A masked lumberjack stalks anyone who enters his woods. Throughout the film we get a variety of people who come in contact with the killer and they don't live to regret it.A masked lumberjack stalks anyone who enters his woods. Throughout the film we get a variety of people who come in contact with the killer and they don't live to regret it.A masked lumberjack stalks anyone who enters his woods. Throughout the film we get a variety of people who come in contact with the killer and they don't live to regret it.
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Meet Ogroff,the most bestial and savage backwoods killer in the history of French horror genre.This masked psycho randomly butchers random people doing random things in the forest including men,women and even kids.Extremely cheap and awful French slasher with tons of inept gore.The editing is extremely amateurish and there is often no sound.Even the voices have been added later.There are some random zombies thrown in for a good measure.The killings are nasty and inane including the scene in which the guy gets the hatchet in his face."Mad Mutilator" rips off "The Burning" and "The Texas Chainsaw Massacre" and it surely looks like Nathan Schniff's ultra low-budget gorefests.If you are into crude dismemberment,axe masturbation and leather masks watch this utter trash and be amazed how ridiculous it is.5 axes out of 10.
For a sick and twisted cult fanatic like myself, who has seen practically everything already, the movie possibly couldn't start any better. Within the first three minutes, there's a psychopath with an S&M mask butchering a 5-year-old by planting an ax in her little chest and then literally putting his pompous foot on her body to pull it back out. That is sick! That is loathsome! That is
awesome! Of course, right after (and even during already, to be honest) the initial euphoria, it becomes painfully apparent that "Mad Mutilator" is a Z-grade amateur movie without a script, without equipment, without involvement of anyone who ever worked in the film industry, without suspense building, without continuity or without sense of subtleness. We can easily explain this, by the way. N.G. Mount, the writer / director / producer / lead actor and editor of "Mad Mutilator" is actually just an ordinary Parisian video store clerk who enjoys making movies in his spare time and this is his masterpiece.
The titular freak, apparently called Ogroff, is a deeply deranged cannibalistic maniac who lives in the woods and slaughters happy families when they stop near his hideout place to have some rest or a picnic. He's a real bad-ass because he disembowels the body of the child in front of her chained but conscious mother. He also pops out people's car trunks and we learn that he masturbates with his ax. Yes, that looks as bizarre as it sounds. Obviously, "Mad Mutilator" is a terrible piece of trash in every meaning of the term. The introduction of new characters takes approximately seven minutes. That's SEVEN minutes of staring at people playing chess in the woods and listening to atrocious electro music. The special effects and stunts, however, are beyond stupendous. When Ogroff pushes one of the victims' cars off a cliff, it's clearly just a matchbox car thrown in a sink. Another nifty trick Mr. N.G. Mount repeatedly takes advantage of is playing the soundtrack of another film (my guess a Hong-Kong martial arts flick) over the action sequences. The sub plots, allegedly added to increase the tension, are magnificent and 100% plausible. There's a girl investigating the strange disappearances in the area and she goes off wandering in the woods all by herself. What a genius! She also must be some sort of bionic woman because she pulls a guy's head right off! Unfortunately, for her, he wasn't the mad mutilator. The battle between Ogroff with his ax and a random woodchopper with his chainsaw is quite cool and incredibly messy, but unnecessarily stretched. The last bit of logic completely vanishes when suddenly an army of zombies crawl out of Ogroff's basement (well hole in the ground) and the whole thing turns into a lame "Night of the Living Dead" imitation.
"Mad Mutilator" is amateur film-making at its most primitive and shameless. This kind of movie plays in the same league as Andreas Schnaas' "Violent S**t" and Don Swan's "Goremet: Zombie Chef from Hell". In other words, the kind of movie that automatically makes you think stuff like: "How come my mates and I haven't made any movies yet? If this guy can do, certainly ours would be better". You're probably right, too, but suppose it fails as well Do you really want to see your name irredeemably linked to something like this? "Mad Mutilator" is unendurable for sane persons, but if you already spent a lifetime watching obscure and controversial horror movies, this is a true gem! Besides, it's somewhat admirable that N.G. Mount managed to convince no less than Howard Vernon (regular French horror actor) to make a very brief appearance.
The titular freak, apparently called Ogroff, is a deeply deranged cannibalistic maniac who lives in the woods and slaughters happy families when they stop near his hideout place to have some rest or a picnic. He's a real bad-ass because he disembowels the body of the child in front of her chained but conscious mother. He also pops out people's car trunks and we learn that he masturbates with his ax. Yes, that looks as bizarre as it sounds. Obviously, "Mad Mutilator" is a terrible piece of trash in every meaning of the term. The introduction of new characters takes approximately seven minutes. That's SEVEN minutes of staring at people playing chess in the woods and listening to atrocious electro music. The special effects and stunts, however, are beyond stupendous. When Ogroff pushes one of the victims' cars off a cliff, it's clearly just a matchbox car thrown in a sink. Another nifty trick Mr. N.G. Mount repeatedly takes advantage of is playing the soundtrack of another film (my guess a Hong-Kong martial arts flick) over the action sequences. The sub plots, allegedly added to increase the tension, are magnificent and 100% plausible. There's a girl investigating the strange disappearances in the area and she goes off wandering in the woods all by herself. What a genius! She also must be some sort of bionic woman because she pulls a guy's head right off! Unfortunately, for her, he wasn't the mad mutilator. The battle between Ogroff with his ax and a random woodchopper with his chainsaw is quite cool and incredibly messy, but unnecessarily stretched. The last bit of logic completely vanishes when suddenly an army of zombies crawl out of Ogroff's basement (well hole in the ground) and the whole thing turns into a lame "Night of the Living Dead" imitation.
"Mad Mutilator" is amateur film-making at its most primitive and shameless. This kind of movie plays in the same league as Andreas Schnaas' "Violent S**t" and Don Swan's "Goremet: Zombie Chef from Hell". In other words, the kind of movie that automatically makes you think stuff like: "How come my mates and I haven't made any movies yet? If this guy can do, certainly ours would be better". You're probably right, too, but suppose it fails as well Do you really want to see your name irredeemably linked to something like this? "Mad Mutilator" is unendurable for sane persons, but if you already spent a lifetime watching obscure and controversial horror movies, this is a true gem! Besides, it's somewhat admirable that N.G. Mount managed to convince no less than Howard Vernon (regular French horror actor) to make a very brief appearance.
Everything about this is so incompetent it's hilarious. The editing is atrocious and looks like it was done by a mental patient with safety scissors. Everything is shot in wide coverage so there's a lot of 10-15 second long shots of people running towards the camera. The whole film resolves around chase scenes that have all the dramatic tension of an episode of Who's The Boss. The big bad villain just looks like a dumpy hobo and is less scary. Not to mention that it badly and blatantly rips off The Texas Chainsaw Massacre. That said: it's hilariously bad. Like, Manos: The Hands of Fate level bad, and in fact the camera work and editing is very similar.
Let's suppose that you have at least half a dozen friends who are just as crazy about splatter films as you are and who also want to make a movie of their own. Let's say that, between the lot of you, you have an almost non-existent budget and zero professional equipment. Let's also say that none of you have any prior film-making or acting experience, and have very little idea for a story. I still think that you would be hard pushed to make a film quite as awful as Ogroff The Mad Mutilator.
A completely inept French splatter crap-fest, Ogroff opens with the titular killer—a masked maniac brandishing an axe—slaughtering a family, including a little child who is chopped in the chest, and later has her head sawn off. Mean spirited, perhaps, but also completely inept, with horribly shoddy effects the likes of which make the work of fellow home-made horror hacks Nathan Schiff, Andreas Schnaas and Todd Sheets look masterful in comparison.
The film then proceeds to follow Ogroff as he attacks anyone he should meet in the woods, including a trio who are relaxing playing chess while listening to bad electronica, a man cutting trees with a chainsaw (which leads to an incredibly unconvincing 'axe vs power-tool' duel), and a pretty young woman who actually turns out to be Ogroff's lover.
The film then takes a completely unexpected turn when Ogroff's woman accidentally releases a horde of zombies from the killer's cellar, and an elderly vampire (played by Euro horror star Howard Vernon, who must have been a friend of the family) kidnaps the girl, with the axe-waving Ogroff in hot pursuit on a motorcycle. That's right this is a splatter slasher with zombies AND a vampire!
With all of that, one might expect Ogroff to be an entertaining mess despite the amateurish nature of proceedings, but the terrible direction, random editing, god-awful performances, and lousy audio (any sound was clearly added after filming, since very little of it matches the action), the whole thing manages to be a total bore. I rarely say that 'I could do better' since I was involved in the making of some pretty shoddy super-8 horror shorts myself in the '80s, but, in this case, I could definitely do better.
A completely inept French splatter crap-fest, Ogroff opens with the titular killer—a masked maniac brandishing an axe—slaughtering a family, including a little child who is chopped in the chest, and later has her head sawn off. Mean spirited, perhaps, but also completely inept, with horribly shoddy effects the likes of which make the work of fellow home-made horror hacks Nathan Schiff, Andreas Schnaas and Todd Sheets look masterful in comparison.
The film then proceeds to follow Ogroff as he attacks anyone he should meet in the woods, including a trio who are relaxing playing chess while listening to bad electronica, a man cutting trees with a chainsaw (which leads to an incredibly unconvincing 'axe vs power-tool' duel), and a pretty young woman who actually turns out to be Ogroff's lover.
The film then takes a completely unexpected turn when Ogroff's woman accidentally releases a horde of zombies from the killer's cellar, and an elderly vampire (played by Euro horror star Howard Vernon, who must have been a friend of the family) kidnaps the girl, with the axe-waving Ogroff in hot pursuit on a motorcycle. That's right this is a splatter slasher with zombies AND a vampire!
With all of that, one might expect Ogroff to be an entertaining mess despite the amateurish nature of proceedings, but the terrible direction, random editing, god-awful performances, and lousy audio (any sound was clearly added after filming, since very little of it matches the action), the whole thing manages to be a total bore. I rarely say that 'I could do better' since I was involved in the making of some pretty shoddy super-8 horror shorts myself in the '80s, but, in this case, I could definitely do better.
Ogroff (AKA: Mad Mutilator) - 1983
(This Film Rates a B- )
A low budget French schlocky slasher subtitled in English. A masked man (Ogroff), kills folks who trespass in his wooded area. He even kills children. There isn't much of a story line beyond that. It's all very random and kind of crazy. There is no character development and things get kind of lost. The dead start to rise as the masked killer stalks his one true love as she tries to flee. Let's not forget the vampire priest. Ogroff eventually succumbs to the dead and a crazy WTF ending ensues. It's all weird and over the top (like the self-eroticism with an axe at the 26 min mark) and nothing seems to make sense. The sound quality is some of the worst I have heard with below average acting and very little to no dialogue. The overall visual quality looks like it came straight off of VHS (recorded on Super 8). The gore is plentiful even if fake and topped with extremely poor looking effects. They are often times laughable. I don't think anything in this film was ever meant to be serious (16 min mark, 26 min mark). The murders are brutal and grotesque, but the killer never gets any blood on him. The soundtrack hits all the right electronic sounds (22 min mark, 35min 30 second mark, 59 min mark 1 hour 8 min mark). No T&A. None of the film's components work individually, but together, all seem to propel the film into a higher end of cheap schlock success. Its all-great fun if you know what you are getting into. The lesson is, never pull over in the back woods.
Did you know
- TriviaThe opening credit "OGROFF" was achieved by pasting the title on a piece of transparent glass, placing it in front of the camera, having the actor stand behind it and then pouring blood on it.
- SoundtracksMad Mutilator - Rasta Reaper
(uncredited)
Written by Jean Richard
Performed by Michel Desangles
Specific Recordings
- How long is Ogroff?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Mad Mutilator
- Filming locations
- Orléans, Loiret, France(Exterior shots)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 30m(90 min)
- Color
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