Last Train to Freo

This was an interesting film with some unusual elements. It's a story in real time and it has some real tension to it. I thought the characters were going to be caricatures, but was pleasantly surprised to find that mostly they were authentic.

The film is based on a play, and at times this seemed evident (particularly the weaknesses). But because the story was original and different, it had a freshness and vitality to it.

There were some minor contrivances and implausibilities in the first hour that I could easily overlook because of the strength of the performances and the genuine tension. The setting within an all but deserted train carriage was claustrophobic and chilling. For me, the film took a turn for the worse after an hour, that lead to aspects that just didn't ring true.

Overall, it was a job well done by Jeremy Sims as first-time director, and worth seeing in one of the best years in Australian cinema for a very long time. There's been a great diversity of interesting stories. From the actors, I found the performances of Steve Le Marquand, Tom Budge and Gillian Jones the strongest. Gigi Edgeley was good but not consistent (perhaps that's the fault of the script).

On a final note, for the life of me, I can't understand the Office of Film and Literature Classification's "MA" (equivalent to "R" in the US) on this film. Yes, there is a little violence and coarse language – but with the Hollywood shoot-em-ups that get through on an "M" rating, I can't see why this shouldn't also.

It's midnight and it's a hot steamy night, where two ex-cons catch the last train to Fremantle. A couple stops later a young lady enters the carriage, and their gaze catches her. Soon they're trying to sweet talk and capture her attention. Further along the line another two passengers enter the carriage and from then onwards it becomes something more than just your friendly get-to-know each other discussions.

The last train to any destination can be a daunting experience, and this psychologically Australian character drama that rarely leaves its confined carriage setting and passenger's sets-up an experimental, stage-like experience of such exposition. We get to know the characters quite personally, as if you're right on board the train with them and it really relies on that intensity. A towering Steve Le Marquand (a show-stopping turn) and the spontaneous Tom Budge really drive this factor with their outstandingly raw and passionate theatrical performances of two ex-cons. They both really hold your interest. The gorgeous Gigi Edgley is confidently good too. What starts off as basic with trivial exchanges, unfolds into something more which is emotionally enthralling and boldly unpredictable with its dangerous undercurrent. The layout is kept rather taut with a cerebrally involving (and rapid tongue) script and multi-facet performances making up for the lack of action. The confronting interplay was enough to wet my appetite, even if it might have been a contrived screenplay it manages to feel fresh and authentic. Intimate photography and the decision not use any sort of music score added to the organic atmosphere. Instead it favoured natural sounds of everyday life… from the train announcer's voice to the humming nightlife coming outside the train. The slow-burn, low-key approach grows on you and has you waiting around to see how it all ends up. What's great about it, was it sticks to reality and doesn't go for anything big.

Five people on a train for an hour and a half, how good can it be? Well, considering my rating, I'd say pretty good. To tell you the truth, I just watched this because Gigi Edgley was in it (I love her), and my expectations weren't really that high. Just a few minutes in I was pretty sure I had nothing to worry about. With most movies nowadays (at least the ones that reach me) focusing on action and hi-tech stuff, this movie felt really refreshing. Even though it begins pretty light, with two guys just having fun (well, at least one of them) on the train, it gets increasingly darker and more complex with every minute. No one is really what they seem to be, and several plot twists were truly unexpected. As was the ending. Speaking of which, by the time you get there you'll have no idea what will happen. That's a feeling lacking in most contemporary movies. I mean, the good guys always win, right? But what if there is no good guy? No bad guy? Just people. Real people.

And if you're too lazy to read all that, then at least read this: Watch this movie. You'll be positively surprised. If not, send me an e-mail and I'll buy you a beer. Or something.

I got this movie out as a DVD recently, not knowing anything about it or the actors/director. My interest was due to the fact that it is set in Perth, where I'm from. It's a great small budget film in which all the action takes place on a train. The actors, especially the lead - the tall thug, are excellent and the script quite confronting, with snippets of humor throughout. The storyline is quite believable for anyone who's been even briefly annoyed with idiots/anti-social members of society acting-up on trains. My wife and I sat transfixed for the entire movie, which is pretty unusual. I certainly recommend this movie, although not if in the mood for a light, fluffy feel-good experience!

I wasn't sure what to expect and originally watched this movie because I like just about anything with Gigi Edgley in it. I wasn't disappointed at all. This movie starts out in what seems a slow and sluggish way but the eventual twists and turns make it all worthwhile. It was an excellent character study piece. It really isn't a movie for the younger crowd because of the adult situations. But then, I guess compared to HollyWould movies this is rather tame. It is just that the acting and situations build to a crescendo towards the end and present the subject matter in a very visceral way. It will have you on the edge of your seat towards the end. The casting couldn't have been better, the acting was great, and the direction was excellent. It is a drama/thriller extraordinaire.