Shoot the Messenger

It saddens me that the BBC only seem to commission dramas about black people that are either hugely patronising or play on stereotypes. Shoot The Messenger falls into the latter category. I saw this last week and was hopeful and interested to watch a virtually all-black cast. The programme was so heavily publicised that it seemed a sin to ignore it. It started off well, showing Joe, a school teacher who is accused of assault by a young black pupil and subsequently loses his career, but after a ridiculous spell in a mental institution (anyone who has had any dealings with mental illness of any shape or form, will recognise this depiction as puerile and ignorant) he turns against all black people. On his release he then travels through a rich series of vignettes involving bad black people who only seem to reinforce his negative ideas about black culture.

As a young black woman, I suppose if I say that I'm annoyed by the stereotyping and negativity, I probably just don't like to hear the truth. If I say that the depiction of black women as females with non-existent self-esteem is offensive, then again, supporters of this film would argue that the truth hurts. I don't care if our 'laundry' is aired - if it takes this to encourage people to talk the problems with drugs, prison and mental illness which are currently occurring in the black community, then i'm all for it. But please, who are the producers of this fodder kidding? The only reason this programme was made was to increase ratings. The BBC have no moral responsibility to the black community - most of its employees don't know any black people apart from the happy go lucky staff who dish out their lunch at the canteen and the friendly but reserved IT guy who comes to mend their computer.

The point is, there are many gifted, talented black writers out there who have vision and the ability to create a good script seamed together with a solid message that would be understood by all races, who will never get a commission from the BBC simply because they're unwilling to resort to this level. It saddens me to read that so many black people are supporting this film. It seems as if we really are starved of seeing our own images in celluloid.

This TV film was shocking yet truthful at times. Yes, the film discusses racism and the prejudices facing black people in British society. However, it cleverly illustrates the lack of support within the black community, it shows the lead character, a teacher who believes that by giving his troubled black pupils detention, he can enforce education on them.

However, when a particular student accuses him of assault his own community turn against him. From that he goes on a journey in discovering and highlighting the problems, for example, black single mothers, black troubled youths, black religious beliefs, and so on, do not judge this film, if you have not seen it. I am not going to give too much away, because I do not want to spoil it for anyone. I found it extremely funny and upsetting at times, do not avoid this film .

Really, anyone who thinks this film is racist clearly has no capacity to look beyond the blatantly obvious and try to understand the real meaning of this stunning story. The fact that a film maker can be so bold and provocative as to verbalise the issues that are explored, and really go deeper into the race question than just "he's wrong he's right", and that someone can ignore political correctness and risk offending people in order to really get down to the gritty issues behind racism and race stereotyping is a testament to what can be done with film these days. I think that this is an intelligent, important and very brave piece of work, that will undoubtedly incur criticism, but that at the very least will remind people that race IS still an issue and that it requires more thought and understanding than is generally applied to it. I think that this is as cinematically close to Studs Terkel as possible.

As can be seen from some of the comments posted here, there are plenty of people intent on 'shooting the messenger', rather than listen to the message itself. In this case, the message happens to be the questioning of blame-culture which exists among certain sections of the black community. It is the contention of the author (Sharon Foster, herself a black writer) that it is this culture, and not that which is being blamed (ie white people), which is the cause of black underachievement. It is a serious argument, and one that can withstand close scrutiny, but that hasn't stopped the usual suspects from using their lazy cries of 'Racism' to try and silence the debate. A similar point was made during the film itself and it is interesting that many of the same terms of abuse used to castigate the main character in the film are identical to the ones being thrown around here (mainly by people who don't appear to have seen it). That would seem to indicate that Foster is, indeed, on to something.

Of course, this film could amount to no more than a 'worthy' drama, but 'Shoot The Messenger' is much more than that, due, in no small measure, to the quality of the writing. Foster has constructed an engrossing journey of self-discovery which begins with provocative words ( a gauntlet deliberately thrown in the face of the audience) uttered by Joe Pascale (excellently played by David Oyelowo), a well-intentioned but somewhat aloof black teacher, who falls foul of the authorities after he is accused of hitting a pupil. The fact that this is not true does not prevent him being vilified on a local black radio station. He loses the case in court and this leads him into a spiral of depression and madness, which he increasingly blames on black people (an interesting inversion of the blaming of white people which seems acceptable among his black contemporaries). I found this portion of the work the least satisfactory since the script sped over his insanity rather too quickly leading to loss of detail. After spending some time on the street, he is befriended by a middle-aged Black Christian lady. It is at this point the script really catches fire with some astute and occasionally hard-hitting views of the black community. All of this is maintained by a high degree of directorial energy and a high class cast. Highly recommended.

I've seen comments on this movie, which focus on the negative messages sent out by the main character. But Joseph Pascale brilliantly portrayed by David Oyelomo (watch out for this immensely talented actor) is an anti-hero. We as viewers are not supposed to agree with him or his actions. We are only asked to venture on a journey with him.

Yes. Most of what he said is over-the-top and blatantly wrong, but it does forward various touchy issues paint straight at you. You sometimes don't know whether Joseph is wrong or right and this doubt may be a very treacherous thing. The questions asked are treason, but the tingling feeling lingers that not all he said was unfounded.

The movie is beautifully acted and shot with the comedy side giving some relief. The script-writing (irrespective if you find the movie repulsive) is top-notch. Nigerian-born Ngozi Onwurah has done a spectacular job.

I guess there were a few moments, where they pushed the character a bit too far. On the other hand you can also see it as Joseph entering a phase were he was self-indulging on his own hatred and it spiraled out of control. Look the party scene.

You may not like it. But its hard not to admire it. And even harder to forget it.