In order to raise the tuition to send her young son to private school, a mom starts an unusual business -- a biohazard removal/crime scene clean-up service -- with her unreliable sister.In order to raise the tuition to send her young son to private school, a mom starts an unusual business -- a biohazard removal/crime scene clean-up service -- with her unreliable sister.In order to raise the tuition to send her young son to private school, a mom starts an unusual business -- a biohazard removal/crime scene clean-up service -- with her unreliable sister.
- Awards
- 2 wins & 6 nominations total
Cliff Garstka Sr.
- Gun Shop Employee #2
- (as Clifford R. Garstka Sr.)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Rose Lorkowski (Amy Adams) was once a popular cheerleader and a person of envy, back in those high school years. However, she has made some questionable choices since then and now works as a home cleaner to support herself and her young son, Oscar. She does a have a back-up system in her wheeler-dealer father, Joe (Alan Arkin) and in her frequently out-of-work younger sister, Norah (Emily Blunt), if she needs babysitters. She calls upon the eccentric Norah often, especially so that she, Rose, can have a late-night tryst with a married policeman, Mac (Steve Zahn). Ouch, she is still going in the wrong direction, it seems. However, Mac does give her a work tip. If she could get into the "crime scene" cleaning business, she would be pulling in large bucks, as removing blood stains is big stuff. Receiving some leads, Rose does begin to get some assignments, like cleaning up after suicide victims and folks that die in their slovenly homes. Reluctantly, Norah agrees to help and "Sunshine Cleaners" is born. But, with Oscar still having trouble in school and with Mac continuing to string her along in the love department, will Rose really rise above her present circumstances? This is a fine film about people who work hard and get nowhere. First, the cast is great, with Adams, Blunt and Arkin delivering terrific performances, ones worthy of honors. Blunt, especially, is a treasure as the unconventional woman, haunted by past circumstances, and having trouble fitting into "modern" existence. The lesser actors are also nice, but Zahn is, unfortunately, given no chances to show off his comedic touch. The setting in New Mexico is also lovely, while the costumes and look of the film are likewise wonderful. That said, special mention should also go to the very fine, sharply worded script and the secure direction. This is a heart-grabbing story, with unusual elements and unsettling realities. If you love films that are not of the typical, churn-em-out variety, this one is definitely a worthy choice. It is as illuminating as sunshine and as touching as they come.
Greetings again from the darkness. Ahhh, the first 2009 script (by Megan Holley) that has the depth, nuances and multiple sub-plots that keep me addicted to movies. Sure one can view this as a simple story of the emotionally struggling sisters who start a bio-hazard clean-up company to connect not just with each other, but also with those who have been the victim of a profound event involving a loved one. It works just fine on that level.
Of course, I never make things that easy. For this viewer, I was absorbed in the connection the sisters had to their dead mother. The quest for a glimpse of her one movie of the week performance as a waitress had the sisters trained to stop in their tracks whenever a "waitress" scene appeared on TV. The sisters are played exceedingly well by the extraordinarily talented Amy Adams and Emily Blunt. Their performances lift a really good script to greatness.
For most movies, that would be plenty. Not here. Director Christine Jeffs ("Sylvia") gets to play with Alan Arkin as the always scheming father, a quick commentary on the disgusting "solution" of public schools tendency to require medication on less than robotic kids, emotionally empty relationships, and the absolute need of people to connect with others.
The fine acting continues with Steve Zahn as the former high school hero turned local cop, whom Adams' character has maintained a long term "bond". Trouble is Zahn's character picked someone else to marry. Clifton Collins Jr adds a wonderful dimension as Adams' possibly new prospect. Mary Lynn Rajskub is just plain fascinating as the lonely lady Blunt thinks she is helping.
Being promoted as from the creators of "Little Miss Sunshine", this one offers up a nice story complimented by many quirks that make it stand apart from the masses. Hopefully it will find wider distribution as we can never have enough top notch story telling.
Of course, I never make things that easy. For this viewer, I was absorbed in the connection the sisters had to their dead mother. The quest for a glimpse of her one movie of the week performance as a waitress had the sisters trained to stop in their tracks whenever a "waitress" scene appeared on TV. The sisters are played exceedingly well by the extraordinarily talented Amy Adams and Emily Blunt. Their performances lift a really good script to greatness.
For most movies, that would be plenty. Not here. Director Christine Jeffs ("Sylvia") gets to play with Alan Arkin as the always scheming father, a quick commentary on the disgusting "solution" of public schools tendency to require medication on less than robotic kids, emotionally empty relationships, and the absolute need of people to connect with others.
The fine acting continues with Steve Zahn as the former high school hero turned local cop, whom Adams' character has maintained a long term "bond". Trouble is Zahn's character picked someone else to marry. Clifton Collins Jr adds a wonderful dimension as Adams' possibly new prospect. Mary Lynn Rajskub is just plain fascinating as the lonely lady Blunt thinks she is helping.
Being promoted as from the creators of "Little Miss Sunshine", this one offers up a nice story complimented by many quirks that make it stand apart from the masses. Hopefully it will find wider distribution as we can never have enough top notch story telling.
I watched this movie in a sneak Preview, so I had no idea, what I had to expect from this. The title is not giving away too much, which I will respect, so if you want to read something about the story, read the summary here on this site.
The acting in this is really great, but some might have a problem with the pace of the movie. It moves along slowly and it's not "in your face" funny, but more a subtle kind of humor (most of the times). It's actually more a drama than a comedy. And Alan Arkin is exceptional as ever, even if he's not the main role here. With a few up and downs, this nice little film has a winning charm, that is worth a view.
The acting in this is really great, but some might have a problem with the pace of the movie. It moves along slowly and it's not "in your face" funny, but more a subtle kind of humor (most of the times). It's actually more a drama than a comedy. And Alan Arkin is exceptional as ever, even if he's not the main role here. With a few up and downs, this nice little film has a winning charm, that is worth a view.
I find that when people ask me what this movie is about I have a hard time successfully telling them. Read the synopsis by all means, but like most summaries it barely scratches the surface. It's a story about a mother who leaves her family in the most permanent way imaginable. It's about a father struggling to maintain his unflappable optimism, a sister whose self-esteem leads her into self-sabotaging habits, another who is in complete emotional freefall, a son who is becoming aware of his family's dynamic and how it compares to the rest of the world's and how they manage to regain their footing by pursuing a very unusual profession. At its heart it is always about family. At their best Amy Adams and Emily Blunt are some of the most talented actresses working today and I was happy to see them both in a script worthy of their skills. Both are gifted at line delivery, but some of their most powerful scenes are nonverbal. The dynamic between all the characters is thoroughly real and enjoyable. I found myself very satisfied by all their resolutions. It was an excellent story to watch unfold.
The title of this movie gives very little away. We know it's about a cleaning company, but that's about it. Well, the company specialises in crime scene clean-ups. That's all the mess that's left after the body has been removed and the police have finished their investigation. This engaging independent film tells how two sisters in New Mexico got into the business and what happened as a consequence.
The sisters in question are Rose and Norah Lorkowski. Rose has a son, Oscar and Norah still lives with their father, Joe. Oscar gets expelled from school and Rose has to make more money to get him into another one. She is having an affair with a cop, Mac, who suggests she goes into the lucrative crime scene clean-up business. Having looked into it she ropes Norah in and they start cleaning up after all kinds of deaths, quite badly at first. Then they meet Winston who runs a store that sells cleaning supplies. He takes pity on them and helps them with paperwork and the like. During this tale we learn a lot about the girls and their lives and some of the reasons they turned out the way they did.
This is a pretty well made film which has quite a slow pace. It does tend to wander off on a tangent now and then, but I didn't find that too distracting. Excellent performances all round, particularly from Amy Adams as Rose, Emily Blunt as Norah and Alan Arkin as Joe. Honourable mentions should also go to; Jason Spevack as Oscar, Steve Zahn as Mac and Clifton Collins Jr. as Winston.
Over all I found the gentle pace of this film quite refreshing. It allows the audience to absorb what's going on rather than have it thrust at you like some crazy 3D piranha. The film is very much about feelings, sorry, no blood and guts here, unless it's already on a wall, of course. I guess it will be enjoyed more but female viewers, but still, as a male in touch with his feminine side (she made me say that), recommended.
My score: 7.1/10
The sisters in question are Rose and Norah Lorkowski. Rose has a son, Oscar and Norah still lives with their father, Joe. Oscar gets expelled from school and Rose has to make more money to get him into another one. She is having an affair with a cop, Mac, who suggests she goes into the lucrative crime scene clean-up business. Having looked into it she ropes Norah in and they start cleaning up after all kinds of deaths, quite badly at first. Then they meet Winston who runs a store that sells cleaning supplies. He takes pity on them and helps them with paperwork and the like. During this tale we learn a lot about the girls and their lives and some of the reasons they turned out the way they did.
This is a pretty well made film which has quite a slow pace. It does tend to wander off on a tangent now and then, but I didn't find that too distracting. Excellent performances all round, particularly from Amy Adams as Rose, Emily Blunt as Norah and Alan Arkin as Joe. Honourable mentions should also go to; Jason Spevack as Oscar, Steve Zahn as Mac and Clifton Collins Jr. as Winston.
Over all I found the gentle pace of this film quite refreshing. It allows the audience to absorb what's going on rather than have it thrust at you like some crazy 3D piranha. The film is very much about feelings, sorry, no blood and guts here, unless it's already on a wall, of course. I guess it will be enjoyed more but female viewers, but still, as a male in touch with his feminine side (she made me say that), recommended.
My score: 7.1/10
Did you know
- TriviaThe filmmakers have said in interviews their story is based on a 2001 National Public Radio "All Things Considered" report about two women in the Seattle suburbs who started a biohazard removal/cleaning service. They are best friends, not sisters.
- GoofsWhen Norah chases after the kitten, there is a small table and a cat statue on the porch. Later, when the house is burning at night, the table and statue are gone. A subsequent scene of the porch in flames has the table and cat statue back again.
- Alternate versionsAmy Adams brief topless scene has been censored in the US home video releases. Those frames are zoomed in slightly to omit the nudity where as the framing is left intact on releases outside of the US.
- SoundtracksCure for This
Performed by Golden Smog
Written by Marc Perlman
Courtesy of Lost Highway Records
under license from Universal Music Enterprises
Details
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $12,062,558
- Opening weekend US & Canada
- $219,190
- Mar 15, 2009
- Gross worldwide
- $16,580,250
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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