Smart People

Smart People - Smart People had a 46% on Rotten Tomatoes, but it's far better than that. Lawrence Wetherhold (Dennie Quaid) is a "holier than thou" widowed professor you unfortunately meet once in awhile. He's the sort who's deeply invested in his subject but can neither make it accessible nor allow the students any time to discuss it. He's a brilliant asshole essentially. He meets a physician in a hospital after a head injury and begins to reevaluate his life and his happiness. He has a dead-beat brother-in-law (Thomas Haden Church who steals every scene he's in), a daughter (Ellen Page) who is a young Ann Coulter in the making, and a son (Ashton Holmes) to whom he never talks.

This film is quite funny! Page and Church were definitely the stand-outs, but I appreciated Dennis Quaid and Sarah Jessica Parker, two actors who I rarely ever have liked. It deals with a couple familiar rom-com problems (pregnancy, the "other woman" thing), but the film never feels overly sentimental or cliché. It's satisfying watching Quaid's character get some richly deserved socks to the stomach once in awhile, but you're with him anyway by the end. The humor is a little on the biting cold side, which goes well with my tastes, maybe not with some. Smart People overstays it's welcome a bit near the end, but a good movie overall.

B.

Not for your average movie-goer, this one. Although the situation is teed up nicely for a typical feel-good ensemble gush-fest, it resists that temptation and takes you to a place where the characters are not, although they seem to need it, ready for rehab. It has an easy, rambling style that gradually rather than gratuitously opens their world to us without (for the most part) overly relying on hackneyed situations and gimmicks (although Quaid's insistence on keeping his wifes clothing was not one of them). In fact, the situations portrayed are so dark and lo- keyed that I wondered if this movie could have been made without the ready-made typecast qualities of Quaid, Haden-Church and Parker. ...Gritty Pittsburgh backdrop in a very real academic surrounding adds to the slice-of-life tone.

"These children haven't been properly parented in many years. They're practically feral. That's why I was brought in." Chuck Wetherhold (Thomas Haden Church)

I know smart. My college-professor colleagues are smart, with the usual trade off of occasional neuroticism. My kids are smart, with the usual emotional distance and independence that accompany eccentricity. So Noam Murro's Smart People, about a widower professor of literature, and his brainy family initially put me off with its dysfunctional crew, but as I slowly gave myself to the cynicism and inhumanity, I realized this crazy world was one I know well, and well is it depicted in its humor and pathos.

Although Lawrence Wetherhold (Dennis Quaid) is tenured at Carnegie Mellon and on the brink of having a book accepted for publication, he is surly to everyone else, even his young students and his feckless adopted brother, Chuck (Thomas Haden Church), and unhappy with himself, in large part, it would seem, because of the untimely death of his talented wife that allows him to wallow unchecked in self pity. Quaid's interpretation borders on annoying, so unremittingly curmudgeonly does he play it.

Former student and head of ER at a local hospital, Dr. Janet Hartigan (Sarah Jessica Parker), has the potential to pull him out of his funk if his devoted, brilliant, and acerbic daughter Vanessa (Ellen Page) can't. Why Hartigan is attracted to him is never established, and why Parker would accept such a thankless, underdeveloped role is a mystery.

This anti-Little Miss Sunshine and close relative to Royal Tenenbaums beats all quirky family comedy/dramas for pure cynicism. However, that very dark tone throughout, even down to the somewhat contrived denouement, is the film's strength. The reality is that depressed, smart people don't immediately change; they slowly if at all join the brotherhood of man by accepting our faults, as simple as upgrading worthy student papers or asking personal questions of those students or a date.

Noah Baumbach needn't fear: Smart People is nowhere near as smart or glib as Squid and the Whale and Life Aquatic, but it brings a new dimension to the quirky family genre: honesty and gloom that translate into an enjoyable date with a dysfunctional family that's a lot like our arguably functional ones.

This film is about a smart college professor who has no clue about dating or caring for his family.

I hoped "Smart People" to be funny and entertaining, but unfortunately it was boring. Lawrence's inability to charm women is not entertaining or interesting. I find the story rather poorly developed, especially the relationship between Lawrence and Janet. The difference between their first date and the second date is so contrived and unconvincing. There is no reason to believe that Lawrence has improved so much after just a few words of advice. The relationship between Lawrence and his family is not engaging either. The characters are so hollow and unlikeable, and they are only there to deliver lines. It is a good cast completely wasted. I am disappointed by this film.

I've just seen this film and read a number of reviews about it. Many reviewers are referencing 'Little Miss Sunshine', 'The Family Stone', etc. But I left the theatre thinking of the wonderful, beautifully balanced and developed, fun film, 'The Accidental Tourist'--another film about an emotionally deadened, difficult man who is suffering from the loss of a loved one and is 'redeemed' through love. Talk about quirky families; the one in 'Tourist' puts most of the rest to shame. The difference perhaps in the quality of these films (Tourist very high, Smart People quite low, many others in the 'genre' somewhere inbetween) lies in that The Accidental Tourist was based on the highly crafted, moving novel of the same title by the gifted writer Anne Tyler. What stands out for me again and again as I work up my courage to attend recent releases is that the quality of screenplay writing in Hollywood and elsewhere is low, low, low. Rushed, pressured, unbaked--too many films being made too fast, with scripts that bore and confuse us with unconvincing plots and thin characters. This film, Smart People, could have been--with revision and review--a much better, more engaging, moving picture. The script simply wasn't ready for production; the story isn't there.