reviews ... designed for a broader and younger audience.
Make of that what you will.
This is a mostly good episode with a fair story and decent performances, but some aspects feel slightly ropey and a bit pointless.
Although it's not told in a very compelling way to me personally, the mystery is good and has an interesting sci-fi concept. When the reveal comes it is mostly by technobabble but feels like a well thought-out idea.
The downsides are the dramatic hysteria, which Marina Sirtis and the other cast do very well, considering how laughably over the top certain scenes are written. Plus the romance, which feels pointless when you know the eventual outcome for the characters. Michael Dorn is also good.
I like the art direction and set design. The numerous scenes set in engineering are very well done.
Did you know
- TriviaThe first time we see inside of the warp nacelles.
- GoofsWhen Riker and Worf are warned that Kwan might try to commit suicide, they are far enough away to surreptitiously order an emergency beamout without Kwan hearing them, but neither does so.
- Quotes
Lieutenant Worf: I would never want to come between you and someone you are involved with, or had ever been involved with.
Commander William T. Riker: Is there someone in particular that you're talking about?
Lieutenant Worf: No. - Is there someone in particular you would rather I not be involved with?
Commander William T. Riker: Mr. Worf, you sound like a man who's asking his friend if he can start dating his sister.
- ConnectionsReferenced in Star Trek: Elite Force II (2003)
- SoundtracksStar Trek: The Next Generation Main Title
Composed by Jerry Goldsmith and Alexander Courage
Details
- Runtime
- 46m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1