Sam and Dean Winchester were trained by their father to hunt the creatures of the supernatural. Now, their father has mysteriously disappeared while hunting the demon that killed their mothe... Read allSam and Dean Winchester were trained by their father to hunt the creatures of the supernatural. Now, their father has mysteriously disappeared while hunting the demon that killed their mother, 22 years ago.Sam and Dean Winchester were trained by their father to hunt the creatures of the supernatural. Now, their father has mysteriously disappeared while hunting the demon that killed their mother, 22 years ago.
Jamil Walker Smith
- Luis
- (as Jamil Z. Smith)
Featured reviews
Wow, this new TV-series seems to be created especially and entirely for me ... as well as for all you other fanatics of horror, occult, monsters and suchlike types of evil, of course! "Supernatural" finally is a properly budgeted and professionally scripted TV-series revolving on two young brothers battling all kinds of malevolence they encounter during the search for their vanished father. Sam and Dean Winchester aren't easily shocked, as they literally grew up fighting monsters. When they were little children, an unidentified evil force burned their mother alive and ever since their father raised them to search & destroy evil all around the United States. This pilot-episode merely just introduces the characters, but still there's room for an intriguing type of malice, namely the Woman in White. Dean the oldest brother comes to visit Sam at university and informs him their father is missing. Sam is reluctant to join Dean on his search, as he finally hopes to live a normal life. Of course Dean convinces him and the brothers soon confront a beautiful white appearance in the dark night. The Lady in White represents the restless soul of a deceived woman, forced to commit murder and suicide and forever doomed to dwell around to kill unfaithful men.
The first episode of "Supernatural" is excellent, but not entirely flawless. The two main characters are introduced as likable and identifiable guys, but the inevitably remain stereotypes. They're brothers but with severely opposite characters. Dean is a witty daredevil, always fearlessly facing danger and providing the show with the obligatory sense of humor. Sam on the other hand is a shy guy, happy with his girlfriend and his anonymous life as a student. Probably because this is the pilot, and most of attention went to the character drawings & theme-introduction, the mystery surrounding the Lady in White remains rather vague and unsolved. That's a crying shame because it's a fascinating topic and it could have resulted in a petrifying little horror tale. The rushed finale also immediately exposes what presumably is the series' biggest weakness. Less than one hour of playtime isn't always suffice to resolve a supernatural case and/or to defeat a complex & powerful enemy. Hopefully this will be different in the next couple of episodes, when it's no longer necessary to show flashbacks about the boys' childhood. I already saw episode two The Wendingo and it definitely showed improvement. Even so, the pilot episode is hugely atmospheric and often chilling. The special effects are pretty amazing and far better than the visuals used in the majority of nowadays released horror movies. The creative mind behind "Supernatural" is Eric Kripke. He didn't really impress me with his "Boogeyman", but this TV-initiative is more than promising.
Without revealing too much, the pilot's ending assures the collaboration between the two brothers and even offers Sam a morbid motivation to carry on exterminating evil. Now I just hope the TV-stations in my country don't decide to prematurely cancel the airing due to disappointing viewer ratings....
The first episode of "Supernatural" is excellent, but not entirely flawless. The two main characters are introduced as likable and identifiable guys, but the inevitably remain stereotypes. They're brothers but with severely opposite characters. Dean is a witty daredevil, always fearlessly facing danger and providing the show with the obligatory sense of humor. Sam on the other hand is a shy guy, happy with his girlfriend and his anonymous life as a student. Probably because this is the pilot, and most of attention went to the character drawings & theme-introduction, the mystery surrounding the Lady in White remains rather vague and unsolved. That's a crying shame because it's a fascinating topic and it could have resulted in a petrifying little horror tale. The rushed finale also immediately exposes what presumably is the series' biggest weakness. Less than one hour of playtime isn't always suffice to resolve a supernatural case and/or to defeat a complex & powerful enemy. Hopefully this will be different in the next couple of episodes, when it's no longer necessary to show flashbacks about the boys' childhood. I already saw episode two The Wendingo and it definitely showed improvement. Even so, the pilot episode is hugely atmospheric and often chilling. The special effects are pretty amazing and far better than the visuals used in the majority of nowadays released horror movies. The creative mind behind "Supernatural" is Eric Kripke. He didn't really impress me with his "Boogeyman", but this TV-initiative is more than promising.
Without revealing too much, the pilot's ending assures the collaboration between the two brothers and even offers Sam a morbid motivation to carry on exterminating evil. Now I just hope the TV-stations in my country don't decide to prematurely cancel the airing due to disappointing viewer ratings....
Pilots generally try to do a few things: they introduce audiences to a new world; they establish the tone, pace & stakes, they build-out characters and character-dynamics, and they try to hook a viewer into coming back. Supernatural is successful on every count.
The directing and cinematography of this pilot stand out from the get-go. The first 3 seasons are shot on 35mm film, which really adds to the dark, gritty, horror-esq vibe of the show. And the pilot encapsulates good cinematography. You can tell shots are well thought-out in a way that contributes to the story and the narrative tone. The scene framing was aesthetically interesting to look at, but in a way which helped draw you into what was happening (instead of distracting you from the story at hand).
The acting is good, but does leave room for improvement. This isn't a critique on Jensen or Jared's talent, but they're still feeling out their characters at this point-haven't quite settled into their roles, and the trust that's built up between between actors which can (and will) take scenes to the next level isn't there yet. The bridge scene argument where Dean lunges at Sam in anger feels a bit contrived, for instance. But that said, they overall do nice job.
For a pilot, the writing is pretty decent and very smart. Starting a story is hard. They work a lot of exposition and backstory into 40 minutes, in ways that loop back into the plot. For ex: they address 'how do they pay for hunting?' pretty quickly, but then it comes back around in a way that helps advance the search for their father. From a writing standpoint, there's a nice parallelism in what happens to Mary Winchester at the start of the episode & what happens to Jess at the end of it.
The episode ends by coming full-circle, allowing for the real story to begin. You leave with a sense of who Sam and Dean are as people, with a sense of their complicated relationship with each other and their father, and with a sense of mystery to bring you back. Which-as far as pilot episodes go-is the ultimate success.
Overall a strong pilot, and a compelling introduction into the world that will take over millions of viewer's hearts for the next 15 years.
-Violet Vance.
The directing and cinematography of this pilot stand out from the get-go. The first 3 seasons are shot on 35mm film, which really adds to the dark, gritty, horror-esq vibe of the show. And the pilot encapsulates good cinematography. You can tell shots are well thought-out in a way that contributes to the story and the narrative tone. The scene framing was aesthetically interesting to look at, but in a way which helped draw you into what was happening (instead of distracting you from the story at hand).
The acting is good, but does leave room for improvement. This isn't a critique on Jensen or Jared's talent, but they're still feeling out their characters at this point-haven't quite settled into their roles, and the trust that's built up between between actors which can (and will) take scenes to the next level isn't there yet. The bridge scene argument where Dean lunges at Sam in anger feels a bit contrived, for instance. But that said, they overall do nice job.
For a pilot, the writing is pretty decent and very smart. Starting a story is hard. They work a lot of exposition and backstory into 40 minutes, in ways that loop back into the plot. For ex: they address 'how do they pay for hunting?' pretty quickly, but then it comes back around in a way that helps advance the search for their father. From a writing standpoint, there's a nice parallelism in what happens to Mary Winchester at the start of the episode & what happens to Jess at the end of it.
The episode ends by coming full-circle, allowing for the real story to begin. You leave with a sense of who Sam and Dean are as people, with a sense of their complicated relationship with each other and their father, and with a sense of mystery to bring you back. Which-as far as pilot episodes go-is the ultimate success.
Overall a strong pilot, and a compelling introduction into the world that will take over millions of viewer's hearts for the next 15 years.
-Violet Vance.
The pilot does everything a good first episode should do. It gives you a flavor of the characters, gives a pretty good sense of the possibilities of the world and makes you want to watch the second episode right away. If I had one complaint about the opening it would be it is not as comedic as the show ended up being. It is true that over the years the show has shifted into more a melodrama, but the monster of the week format that plays for much of the early seasons is used to good effect here. The weeping woman (woman in white) is a good antagonist to build the pilot around as it is lore focused and a ghost with personality. Nutter's direction is very atmospheric. I wish the show kept the washed out look...it is just moodier.
This episode introduced the world to Sam and Dean; it is a classic of the show.
This episode introduced the world to Sam and Dean; it is a classic of the show.
I remember watching the Pilot years ago, and remember getting scared. Of course, I was a kid back then, but the Pilot remains just as intriguing as one can hope for.
I first thought that the whole series would be about this Lady in White AKA Mourning Woman. Being the network the WB was back then, I would have expected that, but then I realized how much of a horror show this was. The Pilot remains one of the scariest TV episodes of all time. It is masterfully executed and directed, it has stood the test of time.
Of course, the series has definitely changed over the years, from being a horror show to a show that has horror, comedy, and much more deeper story lines involved. But the fact remains that this remains the key beginning of a great start!
I first thought that the whole series would be about this Lady in White AKA Mourning Woman. Being the network the WB was back then, I would have expected that, but then I realized how much of a horror show this was. The Pilot remains one of the scariest TV episodes of all time. It is masterfully executed and directed, it has stood the test of time.
Of course, the series has definitely changed over the years, from being a horror show to a show that has horror, comedy, and much more deeper story lines involved. But the fact remains that this remains the key beginning of a great start!
I love supernatural 1-5, stopped watching it at 9, it loses its charm a bit but well saw the newish scooby doo episode and with the series ending i thought why not just watch the whole thing.
Babyfaced Dean and Sam try to find their dad, have some brotherly squabbles, Sam seems like the center of the show whereas Dean seems like the goofy sarcastic confident guy who is there for laughs and giggles, he really has the best one-liners. We get backstory of their family, a bit cramped up but ok its the pilot they gotta introduce stuff fast.
The ghost is average but well its hard to make a truly frightening horror tv show, spn shines in its bond and comedy. The ghost starts off promising though the end is ehh.
Its enjoyable and makes the time pass and you have a mystery you are invested in, the premise also sets up our characters well with the little info we get.
The start of a legendary show.
Did you know
- TriviaThis episode features a cheeky nod to the TV show that many initially claimed it aped, The X-Files (1993). As Dean walks past an investigating pair of FBI agents, he says "Hello Agent Mulder, hello Agent Scully".
- GoofsJohn leaves Dean a note with the coordinates 35 and 111, presumably meaning 35 degrees north latitude, 111 degrees west longitude. Sam reads a map and says the place is in Colorado. In fact these coordinates are in Arizona, very close to Meteor Crater; the nearest town is Winslow.
- Alternate versionsWhen the pilot episode aired as a repeat several scenes were cut. One of the scenes cut was when Sam goes into his apartment to find that Jessica had made him cookies and left him a note saying "Love you, Miss you" in front of the cookies.
- ConnectionsFeatured in MsMojo: Top 10 Supernatural Episodes (2016)
Details
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- Filming locations
- Sable Ranch - 25933 Sand Canyon Road, Santa Clarita, California, USA(Constance's House)
- Production companies
- See more company credits at IMDbPro
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