Nothing in the Dark
- Episode aired Jan 5, 1962
- TV-PG
- 25m
Elderly urban dweller Wanda Dunn has fought with Death a thousand times and always won. Now she is afraid to let wounded policeman Harold Beldon in her tenement's door for fear that he is De... Read allElderly urban dweller Wanda Dunn has fought with Death a thousand times and always won. Now she is afraid to let wounded policeman Harold Beldon in her tenement's door for fear that he is Death incarnate. Is he?Elderly urban dweller Wanda Dunn has fought with Death a thousand times and always won. Now she is afraid to let wounded policeman Harold Beldon in her tenement's door for fear that he is Death incarnate. Is he?
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Featured reviews
Well, look at that, my reviews even begin to sound like Rod Serling's narrated intro-sequences! "Nothing in the Dark" is a top-notch and memorable story, and not exclusively because it stars a young and handsome Robert Redford, but because it's identifiable and genuinely touching without being overly sentimental. The elderly Wanda Dunn has isolated herself in her home and cut all contact with the outside world since many years, simply because she's convinced that "Mr. Death" is following her around. As long as she doesn't let him enter, she is certain that she'll remain alive. Over the years, however, all her neighbors moved away, and the building is so ramshackle that it needs to be torn down. When a young police officer is shot outside her door, and begs for her help, she's confronted with the choice of protecting her own believes or doing the right thing. Since the very first minute, you know exactly where the plot of the episode is going and what the end-twist will be. But it honestly doesn't matter, because the tale remains compelling and enchanting, nonetheless. Good early role for Redford, but the true star of "Nothing in the Dark" is ageing actress Gladys Cooper. Her lines come straight from the heart, and the fear for the reaper in any random disguise seem authentic. I'm happy to see that she lived another good ten years after the release of this episode!
Did you know
- TriviaWhile this episode has only three characters, the careers of the two stars span most of the history of film. Gladys Cooper's first credit dates to 1913 while Robert Redford remains active as of 2024.
- GoofsAll entries contain spoilers
- Quotes
Wanda Dunn: You *tricked* me! It was you all the time!
Harold Beldon: Yes. I tricked you.
Wanda Dunn: But why? The moment I let you inside you could've taken me any time! But you were nice. You made me trust you!
Harold Beldon: But, I had to make you understand! Am I really so bad? Am I really so frightening? You've talked to me, you've confided in me. Have I tried to hurt you?
[he stands and leans against the wall]
Harold Beldon: It isn't me you're afraid of. You understand me. What you're afraid of is the unknown.
[Wanda looks frightened]
Harold Beldon: [Gently, holding out his hand] Don't, don't be afraid.
Wanda Dunn: But I *am* afraid!
Harold Beldon: [still gently, smiling] The running's over! It's time to rest. Give me your hand.
Wanda Dunn: But I don't want to die!
Harold Beldon: [holding out his hand] Trust me.
Wanda Dunn: [backing away] No. No.
Harold Beldon: Mother. Give me your hand.
[crying, Wanda slowly puts her hand in his]
Harold Beldon: [laughing softly] You see? No shock. No... engulfment. No tearing asunder. What you feared would come like an explosion, is like a whisper. What you thought was the end, the beginning.
Wanda Dunn: [with hushed excitement] When will it happen? When will we go?
Harold Beldon: Go? Look.
[He glances to the side; following his gaze, Wanda sees her body on the bed, peaceful in its final repose]
Harold Beldon: We have already begun.
[Both smiling now, he takes her arm in his and escorts her into the light]
- ConnectionsFeatured in American Masters: Rod Serling: Submitted for Your Approval (1995)
Details
- Runtime
- 25m
- Color
- Aspect ratio
- 1.33 : 1