An American woman is stranded in Tokyo after breaking up with her boyfriend. Searching for direction in life, she trains to be a râmen chef under a tyrannical Japanese master.An American woman is stranded in Tokyo after breaking up with her boyfriend. Searching for direction in life, she trains to be a râmen chef under a tyrannical Japanese master.An American woman is stranded in Tokyo after breaking up with her boyfriend. Searching for direction in life, she trains to be a râmen chef under a tyrannical Japanese master.
Soji Arai
- Toshi Iwamoto
- (as Sohee Park)
Yûya Ogawa
- College Student
- (as Yuya Ogawa)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A young woman Abby (Brittany Murphy) travels to Tokyo to see her boyfriend and he promptly breaks up with her and she gets a job works in a Tokyo noodle restaurant, where she finds out it is an art form to create one of Japan's favorite dishes. She trains under Japanese master Maezumi (Toshiyuki Nishida) who tests her and teaches her lessons in life and cooking. This is a fun little film and I wasn't expecting to like it so much. There is a lot about Japanese culture and traditions that most Americans like me don't understand , when I think of noodles I think of cheap dried noodles as a food of last resort. There are to this film credit sub titles for the Japanese; I think that if they had of put actor speaking in English it would have been very unauthentic. So there is some very interesting scenes of Tokyo that you don't see in most films, a kind of realistic view of Japanese life. It's nice to watch an Asian film with no martial arts, or weird horror plot, this is more of a romantic comedy and some drama. It's a feel good movie and was suggested to me by a friend as a movie to watch and review, she was right . Brickthrewglass.com
As one who has lived in Japan and has eaten REAL Ramen, I enjoyed this movie just from that perspective. However, I was touched on other levels as well.
There is a depth to this movie that sadly many viewers simply will not be able to comprehend. This is a movie that goes beyond the technicality or "head thinking" aspect of a craft and addresses the heart or "spirit" of doing something.
This is clearly a movie about redemption. It is a movie about relationships. And, it is a movie about cross-cultural understanding and communication.
Ramen Girl touched my heart, and I hope it will touch yours as well.
There is a depth to this movie that sadly many viewers simply will not be able to comprehend. This is a movie that goes beyond the technicality or "head thinking" aspect of a craft and addresses the heart or "spirit" of doing something.
This is clearly a movie about redemption. It is a movie about relationships. And, it is a movie about cross-cultural understanding and communication.
Ramen Girl touched my heart, and I hope it will touch yours as well.
I think a large part of the negative reaction comes from expectations about what the film is or should be.
First of all, this is not a remake of Tampopo, nor is it about food. It actually borrows more from "Like Water for Chocolate" than Tampopo, but the food subplot is an afterthought and a bit of a distraction.
It isn't really a rom-com though there is a romantic interest in there. Nor is it really a East meets West type of thing either though that certainly is an element.
It is a story about a young girl, who like many young people have wandered aimlessly expecting that life will just happen for them. The Japanese expectation that a big company will take care of them for life is not that much different from the American expectations. Our ramen girl discovers that such a lack of passion and spirit, even when the ingredients are there and all the right steps are followed will lead to a bland soup. A simple metaphor but done fairly well.
Brittany Murphy is surprisingly good as the ramen girl and her interactions with the gruff ramen-nazi (wonderfully played by Toshiyuki Nishida) are hilarious. The development of the relationship between the two of them was very well done.
I quite enjoyed this film and recommend it as a light pleasant diversion that brings a smile to your face - like a good bowl of ramen should...
First of all, this is not a remake of Tampopo, nor is it about food. It actually borrows more from "Like Water for Chocolate" than Tampopo, but the food subplot is an afterthought and a bit of a distraction.
It isn't really a rom-com though there is a romantic interest in there. Nor is it really a East meets West type of thing either though that certainly is an element.
It is a story about a young girl, who like many young people have wandered aimlessly expecting that life will just happen for them. The Japanese expectation that a big company will take care of them for life is not that much different from the American expectations. Our ramen girl discovers that such a lack of passion and spirit, even when the ingredients are there and all the right steps are followed will lead to a bland soup. A simple metaphor but done fairly well.
Brittany Murphy is surprisingly good as the ramen girl and her interactions with the gruff ramen-nazi (wonderfully played by Toshiyuki Nishida) are hilarious. The development of the relationship between the two of them was very well done.
I quite enjoyed this film and recommend it as a light pleasant diversion that brings a smile to your face - like a good bowl of ramen should...
Strange thing about this movie is that it has a lot of things wrong with it, but it is still a good movie, because it has a lot of "charm". Not the kind of charm in a movie that is overly contrived, but an actual sincere charm - which is hard to find. Most credit goes to Brittany Murphy for the charm, because she is such a naturally, sweet girl that she just delivers that quality to the whole film. The first problem I would love to address is the Cover of the DVD/Poster/Ad, because it is really awful. It has a "reverse stereotype" of Brittany Murphy in a Kimono with hands clasped. This would be okay for a film that one would think is about a soft-porn, submissive female on Cinemax, but it is not - it's more in the line of Karate Kid, and Shall we Dance. The People who watch expecting to see some White girl in Japan in hot, sexy escapades will be disappointed, and the People who usually watch more cultural, art films would avoid it thinking it's just soft-porn, so this "Cover" just disappoints everyone. The Marketing Dept. should learn from the people who market Fast & the Furious, because those movies sucks big, but always pulls in the audience because people know what to expect.
Watching Brittany Murphy's films posthumously makes you realize that although many of her movies weren't that great, SHE was a REAL shining star. She was the Marilyn Monroe of her era - bright-eyed, innocent, full of life and wonder. Her childlike hunger to learn is most evident in The Ramen Girl and this part was made for her. Too bad the supporting actors weren't as good... too bad the script was mediocre. It was a terrific idea and Brittany's acting makes it worth watching. She will charm you and, like other coming of age movies, you'll be inspired to want to change your life somehow or do your best at what you're doing now. Watch Brittany and take in her many-faceted soul in this and her other films and you'll be enchanted.
Did you know
- TriviaOn the set of the film, Brittany Murphy nervously told director Robert Allan Ackerman that she had only ever been cast to be "either cute or crazy" and would not be able to deliver anything else. In response, they developed a code where he would say either "C1" or "C2." "C1" was "cute" and "C2" was "crazy," and Ackerman would say to her, "Too much C2, too much C1."
- GoofsIn Japan, taxi's doors are operated exclusively by the driver. Passengers do not open nor close them.
- Alternate versionsThe version shown on U.S. streaming services has had "obscenities" dubbed over ("shit" becomes "shucks" or "crap," etc.).
- ConnectionsReferenced in Anthony Bourdain: No Reservations: Japan: Hokkaido (2011)
- SoundtracksLights Go Out
Written by Kate Holmes, Sarah Nicole Blackwood and Martin Glover
Performed by Client
Courtesy of Loser Friendly Records
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Cô Gái Mì Khô
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $32,000,000 (estimated)
- Gross worldwide
- $179,590
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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