Blindness

The movie has its merits. It brings you into the story, making you feel all the emotions felt by the characters, and in my opinion this is why some people didn't like it; it opens your eyes for things that nobody wants to see. I'm not saying that a disease like this one could happen, but others may come, and that's a reality.

The movie makes you feel extremely uncomfortable; I caught myself thinking about leaving the room sometimes. The atmosphere that Fernando Meireles built is so heavy and dark (even thought the whole movie is full of bright colors) that it makes you feel something like depression, sadness, and you keep thinking in the movie after it has finished. The acting helped a lot in this aspect; all the actors did their best to give a perfect sense of reality.

If you want just to spend some time watching a good apocalyptic movie, this is not the one. It may be considered as "cult" in someway, by the fact that you don't watch it to get entertained, but to reflect about it.

If I had to grade this movie based on how I felt during it, I would give it a 0, but I have to say that, above everything, it is a great movie.

8/10

There is a contagious blindness disease. The optometrist (Mark Ruffalo) who treats the first case also gets it. The authorities round up the sick under quarantine. The doctor's wife (Julianne Moore) doesn't get the blindness but she stays by his side. Soon the sick are left on their own and the strong starts taking advantage of the weak. Doctor's wife keeps her sight a secret as the prison descend into hell.

The start is pretty slow and I don't think it's necessary. My main problem is that there are a few unbelievable things in this movie. A minor problem is how quickly the quarantine is imposed. For such a weird sickness, the authorities seem unusually brilliant. The main problem is the unwillingness of the wife to use her sight. The plot seems to be bending over backwards to get to its points. There is a very provocative plot here. I wish it could be done more naturally.

Sometimes I wonder. At times, it seems that we all have some shared cinematic values — that some art can reach us all. Sure, we usually sacrifice depth in the process, but that's a small enough occasional price for the joy of laughing with a crowd. It is no small part of the experience, that shared dark room with no remote control.

So when I see a movie like this, I wonder why it doesn't fit the niche. It is extraordinarily well done. The eye is used to convey not only narrative movement — as usually is desired — but situated group emotion as well. It does this in a straightforward, effective way. It is high cinema, but not requiring deciphering. Some visual episodes here simply took my breath away. They worked, all of them that I got, because Julianne understood what they were and how to support them.

The story has allegorical elements about society and family, humanness and knowing. I would have preferred that they be more subtle, more Chinese. But they worked. You could see the balance, the perfect weighing of values, the texture from a Nobel-level writer.

So this should have been embraced by everyone. High visual art with accessible vocabulary and visceral effect. Obvious allegory, but with rich immediate motion. Several unexpected turns. But for some reason it wasn't. As I knew this going in, it became a sort of parallel context that was carried along. This was absolutely pummeled by the newspaper writers, not critics really; just reporters of a supposed banal zeitgeist.

Viewers on IMDb were not so savage, but this, like "Children of Men" did not get the exposure it deserved. The business about goodness grown from being forced to live on the periphery of dangerous tribe simply did not carry from "City of God" to here, though the similarities are striking.

So I wonder whether it is me that is blind here, in celebrating this, or the other way.

Ted's Evaluation -- 3 of 3: Worth watching.

I adored the book, it was both powerful and thought-provoking. The adaptation is fairly decent but I just didn't like it as much. It was gritty, well filmed but I expected more, way more. The movie felt somewhat censored to me for lack of a better term. I do give credit to the director for the clever way his characters go blind and his plays on light. The plot is interesting and mysterious making you wonder what is happening and how you would react to certain situations. Julianne Moore gave a restrained quality performance and the rest of the international cast was OK but not outstanding. I think it's another case where I should have watched the film before reading the book.

Rating: 7 out of 10

First I have read the book and couldn't stop my self watching it's movie. Movie is good , liked it but seriously book was better. Even though it will be my recommendation to who wants to watch a dramatically interesting movie.