Grow Your Own

I didn't expect a movie about asylum seekers and allotments to be one of my favourite movies. But it's British quirkyness is absolutely charming. Where else in the world do they have allotments? but more importantly, I think it perfectly captures the great British love-hate of foreigners. We like them but hate them at the same time. In this movie we have the typical mistrust yet somehow that's broken down. Partly it's through food - yes we do love our takeaways here in the UK don't we? and partly through skills (yes we are short of a few) and partly through romance.

It's a movie that I think is really topical and all UKIP supporters should see!

Wow! A genuinely funny and moving film that lingered in my head for days. Probably the most unsexy list of ingredients to make a movie from - gardening, immigration, telephone masts - but it links all these plots with an amazing cast of characters who it is impossible not to care for. It's a bit like Little Miss Sunshine - why should a road movie about a dysfunctional family on their way to a beauty pageant work? - because you care about every single one of them and the same thing happens here. Rather than laying the politics of immigration on with a trowel the writing and directing insinuate it throughout the stories. A great piece of British Indie Cinema - It left me with that feeling you get after an impromptu warm summer evening sitting outside the pub.

I deeply suspect that 'tfitoby' is missing the point of what I found to be an extraordinarily sensitive and subtle piece of social comment. The point is HOPE and the vehicle is COLOUR. From the social to the physical, Richard Laxton peppers his film with the symbolism of diversity and change. From the stark, colourless winter emerges the blooming promise of spring, (using mirrored panning shots at either end of the film: Katherine Mansfield's time-honoured narrative tools in celluloid). From inconspicuous attire, evolves the vibrant 'panache' of Hawaiian shirts. The dichotomy of confinement is also explored (a space normally connected with travel, trade and promise presents itself as a physical and mental incarceration, whilst the physically enclosed space of the allotments represents freedom, social and cultural responsibility and diversity - not to mention what the intrusive nature of the communications industry). These are not humorous issues, but I feel that genuine and warming comedy helps to highlight, implicitly and explicitly in this film, the myriad of social problems – and joys - we face today. I suggest very strongly that 'tfitoby' takes another look - perhaps he could watch it on one of the BBC's prime viewing slots, say, on a Sunday evening?

I watched the DVD of this, basically because that's how i watch movies. I wondered at the start if I had made a mistake and was going to rue the decision to buy it, but no, things livened up a bit, the comedy was subtle and the acting was stock UK standard - sometimes too good for its own good, many viewers missing the sublety. I think today we are so saturated with 'blockbuster' and 'drama' that when we see characters who seem to be not acting, we just think that they're doing badly. I've done that myself. However, although I think that Philip Jackson, who is one of my favourites, was a predictable casting, the situation was ultimately sorted in the typical British no-fuss method of side-stepping the unpleasantness and dealing to him. I liked it, no apologies for that. I'll probably watch it again.

I had never heard of this film and so didn't know what to expect. I was very pleasantly surprised. Well written, well filmed and with some great performances. Amusing, idiosyncratic with typical Allotment politics throughout. Hardly a Citizen Kane or a Casablanca, but there are worse ways to spend an hour and a half. You feel pleasantly refreshed after watching it.