Little Miss Jocelyn

Loved the show. It should show now on one of the paid streaming programs.

Little Miss Jocelyn is one of the most brilliant of comedy shows. Its depth is often unappreciated. Take these characters: Liz: a biting satire of white man's exoticisation of black women. Fiona: a woman who is so conditioned by prevalent (but generally unspoken) racist opinions that she espouses them wholeheartedly to the point of denying her own 'black' identity, save finally exploding at the end of the sketch by 'fulfilling' the most racist and outrageous of anti-black clichés. Mrs Omwukupopo: another incisive satire playing up to white people's prejudices towards so-called 'black sexuality'. Throughout Jocelyn Lee Esien plays on either reversing white prejudices or on reproducing them for satiric effect highlighting the racist views that British society is full of and is not aware of subscribing to, or cannot quite admit to in public (except perhaps in the dark corners of a pub), thanks to its often hypocritical adherence to 'political correctness'. I imagine many white people will find the show distasteful, but that is the whole purpose of it, to throw back in their faces the types of prejudices that their society itself often holds against Africans. Of course that is just one level. There is another. Little Miss Jocelyn is a comedy about the African community in the UK laughing about itself and its idiosyncrasies. Many of her sketches are part of the classic repertoire of 'country (call-a-spade-a-spade) bumpkin goes to the metropolis of political correctness' and can be found in many other comedies about/by migrants (not only African) living in the so-called 'advanced' economies.

I am not surprised but saddened by the axing of the program.

When I watched the show for the first time I thought 'oh another Little Britain clone' but I was pleasantly surprised by the following episodes. As with all new programme's i was too quick to judge and have found myself looking forward to future episodes. However there are some sketches and characters I still don't laugh at. The bus driving character Sheson is too similar to the traffic warden character of Jiffy to me to be considered an individually comical character. Despite this I still enjoy watching the show but as a 3 non blonds fan I'm bound to be a little biased. My favourite characters in Little Miss Jocelyn are Mrs Omwukuopopo (Nigerian Polygamist), Jiffy (Parking Attendant) and Fiona (A woman who doesn't want her colleagues to learn she's black) and these characters in my opinion really make the show. A criticism i must make though is that it seems like a female version of Little Britain and The Fast Show but I don't think it was intentional on Jocelyn's behalf.

I really don't understand why so many people dislike this show. It certainly holds its own against all the other character based sketch shows that have appeared over the last few years.

I didn't like her previous show 3 Non Blondes & had low expectations. Admittedly, there are a few sketches that fail to hit the mark (especially in the first series), but the majority make me laugh out loud. With such a large variety of characters & ideas there will always be some that you won't like. However, the richness of 'Little Miss Jocelyn' stems from this variety. Characters such as the Nigerian Driving Instructor, the Toilet Attendant, the Disgusting Shop worker, Gladys Kingston the foul mouthed man hater, the Dietician / Witchdoctor, Tantrum Woman and the Traffic Warden are used in the context of sketches but also in the real world in a hidden camera show style. This works beautifully & shows just how versatile & inventive Jocelyn Jee Esien is. Her skill at portraying so many very different comic characters (Old women, teenagers, men etc) in a convincing manner is impressive & so is the attention to detail. The Bus Driver & Traffic Attendant are absolutely spot on in the way they behave & speak and they're worryingly close to the real people who do those jobs.

I love Gladys Kingston, the funeral chasing old ladies, the Umwopwopwopwops and the Toilet Attendant. Just give this show a chance. Don't avoid it just because a few people here hate it.

Everyone hating it and giving it one star just don't understand the subtly of the humour. There are many cultural references here to Essien's African background which is cathartic to me and other black people. I loved this show growing up because she was the only black comedian at the time; a black woman at that. She brought to light things black people understood: having to act white at work through Fiona, the stereotype of ignorant black teens shown in a comedic way, the hair dressers and the Nigerian taxi driver. When you grow up in our background, the jokes hit home and as tough as growing black in the UK has been, you're able to finally laugh at your experience. It's a light hearted way for us to finally see ourselves represented on TV. Jocelyn Essien did amazing job. I always come back to watch this show because it brings back good memories but mostly how hilarious it is. All the reviews saying it's unfunny just don't understand it is because Essien crafted a show that finally centred the black experience and was unapologetic for it. And for that, she's my idol and one day, I hope to work with her and tell her how important this show has been for inspiring my own route into writing for comedy. Love you so much Jocelyn!