Clash of the Titans

The Clash of the Titans remade is more like a brute version of it. It's fun but its a mess. It's more of a spectacle rather than telling a story bout the whole mythology epic with its characters though I'm seeing a lot of CGI extravaganza with over the top results which my eyes are bleeding like hell . This is one of those films where there are a lot of super good casts in a bad production.

Ah, the pre-summer action movie. Admittedly, due to word of mouth from those who had attended earlier screenings of the film, my expectations for Clash of the Titans were fairly low. On top of that, many of the initial casting choices appeared to be somewhat suspect. So, what's my verdict? Well, I didn't hate it…

The plot of Titans is extremely straightforward – practically to a fault. Often, the film acts as though it's in a hurry, attempting to get from one action sequence to the next as quickly as possible. The scenes that occur in between each of these battles ultimately amount to nothing more than brief segments of exposition delivered by Perseus' "guardian angel" of sorts, Io (Gemma Arterton). So, while the film never really drags, it feels very soulless.

And while we're on the subject of these action sequences, none of them end up being particularly memorable. About half of them are so frenetic to the point where they're almost disorienting - honestly, I'm glad that the 3D screenings were sold out this time 'round. On top of that, there's virtually no character development outside of Worthington's character (and even he isn't all that likable), so I never really cared about the outcome of these action sequences either. Also, as I mentioned earlier, my biggest fear with Titans was in regards to the acting, and thankfully, most of the cast do what's expected of them. Neeson's Zeus aside, none of the performances truly stand out, but they're nothing cringe-worthy either.

Ultimately, Clash of the Titans ends up being a forgettable piece of entertainment with a couple of gaping plot holes, hit-or-miss action sequences, and performances that fail to leave much of an impression. It's not horrible – just hollow.

3D is not perfect. Avatar may have shown its full potential whilst Alice in Wonderland and How to Train Your Dragon have continued to prove it can be utilised successful, but if not given the time and effort it requires, the third dimension on screen can actually detract from the movie. Unfortunately this is the case here. The last-minute decision by the filmmakers to add the extra dimension feels tacky and lazy. The objects in the foreground don't seamlessly meld with those in the background and a lot of the action is blurry and unfocused. The desert-brown palate is dimmed even more by the glasses – something the aforementioned movies could cope with due to their vibrant colours – and all of the wide shots are blotchy at best.

It's a shame really as some of the action scenes are quite impressive and boast fairly decent special effects. The various creatures we encounter aren't quite always photo-real, although the sheer size of them – especially the tentacular Kraken – are impressive enough to wash away any glaring flaws. However seeing as this blockbuster lives and dies by its amped up, large-scaled sequences – the screenplay is utter tripe and doesn't even bother to try to make the links between the action interesting or reasonable – it regrettably falls on its own sword, thanks once again to the indolent 3D. Take that away and you might actually be able to enjoy the CGI and the ridiculously big set-pieces with the picture clarity they deserve.

New Aussie on the block, Worthington, takes a misstep in his recently flourishing career; his acting is wooden and unconvincing. It doesn't help that Perseus is a massively underwritten role and only requires Worthington to look good and occasionally mutter something heroic. Neeson and Fiennes come across as cheesy in their roles of Zeus and Hades respectively, their experienced acting chops can't save them from atrocious wigs and laughable costumes. Standing out – which isn't overly hard to be honest – is Arterton and Mikkelsen, they give decent performances as the heavenly Io and the disgruntled Draco.

If you must see this on the big screen then do yourself a favour and see it in normal 2D. Or, even better, just wait to rent it on Blu-Ray.

2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)

Clash of the Titans is one of the earliest films I can remember having watched it as a kid in a big theatre, not the multiplexes we have today, and I liked it so much, it probably ranks up there as one film that I've watched the most times, on television reruns, or off a recorded video tape. The story's fairly simple, but to a kid it had plenty of charm, and a basic 101 guide to Greek mythology, of which the promiscuity of the Greek gods struck me as quite odd, save for the need to produce plenty of demi-god heroes from which stories are spun of.

Percy Jackson probably drew first blood in saturating the market about the new adventures of a fresh teenage demi-god, having him battle creatures similar to those found in this mythology. In fact, Clash of the Titans would find it difficult to beat the fun factor of the original film, and the modernized spin that Percy Jackson had to offer. There's little story here, and everything that happened was a sad excuse to get the story quickly moving onto the next big set action sequence. Lead character motivations had been changed significantly, especially with Andromeda (Alexa Davalos) being nothing more than a flower vase, and having her romantic subplot with our hero Perseus (Sam Worthington) being totally removed. I felt that was the first sign of narrative trouble.

Then it became more generic approaches in how to string the action scenes one after another. Each battle will last a significant amount of time, then a little more posturing, before going onto the next. It can easily be split into this sequence of scorpions-medusa- kraken, and each creature design was a shadow to predecessors like Scorpionok's attack in Transformers, Uma Thurman's rendition of Medusa, and Hollywood's Godzilla flop, coming complete with that foam on water approach to the mainland.

If anyone wants to make a film about a hybrid character, then look no further than Sam Worthington, who has been half man half machine in Terminator: Salvation, half man half Na'vi in Avatar, and now, half-man half-god who's tasked to save Andromeda of Argos from being monster sacrifice, should he be able to defeat Hades' Kraken, the source of his power and threat to mankind. Worthington seems pigeon-holed into these kinds of role, and because of Hollywood's current dearth of worthy action heroes, Worthington becomes the latest It boy with his physique and perpetual scowl, being suited perfectly well into this scarcity of actors who can act with their fists, without the compelling need to launch into lengthy dialogue as a professional and career development.

Otherwise the other star studded cast don't do much but pose and prance about in their costumes, with Liam Neeson looking constricted by his Zeus armour, Ralph Fiennes playing Voldermort all over again with his rendition of Hades, and Mads Mikkelsen as Drago the Argos general who has the nicest smirk caught on screen. Gemma Arterton is a surprise inclusion in the film as Io the immortal, which is a new character and given a lot more significance in the mythos now, and is in part one of the major changes in Perseus philosophy, tutoring and motivation, so much so that if I were to use a modern term, the word "cougar" would suit their relationship just fine.

And it is these kinds of little artistic license taken, that will likely leave the purist in you perturbed. Bobo the Golden Owl has a quick cameo to appease fans, but like the gods who are never satisfied with the pittance of worship obtained from the humans, we too think that it's not enough, since Pegasus too went through a none too subtle change in skin colour. Sorry, but to me, Pegasus the winged horse, will forever remain white. There are a few conversational pieces in the film that brilliantly introduces us to the world of the jealous Greek gods and they work wonderfully, such as their innate differences and why the brothers Zeus and Hades hate each other so much, but some were rather cringeworthy, especially when modern curses somehow found their place in a swords and sandals film as this.

I suppose you'll know by now that the film was never shot using 3D technology, and that it was only during post production, thanks to the mega box office success of Avatar, when it was decided to have a 3D version made for this film as well. The result? Millions spent enhancing nothing. Sure there's depth of field, but nothing to wow a jaded audience familiar with what a 3D film is expected to bring to the table. In fact, this film would be better off seen in a digital 2D format, since none of the action sequence even had a whiff of a suggestion of being in your face, since after all, it was conceptualized for a flat presentation.

Bottom line, it's extremely sterile and devoid of soul, whereas the original film had plenty of heart, and charming stop motion special effects to alleviate it to cult status. This one will likely be forgotten since it's nothing more than mediocre drama and ordinary set action pieces, though I will not deny that its marketing would ensure that it will garner some decent cash from the Easter holiday market segment. The original is so much better since this is all generic action and little charm.

This is one of those movies of which I had high expectations as a blockbuster. sorry folks, this is no blockbuster, it is nowhere as good as 300 and the recent Percy Jackson and Lightning Thief scores for me a whole lot better in terms of interpretation of Greeks mythology.

Sam Worthington as Perseus is likable but thats about it. He is no Sean Bean and doesn't deliver a strong enough character performance for me for a 'demi God' and the women throughout are models rather than actresses delivering good lines.

The opening boat scene is intriguing enough but the first let down is seeing the haircut of Perseus on the beach as a child, trying to connect where he was and what he was doing, it didn't wash for me. His taking to the Argos King and Queen and the confrontation inside the Palace was bizarre.

I agree with comments about the Krakken and the Medusa, they could have made more of Medusa and exploited more the real myth of Perseus and Medusa. My 11 year old son liked the film and things like Zeus giving Perseus the coin to enter the Hades underworld (same as in Percy Jackson) was interesting.

I don't say the film wasn't interesting or entertaining and there were some great scenes but I didn't go to see a mix of King Kong meets Lord of the Rings. Too much wizardry for me and the logic of Greek mythology became lost. Too many corny lines, poor lines, too much emphasis on the action without really connecting it to the story.

Certainly not a film to see in 3D.