The Trade-Ins
- Episode aired Apr 20, 1962
- TV-PG
- 25m
IMDb RATING
7.6/10
2.7K
YOUR RATING
Elderly long-married John and Marie Holt visit the New Life Corporation to shop for a pair of younger replacement bodies. But then John resorts to desperate measures in order to cover the im... Read allElderly long-married John and Marie Holt visit the New Life Corporation to shop for a pair of younger replacement bodies. But then John resorts to desperate measures in order to cover the immense cost of this purchase.Elderly long-married John and Marie Holt visit the New Life Corporation to shop for a pair of younger replacement bodies. But then John resorts to desperate measures in order to cover the immense cost of this purchase.
Theodore Marcuse
- Farraday
- (as Ted Marcuse)
Terence de Marney
- Gambler
- (as Terrence deMarney)
Sailor Vincent
- Gambler
- (as Billy Vincent)
Rod Serling
- Narrator
- (uncredited)
- …
Featured reviews
An elderly couple (Schildkraut and Platt) visit a company that specializes in substituting their elderly bodies for younger ones, but find they only have the money needed to substitute one of their bodies.
Serling's tender, beautifully written story of love and the sacrifices we make for it relies less on the sci-fi gimmick than on the exquisite relationship developed between the couple. The husband is wracked with pain, but possessed of a quiet, unflailing dignity and deep, rich love of his wife; Schildkraut's touching work does the part full justice, his gentle personality serving as the perfect defense against the ravages against his body. The wife, incredibly patient and possessed of the same dignity and love, is beautifully played by Platt -- the two do not seem like actors playing a long-married couple, but a couple that really have lived with and loved each other for half a century. The final twist is less a twist, than a wholly believable act growing out of the love these two people share for one another.
Additional mention must made of Theodore Marcuse's performance as a gambler that Schildkraut's character goes to, hoping to win enough money to pay for both substitutions. Rather than play the character as a cipher or a venal shark, Marcuse adds subtle strokes to the performance that make him far more interesting; his idle humming and expression at the end of the card game gives more insight into his character than pages of dialogue ever could.
All in all, one of the series' most charming and beautifully played episodes.
Serling's tender, beautifully written story of love and the sacrifices we make for it relies less on the sci-fi gimmick than on the exquisite relationship developed between the couple. The husband is wracked with pain, but possessed of a quiet, unflailing dignity and deep, rich love of his wife; Schildkraut's touching work does the part full justice, his gentle personality serving as the perfect defense against the ravages against his body. The wife, incredibly patient and possessed of the same dignity and love, is beautifully played by Platt -- the two do not seem like actors playing a long-married couple, but a couple that really have lived with and loved each other for half a century. The final twist is less a twist, than a wholly believable act growing out of the love these two people share for one another.
Additional mention must made of Theodore Marcuse's performance as a gambler that Schildkraut's character goes to, hoping to win enough money to pay for both substitutions. Rather than play the character as a cipher or a venal shark, Marcuse adds subtle strokes to the performance that make him far more interesting; his idle humming and expression at the end of the card game gives more insight into his character than pages of dialogue ever could.
All in all, one of the series' most charming and beautifully played episodes.
For a brief moment, I hoped this would to be a dystopian Sci-Fi tale about rich elderly folks paying huge sums of money to transfer their selfish personalities into the bodies of young people, and then these young people turn out to be captured slaves from poor ghettos, or something. Alas, the tone of the episode turned towards the other direction, more specifically a sentimental direction with a dull "accept your fate" message. The sentimental "Twilight Zone" episodes are my least favorite ones; I prefer the grim and disturbing stories, but "The Trade-Ins" still deserves credit for the distant-future rejuvenation theme and the strong performances by Schildkraut, Platt and Marcuse (as the gentlest illegal gambler in history). The rudimentary premise by Rod Serling is similar to a brilliant novel by David Ely, and also got turned into one of the most dazzling but underrated Sci-Fi movies of all times; namely "Seconds" (1966)
Joseph Schildkraut and Alma Platt play John & Marie Holt, who have been married for 50 years, but now need some help, since John suffers from frequent pain, and they plan to visit the New Life Corporation where they can have their minds transferred into younger, fit bodies. Unfortunately, they only have enough money for one, so Marie insists it be John, though he still tries to get the money by either gambling, or receiving sympathy, with little practical success... Nicely acted and touching episode rings all the right bells, though I always found it odd that the company couldn't have given poor Marie a two-for one break on her operation, which would have been fantastic public relations! Oh well...
The poker scene in this episode alone, is worth the price of admission.
Terence de Marney's performance as the shrewd professional card shark is masterful. It's a great example of how great TV writers were back then, and how actors rose to the challenge. Expressing the subtleties of human interaction.
Terence de Marney's performance as the shrewd professional card shark is masterful. It's a great example of how great TV writers were back then, and how actors rose to the challenge. Expressing the subtleties of human interaction.
He gets the new body, works for a year or two, saves up the 5k and then she gets her new body. She's not the one in pain, she can easily wait.
Did you know
- TriviaJoseph Schildkraut's second wife (of 29 years) died while he was filming this episode. Coming from a theatrical family, he insisted on finishing the production before he'd begin mourning. Here, he plays an elderly man who must choose between a new body for himself or living the rest of his life with his wife in a pain-wracked body.
- GoofsAs the lifeless "Cocktail Hour" models move out of frame in the showroom, the woman is seen moving her arm.
- ConnectionsFeatured in American Masters: Rod Serling: Submitted for Your Approval (1995)
Details
- Runtime
- 25m
- Color
- Aspect ratio
- 1.33 : 1
Contribute to this page
Suggest an edit or add missing content