Ciao

Mark and Jeff are the best of friends. Jeff would have liked their friendship to go beyond their close but platonic relationship. Unfortunately they never seem to click on that level, possibly because Jeff isn't Marks "type." Or possibly because the nature of their bond might be jeopardized by sex.

Mark has "met" Andrea, an Italian, online and they have talked a few times by phone. Since Andrea will be in New York for a wedding, they plan for him to come to Dallas for a couple of days so they can finally meet in person.

Mark is killed in a road accident and Jeff assists the family in sorting out his things. He goes through Mark's emails, in part to know who might need to be notified about the death, but clearly he wants to know a bit more about his friend and discovers that Mark revealed more about himself to Andrea than he ever shared with Jeff.

When he receives an email sent to Mark by Andrea detailing his anticipated trip to Dallas, Jeff replies informing Andrea of the death and suggesting that he cancel the trip. Soon after he has second thoughts and suggests Andrea come to Dallas as planned and spend those few days as his guest.

Most of the film is devoted to conversation between Jeff and Andrea as they share their thoughts about Mark and learn more about each other.

The most striking thing about the movie was the intelligent scripting of the dialogue between them, sometimes reflecting their impressions of Mark, sometimes asking ridiculous things about each other, sometimes lighthearted and apparently superficial, sometimes poignantly revealing. Surely it was scripted, but it seemed totally natural and spontaneous.

It could easily have been maudlin or gone over-the-top emotionally but, aside from one emotional release, it was subtle and low- keyed. In some respects it was mysterious because you were never sure where it was all heading.

My only complaint was that Andrea, though very fluent in English, occasionally, naturally stumbled over some American idiom, but at other times Jeff used Americanisms that Andrea could not have understood, but Andrea doesn't bat an eye.

Different forms of grieving and attempts to deal with loss have certainly been explored to death in films, so in that sense there is nothing remarkable about the story concept. The scripting, the acting, the directing and the photography do lift this above what might have been another overly sentimental tear-jerker though.

CIAO is a quiet little film - on more levels than one. The title of the movie is well chosen: 'Ciao' can mean both hello and goodbye, and that is the essence of this subtle film. Written by director Yen Tan and actor Allesandro Calza it is a very contemporary story about love and enduring feelings. The film takes its time, very literally, dwelling on still shots of doorways, paths, profiles, etc while the message of the film slowly surfaces. It is more an elegy than a story and it works quite well.

We first meet Jeff (Adam Neal Smith) as he is packing up the belongings of his longtime friend Mark who has just died, and in doing so he comes across Mark's computer and discovers messages to and from an Italian man named Andrea (Alessandro Calza), messages that define an internet relationship that ends with Mark's death. Andrea doesn't know about Mark's passing and when Jeff answers one of the emails stating that Mark has died, Andrea states he is on his way to the US for a wedding and that he had planned to meet Mark face to face in Dallas. Jeff extends the invitation to keep Andrea's plans, meets him at the airport, and invites him home where a long series of talks reveal the histories of both men and reminiscences of Mark. The mutual loss - one of a friend, the other of a potential love - mix and a new friendship of understanding and caring is born. Much to the credit of the writing, directing and acting, the ending is unexpectedly real - again recalling the title of the movie.

Some will find this film too slow and too 'empty', but for viewers who appreciate still life paintings and poetry, this film will satisfy.

Grady Harp

There is a lot of praise for this little movie. It's well enough deserved as the atmosphere created by the photography is intimate and quiet.

Mark, the principle character, suffers the death of his close friend by an accident. Andrea is a friend that Mark never heard of from his now deceased friend. Mark invites Andrea to visit as the plans were already made before the accident. Andrea is in Italy, Mark is in Texas.

This sort of threw me as it is never made fully known how the deceased friend came to know Andea, other than through the internet. Andrea gets around we learn through his conversations with Mark. In my opinion Andrea is a paid escort but he never confesses this to Mark as he discovers that Mark is a very old friend of the dead guy and had great respect for him. Andrea has feelings and doesn't want to disillusion Mark with his true purpose for the visit.

Andrea goes back to Italy. I state this because Andrea comes across as patronizing and insincere.

I see others who reviewed this movie didn't care much for it, but I personally really enjoyed it. I thought the script was well written and included a lot of details that are sometimes left out of movies. The story line had me interested the whole way through. Definitely a movie to watch when you feel like relaxing as it isn't fast moving and the characters/actors are kinda quiet and "tread lightly" through the movie. That being said, it made for a more interesting movie to me as it left more to my imagination and had me glued to the TV begging for things to go the way I wanted them to. I would definitely like to see more from these actors but so far it seems that they aren't in a lot of films. I hope they plan to do more!

This film is not just unique it is also very unusual in that it simply does not live up to the preconceived hype associated with films in this genre. First of all, the director's style is fantastic because unlike every director on the planet he does not move the camera. Each shot is like a still life. This probably will drive some people crazy, but I loved it. Then there is the story. You just never know what is going to happen and eventually you realize nothing does happen. In this day and age when every scene in a movie is supposed to move the story forward, this film absolutely stands still so that combined with the non moving camera the film is like a series of still photos which in itself is quite abstract and surreal. The two leads are both very handsome and very charming and engaging. But the lack of action combined with the still-life photography really gives the two leads a great deal of character and depth that you just do not see in today's films.