While She Was Out

This is what you need to know about this movie, besides the fact that I recommend it as solid thriller: Kim Basinger, suburban mother of 2, lives with abusive husband. On Xmas she decides to go buy some stuff at the mall and while she's out, a series of bad things happen - getting her into serious trouble.

I wouldn't read more before watching the movie. Not because there are any great twists, but because it's worth watching without any, even minor, spoilers. It's also filled with irony - sometimes it reminded me of Predator and Home Alone - being a horror movie only in the sense of the cat-and-mouse game hunt.

In a role that's surprisingly physical, Kim Basinger does a good job as the protagonist. I can't help but remember what Kim went through with her marriage problems and all, and somehow connect this movie as a catharsis of sorts for her.

"While She Was Out" might not be very well-known, but it should, in my opinion. It's a refreshing take on a genre that's been tirelessly explored, and most important of all, fun.

6/10

Despite the first act being trope after trope for the setup, I really enjoy this one. Personally I think going to a mall on Christmas Eve is horror enough on its own, but this is one of those situations that could happen to anyone. And make no mistake, guys like the antagonists in this movie, bored punks trying to prove how hard they can be or just getting off on harassing women, are literally everywhere, so the situation is highly believable and frankly, terrifying. But what I really like about this one, without blatant spoilers/details, is Della's (Basinger) character growth throughout. She goes from terrified victim of spousal abuse, just trying to put on a brave face for her children and fake it in front of friends, to this horrible situation where she is once again put into the role of victim, now fighting for her life and to get back to her children. As the film goes on we see her go from victim on the run to being forced to defend herself, unwilling to be a victim any longer. It cathartic. As for the details of the events throughout, yes, it sometimes feels a bit over the top and full of tropes and clichés, but guess what, it's a horror thriller, not a documentary.

The genre of suspense films really takes a dive in this one. The big problem is IMPLAUSABILITY. I realize that you need to create difficult situations which would cause suspense and the tense feeling of whats going to happen next, but this movie was so predictable, and is just not believable. I find that the more I watch this kind of movie, the more I am continually saying things to actors to direct them away from danger. Continually making bad decisions just borders on being plain stupid. If they took the time to make it more realistic, I might have enjoyed it a little. Having said that, you might be better off staying away from this one.

So this is what actress Kim Basinger has succumbed to? Mmm… to tell the truth the film's title is something quite eye grabbing to getting your interest and plot outline reads so basic, but simplicity can have its strengths. Anyhow by the end of 'While She Was Out' I was left feeling rather indifferent. Not the worse (despite being engulfed by negatives), but there's easily way better in what is an causally lukewarm, but compact and unbalanced late-night survival fable of a feeble suburban housewife stranded in the woods trying to fight for her life after she witnessed the death of a rent a cop that came to her aid, when she provoked an ugly exchange with some punks in a shopping car park.

The problem here falls on the misguidedly erratic and foreseeable material (taken from a short story), along with the very variable performances. The flimsy script was poorly thought-out (which isn't so good when your plot has a slight structure to hang off), so many wretched inclusions and dubious actions just go on to find its way in this endless chain of events. As for the bunch of stereotypical goons (led by an unconvincing Lukas Hass as a loose canon) terrorizing Basinger, well they were less than threatening, but hopelessly clueless. Watching Basinger scrounging around in the dank wilderness with a red tool box in her hand (don't ask me why?) knocking off these wannabe punks one by one became ridiculous because it didn't elicit tension or emotion… but instead clumsy jolts that were absurdly daft because of the stupidity of the lead up. Basinger's performance is stout-like, but doesn't craft much empathy. Craig Sheffer shows up as her hot-headed husband. Strangely I couldn't keep my eyes off the screen… thinking to myself that red toolbox is hypnotic (why would she be constantly carrying it) and what tool was she going to use to dispatch the next thug… her choices were quite disappointing. Watching her transformation through the traumatic situation when things are finally turned around is rather empty, due to its unsure tone and the ending is something you could see miles ahead.

Susan Montford's soberly slick direction lacks cohesion and energy, as it pretty much chugs along. I liked the opening credits though, with its hauntingly sullen score (which is the most effective thing throughout the feature) and polished photography.

No great shakes. Doesn't ask much of your time, but I wouldn't care to see it again. However with the inclusion of a Joy Division song, it made me grab a couple of their albums for a listen.

Oh my god. the idea that this movie is a thriller is an absolute joke to me. besides the point that it seems to be written by a 5 year old. the plot, the acting and even the props and filming of this movie were all beyond disgrace.

I am not usually this critical about any movie, cause every person has his/her style. But this movie, however, was probably the worst movie i have seen in 2008. I can honestly believe that this movie is unknown, and i think it should stay like this, for movies like these are making the thriller genre a joke.

I advise anyone that is a fan of thriller movies, or even simply movies to stay far away from this one.