Angela an illegal immigrant living in Los Angeles stumbles across Bill, a disgraced banker on the run.Through sex, conversation ranging from politics to philosophy, and other worldly pleasur... Read allAngela an illegal immigrant living in Los Angeles stumbles across Bill, a disgraced banker on the run.Through sex, conversation ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview.Angela an illegal immigrant living in Los Angeles stumbles across Bill, a disgraced banker on the run.Through sex, conversation ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview.
Keller Wortham
- Bill
- (as James Wortham)
Adrian Quiñonez
- Diego
- (as Adrian Quinonez)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I liked the film very much. The whole story unfolds under the echo of the word "now". Now we live, love, die, fall and rise. Past is too far and future is hidden behind the dreams. It is such a relief when you realize that the only constant thing in life is the inconstancy. And there is no time enough for regrets and despair, no time for loosing yourself in the cave of greed for getting more and more. You should appreciate every single moment and never forget it is a gift.
The main actors managed to inspire all these thoughts. Same feelings inspired the music and some camera decisions. I liked the scene with the bird-kite. And about the sex scenes I find them erotic, not vulgar or rude.
The main actors managed to inspire all these thoughts. Same feelings inspired the music and some camera decisions. I liked the scene with the bird-kite. And about the sex scenes I find them erotic, not vulgar or rude.
What can I say. Sex always sells. Good political touching. Straight up colossal waste of time. Sadly, any hardcore porno offers better acting and sex you might actually enjoy.
Angela is the paradigm of free and liberated femininity. An altruistic, intellectual, and sexually independent woman, she chooses her partners the same way she selects a book from her shelf: with curiosity and delicacy. She is an illegal immigrant living in an attic in the heart of Los Angeles, a Nicaraguan with a violent past she is trying to escape. Now she is a nurse, takes care of her own, the helpless, those who truly need her.
Angela is a pragmatic woman who only lives in the here and now, and she makes this clear to Bill, a former American banker tainted by capitalist prejudices and a way of life based on hypocrisy, who crosses her path when she tries to help him and give him shelter while he is on the run from the authorities accused of fraud.
Bill surrenders to Angela's freshness, eloquence, and spontaneity, while the two spend hours chatting and philosophizing about life, amidst acts of love that are foreign or even embarrassing to him. Angela exposes Bill to a no-holds-barred intimacy that, little by little, leads him to love.
"Now & Later" normalizes sexuality as something to be considered everyday. And it shows it without strings attached, without censorship, freely. Meanwhile, the cavern of critics continues to consider this work reprehensible and immoral due to some explicit sex scenes that, in reality, have nothing to do with pornography. This is the kind of hypocrisy Angela refers to several times when she comments on the musty Western way of life.
"Now and Later," without any cinematic pretensions, stands as a valid reference to the social clichés of modern America, using a slow-paced style that invites moon-light reflection as bodies merge and obfuscation disappears.
Angela is a pragmatic woman who only lives in the here and now, and she makes this clear to Bill, a former American banker tainted by capitalist prejudices and a way of life based on hypocrisy, who crosses her path when she tries to help him and give him shelter while he is on the run from the authorities accused of fraud.
Bill surrenders to Angela's freshness, eloquence, and spontaneity, while the two spend hours chatting and philosophizing about life, amidst acts of love that are foreign or even embarrassing to him. Angela exposes Bill to a no-holds-barred intimacy that, little by little, leads him to love.
"Now & Later" normalizes sexuality as something to be considered everyday. And it shows it without strings attached, without censorship, freely. Meanwhile, the cavern of critics continues to consider this work reprehensible and immoral due to some explicit sex scenes that, in reality, have nothing to do with pornography. This is the kind of hypocrisy Angela refers to several times when she comments on the musty Western way of life.
"Now and Later," without any cinematic pretensions, stands as a valid reference to the social clichés of modern America, using a slow-paced style that invites moon-light reflection as bodies merge and obfuscation disappears.
I was expecting this to be a dog of a movie, just trash with nude bodies thrown in. But instead Now and Later is a very political movie with a lot more talking than anything you'd see in an adult movie. Maybe with a larger budget it might have worked, but as-is, it doesn't.
You have 2 attractive leads, one a very white banker in trouble with the law and a woman from Nicaragua in the US illegally. Although released in 2011 the film is set during the Reagan years but very much has to do with the world in 2025. It's obvious the writer/director has very liberal, anti-American views and that the female lead is his mouthpiece. I did not find any of the sexual stuff offensive, but there is plenty said in the long dialogue scenes that will offend many.
Keller Wortham is not a great actor, better than I thought he might be, but Shari Solanis is actually pretty good in her free-spirited role.
Overall it's a very different film because even with the included nude scenes it didn't come off as exploitative. Unfortunately the bulk of the film takes place on one set and so much of the film is the female character talking about what are obviously the writer's views on the world. None of this is done in a compelling way and that is where the film fails. It's also a film with an extremely immature and unrealistic view of life.
You have 2 attractive leads, one a very white banker in trouble with the law and a woman from Nicaragua in the US illegally. Although released in 2011 the film is set during the Reagan years but very much has to do with the world in 2025. It's obvious the writer/director has very liberal, anti-American views and that the female lead is his mouthpiece. I did not find any of the sexual stuff offensive, but there is plenty said in the long dialogue scenes that will offend many.
Keller Wortham is not a great actor, better than I thought he might be, but Shari Solanis is actually pretty good in her free-spirited role.
Overall it's a very different film because even with the included nude scenes it didn't come off as exploitative. Unfortunately the bulk of the film takes place on one set and so much of the film is the female character talking about what are obviously the writer's views on the world. None of this is done in a compelling way and that is where the film fails. It's also a film with an extremely immature and unrealistic view of life.
I could analyze this film as a critique of the American Dream and a very good one it is.
I could also point out the mass of very good social commentary and analysis of modern Western ethics.
And I'm sure the prudes will be put off by the very intimate sex scenes while the pervy types will be distracted from the story by them. So I could implore you not to let this happen and, instead, just allow these scenes to draw you into a feeling of intimacy with the characters.
I could also go on about how much the two lead actors must have put into this to bring their characters to life so vividly.
But instead I'll just say "Enjoy what is a very beautiful film on several levels".
btw I reserve 10 points for really, REALLY excellent films that stand out well above others. Otherwise I would have given this 10.
I could also point out the mass of very good social commentary and analysis of modern Western ethics.
And I'm sure the prudes will be put off by the very intimate sex scenes while the pervy types will be distracted from the story by them. So I could implore you not to let this happen and, instead, just allow these scenes to draw you into a feeling of intimacy with the characters.
I could also go on about how much the two lead actors must have put into this to bring their characters to life so vividly.
But instead I'll just say "Enjoy what is a very beautiful film on several levels".
btw I reserve 10 points for really, REALLY excellent films that stand out well above others. Otherwise I would have given this 10.
Did you know
- TriviaShari Solanis said the sex in the movie was all simulated except one scene. "We kept it professional. We didn't want the dynamic or energy of porn. It was all simulated except the blowjob scene - but that was it. It was not about [porn]. It was about showing a slice of life, and sex being very natural. We tried to capture that and not be exploitative," she said.
- GoofsEven assuming that Anglea has some kind of off-screen arrangement/lease with the building owner(s) to make her residency on the roof legitimate, that is not the only factor that makes her situation untenable. Rain is admittedly sometimes rare in the Los Angeles area, but it is certainly not unheard of, and Angela seemingly has no provision whatsoever for protecting all of her rooftop possessions from being ruined every time it rains, or whenever some other inclement weather occurs.
- SoundtracksAna Touiri
Performed by Fadhéla Dziria
Written by Al-habib Hachlafe
Composed by Haddad Al-Jilali
Edition de la paix / Royal Music
- How long is Now & Later?Powered by Alexa
Details
Box office
- Gross US & Canada
- $1,808
- Opening weekend US & Canada
- $1,516
- Feb 20, 2011
- Gross worldwide
- $1,808
- Runtime
- 1h 39m(99 min)
- Color
- Aspect ratio
- 1.78 : 1
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