Blindness

The movie has its merits. It brings you into the story, making you feel all the emotions felt by the characters, and in my opinion this is why some people didn't like it; it opens your eyes for things that nobody wants to see. I'm not saying that a disease like this one could happen, but others may come, and that's a reality.

The movie makes you feel extremely uncomfortable; I caught myself thinking about leaving the room sometimes. The atmosphere that Fernando Meireles built is so heavy and dark (even thought the whole movie is full of bright colors) that it makes you feel something like depression, sadness, and you keep thinking in the movie after it has finished. The acting helped a lot in this aspect; all the actors did their best to give a perfect sense of reality.

If you want just to spend some time watching a good apocalyptic movie, this is not the one. It may be considered as "cult" in someway, by the fact that you don't watch it to get entertained, but to reflect about it.

If I had to grade this movie based on how I felt during it, I would give it a 0, but I have to say that, above everything, it is a great movie.

8/10

It's very easy to understand why people hate this movie.

Blindness is directed by acclaimed film-maker Fernando Meirelles, with a story based on a novel by award-winning writer Jose Saramago. It stars Julianne Moore and Gael Garcia Bernal. What could go wrong?

Well, this is one the most depressing movies I've seen in recent years.

Don't be fooled, the genre of this movie is Horror, albeit done in an ultra-realistic way, much like the Brazilian movie wave of the 70/80's - gritty, violent, dirty, and ultimately hopeless.

However it's not a horror movie in the common sense. It's not scary because it has ugly monsters. It's not frightening because there is a lot of gore and blood. What freaks me (and others) out over this movie, is that it tells a story that could happen, and actually, is happening. If one can't see that, then one is as blind as the characters in the film.

The movie is technically brilliant, with great acting and top-notch effects. The story takes place in a non-specific city, but some of it was clearly filmed in São Paulo. The movie poses the question, "what if suddenly everyone in the world became blind"? This is a practical question as much as a metaphorical one.

I don't think this movie can be "enjoyed". The violence is suggested rather than seen (which IMHO makes it scarier). It can, however, be appreciated, as its shocking nature is nothing more than a wake-up call for humanity.

Having said that, Meirelles took a huge risk (the novel was considered to be un-filmable) with this film, and the result was a lynch-mob reaction from both critics and audiences. I wonder how this will impact Meirelles' future works.

I will dare to suggest that, if this had been filmed in Spanish or Portuguese, it might have been hailed as a cult movie. As it is, it's too alienating for audiences that are used to happy endings and fake-violence, or people who watch movies solely to pass the time.

This one is for 'hardcore' movie fans - don't watch it if you're depressed or sad. And it offers the viewers very little in the way of comfort. However, it's so well-executed and disturbing, that you can't help but agree that their goal was reached. Unfortunately, the marketing and the names involved with 'Blindness' misled many viewers who otherwise would never dream of watching this.

It's not a perfect film by any means, though. The music (specially in one crucial scene) just feels out of place sometimes. And If you can't picture yourself as a blind person, some things may not make a lot of sense, too. There is a scene however in which one of the characters sings a very popular song in a slightly different way - one you are not likely to forget anytime soon.

Approach with caution, and preferrably, alone. You don't want to lose any friends or potential dates. But I also think that to miss out on this movie is like losing a chance to watch one of the most thought-provoking films of this year.

7/10

The movie I watched was actually taken with a very loyal mind to original José Saramago's book. When we look at the lower IMDb score that movie have taken, we realize that it is not often overlooked that this film deserved by the viewer. Sad but we are not surprised. Because it's a literary adaptation. Blindness is not suitable for young minds waiting for the story of post-civilization apocalyptic worlds like 'Mad Max' 'Waterworld' and 'God of Flies'. This is not the action that this generation expects, but the dark desperate world that goes bumpy in the feces is something beyond the comfort standards even for young people. I advice people to read the book first and than watch Julianne Moore acting.

There is a contagious blindness disease. The optometrist (Mark Ruffalo) who treats the first case also gets it. The authorities round up the sick under quarantine. The doctor's wife (Julianne Moore) doesn't get the blindness but she stays by his side. Soon the sick are left on their own and the strong starts taking advantage of the weak. Doctor's wife keeps her sight a secret as the prison descend into hell.

The start is pretty slow and I don't think it's necessary. My main problem is that there are a few unbelievable things in this movie. A minor problem is how quickly the quarantine is imposed. For such a weird sickness, the authorities seem unusually brilliant. The main problem is the unwillingness of the wife to use her sight. The plot seems to be bending over backwards to get to its points. There is a very provocative plot here. I wish it could be done more naturally.

Sometimes I wonder. At times, it seems that we all have some shared cinematic values — that some art can reach us all. Sure, we usually sacrifice depth in the process, but that's a small enough occasional price for the joy of laughing with a crowd. It is no small part of the experience, that shared dark room with no remote control.

So when I see a movie like this, I wonder why it doesn't fit the niche. It is extraordinarily well done. The eye is used to convey not only narrative movement — as usually is desired — but situated group emotion as well. It does this in a straightforward, effective way. It is high cinema, but not requiring deciphering. Some visual episodes here simply took my breath away. They worked, all of them that I got, because Julianne understood what they were and how to support them.

The story has allegorical elements about society and family, humanness and knowing. I would have preferred that they be more subtle, more Chinese. But they worked. You could see the balance, the perfect weighing of values, the texture from a Nobel-level writer.

So this should have been embraced by everyone. High visual art with accessible vocabulary and visceral effect. Obvious allegory, but with rich immediate motion. Several unexpected turns. But for some reason it wasn't. As I knew this going in, it became a sort of parallel context that was carried along. This was absolutely pummeled by the newspaper writers, not critics really; just reporters of a supposed banal zeitgeist.

Viewers on IMDb were not so savage, but this, like "Children of Men" did not get the exposure it deserved. The business about goodness grown from being forced to live on the periphery of dangerous tribe simply did not carry from "City of God" to here, though the similarities are striking.

So I wonder whether it is me that is blind here, in celebrating this, or the other way.

Ted's Evaluation -- 3 of 3: Worth watching.