My Dog Tulip

This film is perfect.

The story is lovely, the music fits brilliantly, the animation, especially in the way. with a few lines and a little colour, it catches the "character" of the dogs is incredible in it's simple perfection.

I came to England (from Scotland) and fell in love with the place thanks to H.E. Bates' books...this little film reminded me so much of them....it's very restrained in it's beauty, summed up by the first line: "In being quite unable to love each other, the Englishmen turn to their dogs"

Why did this film not sweep the Oscars? No other animation comes close...apart from perhaps "Mary & Max".

Everything about it is perfect.

I have been dying to see this film since I first heard about it over a year ago and finally saw it, and, not only did it live up to my very high expectations - it surpassed them!

Based on the classic book, "My Dog Tulip" by J.R. Ackerley, this film is an absolute treat from start to finish. It's an animated film and every frame is a work of art. It was hand-drawn but not on paper - it's the first film to be drawn on a tablet and over 100,000 drawings were made. You can almost feel the love and devotion that went into this touching story.

It's about a lonely man, who, quite by chance, acquires a German Shepherd dog, who turns out to be the love of his life! I'm sure anyone who has ever loved a dog will enjoy this story. However, just because it's animated doesn't mean it's aimed at children. Quite the contrary - it's definitely for adults as much of the movie involves Ackerley's frustrated attempts to find a mate for Tulip.

If you're a dog-lover, an artist, or just someone who appreciates a good film, do yourself a favour and go see this wonderfully unique film! I can't wait to see it again!

I usually would not watch any film that was animated but because the book MyDog Tulip was so enjoyable I decided to give it a try. I'm so very glad I did. The art work is brilliant. My Dog Tulip is not in any way cartoon-like and is not for children, It is very faithful to the book. If you have never lived in England especially during the period covered in the book I would think you might not connect with the film because it is so very British. A lot of Americans might be put off due to this but I found it was one of the pleasant things about it, having lived in England for a few years. Also the author's companionship with his Alsatian (German Shepherd) dog was really heart warming. I also had an Alsatian and could relate to a lot of the things in the film concerning the problems he encountered trying to find a suitable mate for his dog and also the encounter Tulip had with the chickens could have come directly out of my notebook. I enjoyed this film for its artwork, story and British humor. I will definitely watch it again. Tulip could have been a twin for my dog.

Although the film is specifically about a relationship between an older man and a dog, I think that the relationship with pets is reasonably universal. OK there are obvious differences between the dynamics of having a dog and those of having a lizard but generally the nature of the affection and the relationship is similar in most cases. I say this as someone who had a dog for about 8 years and now own 2 cats and for all the animals they became a part of my life to the point I could not imagine being without them and did tend to treat them with an affection that they probably don't deserve as mere animals. Anyway, all this rambling is by way of saying that I was open to this capturing this relationship even if it was not specifically the one I had experienced.

And I genuinely didn't expect the relationship to be like my experiences but somehow I wished they had at least been vaguely similar because as it was I really got no sense of this affection until it is spelt out in the narration in the closing few moments. Up till this point the material is incredibly detached from emotions and almost scientific in its removed observation of Tulip. The film is remarkably crude in its contemplation of her ablutions, her period in heat and so on; I really felt quite confused by this as I was not sure what to take from it. There seemed to very little that was heartfelt or about a sense of companionship in the way I would see it – for the majority of the film Tulip came over as almost an insect in a jar.

The animation is refreshingly rough and personal – there is more heart in this than in the actual material. Unfortunately the animation amplifies the crudity of the film, showing the biological obsessions of Ackerley and it frequently gives the film even more of a sordid feel. Plummer's narration is nicely warm and if there is an hint of affection in the material then his voice brings it out – shame there isn't much to be had.

A really disappointing film then; it proposes to be about the relationship between a man and his dog but presents something that is roundly scientific, cold and lacks any sense of heart or feeling. The animation both helps it be better and also be weaker in different ways.

When English writer and BBC editor J. R. Ackerley brought home with him a German Shepherd bitch whose owner was in prison, little did he anticipate how difficult would be to care for her. However, despite the fact that Queenie (the original dog's name) was untrained and high strung demanding his full-time attention, he felt unconditionally loved for the first time in his life.

This is a delightful animated movie for adults and older children based on Ackerley's memoir of the same name. Each individual frame was digitally painted with broad brush strokes creating a minimalistic and naturalistic scenes. Tulip is shown acting like a dog when she is taken to the veterinarian, runs out of control in the park, or goes into heat. And life-long bachelor Ackerley used to his peace and quiet is challenged by each one of Tulip's behaviors or problems. This is a movie about unconditional love that dog and animal lovers, or for that matter anybody who has had real feelings for any creature, should treasure.

To understand the origin of Queenie, see the very good comedy drama "We Think the World of You" with Gary Oldman and Alan Bates, based on Ackerley's novel of the same name. It tells how an incarcerated burglar's dog becomes the object of class warfare between his working class wife and parents, who mistreat the dog, and a middle class former boyfriend.