Protégé

Right hook! BAM! The HK audience is knocked out!

Protégé pulls no punches at all. It is by far one of the most disturbing mainstream films I've ever seen (from Hong Kong), with certain scenes resembling those of Nicolas Cage's 8mm. This makes Protégé quite unique, and delivers a powerful and thought provoking message to those curious about hard drugs. Very Hollywood feel here.

However, I have a mixed response to the movie itself. While it's certainly not bad, it never really "wow'd" me either. It's decent, which gets it a 7 rating, and if you have the stomach for some very sick and disturbing scenes (like I said, it pulls no punches, it pushes the rating to the limit), go ahead and rent it. I think perhaps that I'm not used to seeing Daniel Wu in this sort of role, I won't reveal too much but let's just say he's come a long way in his acting career, this particular role might've been suited to someone else, someone newer and more raw. Don't get me wrong he is good, but it's very different to his more recent projects.

Daniel Wu - Good ..... Andy Lau - Good/Great ..... Louis Koo - Great ..... Jingchu Zhang - Brilliant, memorable ..... Anita Yuen - Fat! ..... The little girl - Very cute!

Oh, last but not least, watch out for the raid scene. It's friggin awesome, it's evidence that Hong Kong cinema is finally moving forward again, and it's picking up speed!

The Hong Kong crime movie genre has another worthy addition to its collection, hot off the heels of the Infernal Affairs creative team's Confession of Pain. While movies of the genre of late are almost always gearing toward sophistication, Protégé plays out its story in surprisingly straight forward fashion, although the characters are draped in shades of grey. What makes the movie compelling, are the relationships formed between the principle characters.

If any synopsis suggests anything complex in the cops-and-robbers treatment of its key characters, it sure didn't play out that way. Daniel Wu is Nick, an undercover cop spending the last 7 years working for Andy Lau's "Banker", one of the top drug lords in HK. Ill health has forced Banker to look for a successor, and as all crime lords without natural heirs go, it sure is difficult to trust an outsider to takeover the business without stabbing you in the back. In fact, instead of Asian superstar Andy Lau, Protégé as the name implies, is actually a Daniel Wu vehicle, as we see events unfold through his eyes, and in two concurrent threads. The first being his contacts with the suppliers, and the second, his personal relations from someone who is part of the demand pool. If you were to add an additional dimension, his allegiance with the law enforcers serves as a minor subplot. No wonder Nick is one confused chap!

In contrast to the slick production look of its peers, Protégé turned out rather grimy, in deliberate fashion, as much of the time we're stuck in the doldrums of society, the ready market of those willing to abuse drugs for that quick fix in escaping their woes. And it is in this part of society that we spend much of our time in. Nick befriends a single mom played by Chinese actress Zhang Jingchu, who is a drug junkie, unable to break out of her habit, try as she might. They form a reluctant friendship, more because of the fact that Nick takes pity on Jing-jing the little girl, the innocent sufferer of her mom's ineptness to break out of addiction.

Written and directed by Derek Yee, Protégé covers the whole spectrum of the heroin supply chain, from the farmers right down to the individual junkie, and examines the concerns of each layer. It's basically a roadmap 101 to drug production, with loads of cash to be made, especially for those willing to take big risks in dealing, trafficking and producing. It's a showcase on the drug operations, with its low tech, high manpower operations in the extensive network of runners, and its compartmentalization of roles and responsibilities. You can't but be impressed by how things are run, akin to any large organization, only clandestine, led by businessmen in it for the money, with warped morals and a sense of being the bridge for sellers to satisfy demand.

Despite top billing for Anita Yuen and Louis Koo, they actually have only bit parts in the movie, the former as the pregnant wife of Banker, and the latter as yet another junkie, husband to Zhang Jingchu's Jane. Somehow, with the audience I'm with, Louis Koo seems to be the one drawing in the laughter, perhaps for his general wardrobe and make up in the movie. Zhang Jinchu's performance managed to highlight the plight that junkies go through, in either trying to resist their urges, or succumbing to temptation, and the natural willingness to lie their way, even sell their souls, just for that quick fix. It's one thing to show compassion and trying to help, but totally a different ball game altogether as professional and sustained rehabilitation seems the only way to go. Hers and Louis' roles are probably to send out strong anti-drug messages.

On the other hand, Andy Lau's role, although muted in some ways, seem to want to endear him to audiences, with his character's penchant for candy, and all round nice family man. Never one who spends extravagantly on home turf, you'll probably not even suspect he's the head honcho of a multi-million dollar syndicate. And it is this harmless facade, that complicates Nick's relationship with his mentor, should he embark on following through with his mission. The mentor unreservedly showing you the ropes, making you a rich man in the process, and that his family takes a liking for you as well, but as the undercover, how could you draw the line, especially when its dealing with human emotions, of deep friendship, trust, and betrayal?

Daniel Wu played his role really well, and I'm surprised that he's super charismatic here, holding his own against Lau by playing the many facades of Nick excellently. His role too offers a comparison between members from both sides of the law, of trust and loyalties amongst in the force, albeit from another division, who spare no hesitation in using him for personal glory, and contrasted against the unwritten law of brotherhood, anonymity and trust of those in the illicit business.

One of the biggest movies hitting screens in Asia during this Chinese New Year period, it won't be difficult for Protégé to make a killing at the box office, given its powerful, engaging storyline which doesn't complicate, and the star-studded cast. As Raintree Pictures had a hand in co-producing the movie, expect to see one scene shot here, which reiterates our long no-nonsense approach to drug traffickers.

P.S. While I'm quite surprised at the many cinematically detailed instruction of drug production and drug use that remained intact in the version shown here, what was snipped instead was a sexy scene (damn!). What gives? Yes, so besides having to watch this movie dubbed in Mandarin, it's an edited version to boot.

Brian De Palma talks about cocaine in Scarface, the 1983 drug epic that makes Al Pacino well known for his role of Tony Montana, a ruthless drug lord that trades cocaine in the early 80's.

Now meet HongKong director Derek Yee, who creates a friendlier Montana of HongKong, Quin aka the Banker. Andy Lau took the role of Asia's friendly Montana, who trades heroin instead of cocaine. He decided to hand his heroin business to Nick (Daniel Wu), his driver who has followed him for 8 years. Nick is just like Manny Ribera, the best friend of Montana. However, Nick is actually a police undercover who has been gathering evidence to nab Quin and his organization.

Protégé is an adaptation from one of the case handled by the HongKong police. Audience who has watched Yee's previous production such as One Night in Mongkok, The Truth About Jane and Sam and C'est La Vie, Mon Cherie knows that he would not overuse use any car-chasing or gun-firing to achieve the effect of telling the story of the battle between the police and the underworld. Instead, he uses down to earth dialogues to tell the story. Having a plot that discuss drugs, the film goes deep into the world of drugs, from money to damage, from love to extreme hatred from drug abusing.

Certain scenes featured explores the damages done to the people for abusing drugs. In the film, damages were featured in the character Jane (Zhang Jing Chu) and her husband (Louis Koo), where both were drug abusers. The husband forces the wife to prostitution so as to feed his craving for drugs. Jane, on the other hand, starves herself and did not give proper education to her daughter, for she was too poor and tired to take care of her daughter. Eventually, her cravings for drugs leads to her self-destruction.

Audience are treated to a exploration of the Golden Triangle located in the South East Asia, which was well-known in the world for poppy plantation. The film also features steps in producing heroin, such as growing, extraction, processing and the various names used to differentiate types of drugs. Compared to other films that discusses drugs, Protégé has featured something that others have never tried before.

Apart from the above named cast, Protégé also features Yee himself as Nick's superior, the banker's wife (Anita Yuen's comeback appearance after ceasing herself from the big screen for a long period) and Qi Yu Wu (an Singapore actor from Mediacorp). While it is a surprise to see Yee and Yuen taking supporting role in the film, Qi's role as a Singapore Police Officer seems pretty redundant, for that few second's appearance doesn't make much difference. It is not surprising to see Qi given such a small role, since Protégé is a production of Singapore Mediacorp's Raintree Pictures and they are well known for using throwing in their own actors playing redundant roles. Think Tay Ping Hui in Andrew Lau and Alan Mak's Infernal Affairs 2 and Hossan Leong in Max Makowski's One Last Dance, where Raintree has a part in it.

Overall, Protégé might seems to be another films about drugs, but once you go deeper into the film, you will find the ugliness of drugs baring naked in front of you.

An excellent portrayal of an undercover cop working to bring an end to a huge drug network in Hong Kong.

The film gives three sides of the story and shows the viewer a glimpse into the world of the drug-lord, the undercover cop and the addict.

All three main characters (Andy Lau, David Wu and Zhang Jingchu) gives an excellent and flawless performance. Where does one draw the line between business and drug smuggling, crime prevention and aiding crime, addiction and family? Is David Wu's character the protégé or are the addicts the protégé? At the end of the day, drugs destroys everything. One could turn a blind eye, but everything comes round in a circle.

I saw this last month at the 2008 Palm Springs International Film Festival. The title of this film I believe is Munto not Moon To as listed here on IMDb and this Munto film is not to be confused with the Japanese animee movies of the same name. This is a gangster thriller set in Hong Kong. Nick (Daniel Wu) has spent his entire police career infiltrating a major drug organization led by Kwan (Andy Lau). Nick went straight from the police academy to undercover work and has never worn a uniform or even been inside a police station. For the past seven years he has worked his way up drug lord Kwan's organization that he is in a position to be Kwan's heir to his drug empire. Kwan, in fact, has selected Nick as his heir apparent because he is dying from the long-term results of diabetes. In the meantime Nick has been living in an inner city apartment where his next door neighbor Fan (Zhang Jingchu) is a pretty single mother whose low level drug dealing, heroin addicted husband (Louis Koo) drifts in and out of her and her daughter's life when he isn't in jail to pimp her out. Fan has also become a heroin addict. Nick develops a relationship with Fan and acts as a surrogate father to her little daughter. Nick has also become very close to Kwan. Thius is a good story from writer/director Derek Yee. Within the story line, it takes us to Burma and Thailand and complete with charts and graphs, almost becomes an educational anti-drug documentary on the workings of the Asian heroin trade within the Golden Triangle. Excellent cinematography by Keung Kwok-man and editing by Kwong Chi-Leung. Good production design by Yee Chung-man with Academy Award nominated costume designer/art director Chung Man Yee on board as a consultant. Fast-paced original music score by Peter Kam. This is a good movie and I would give it a 8.0 out of 10 and recommend it.