A man awakes each day as a new person, only to be murdered again by horrifying pursuersA man awakes each day as a new person, only to be murdered again by horrifying pursuersA man awakes each day as a new person, only to be murdered again by horrifying pursuers
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Ideas are cribbed from the likes of "Groundhog Day" and "The Matrix" (to name just two examples) for this deliberately repetitive horror film. Mike Vogel (the "Texas Chainsaw Massacre" reboot of 2003) stars as the title character, doomed to die and start a new "life" over and over again, until a mysterious "they" can figure out what secret he is hiding from them.
A reasonably interesting story by Brendan Hood (who wrote the 2002 horror flick "They") ultimately suffers from routine, uninspired treatment, although "The Deaths of Ian Stone" is still a notch or two above other features I've seen lately in terms of quality. It suffers from unimaginative looking creatures (not ones that would generate much fright from most viewers), although use of CGI is not inappropriate here. It's not a very colourful picture, yet it is decently shot in widescreen by Stefano Morcaldo.
Vogel gives an effectively grim performance in the lead. He is well supported by two very sexy birds: Jaime Murray ("Botched") as the amusingly named Medea, and appealing Christina Cole ('Suits') as Jenny, the love interest who reappears throughout Ians' various lives. Michael Feast ("Velvet Goldmine") delivers a standout performance as the obligatory exposition provider.
At the very least, "The Deaths of Ian Stone" offers a more ambitious alternative to blander contemporary fare, and it does work better the less you know about its plot going in.
The late, legendary effects maestro Stan Winston was one of the producers.
Six out of 10.
A reasonably interesting story by Brendan Hood (who wrote the 2002 horror flick "They") ultimately suffers from routine, uninspired treatment, although "The Deaths of Ian Stone" is still a notch or two above other features I've seen lately in terms of quality. It suffers from unimaginative looking creatures (not ones that would generate much fright from most viewers), although use of CGI is not inappropriate here. It's not a very colourful picture, yet it is decently shot in widescreen by Stefano Morcaldo.
Vogel gives an effectively grim performance in the lead. He is well supported by two very sexy birds: Jaime Murray ("Botched") as the amusingly named Medea, and appealing Christina Cole ('Suits') as Jenny, the love interest who reappears throughout Ians' various lives. Michael Feast ("Velvet Goldmine") delivers a standout performance as the obligatory exposition provider.
At the very least, "The Deaths of Ian Stone" offers a more ambitious alternative to blander contemporary fare, and it does work better the less you know about its plot going in.
The late, legendary effects maestro Stan Winston was one of the producers.
Six out of 10.
Like Lost, and Stephen King's The Dark Tower, the Deaths of Ian Stone does a great job of building up a mysterious story and loads of questions, but sadly doesn't really follow through at the end.
Ian Stone is a ice hockey player that gets hunted down and killed by a strange monster. The next day, he's an office worker who's girlfriend turns into a monster and kills him. The day after that, he's a taxi driver who gets stalked by monsters. The only constant is a blonde girl who turns up in every incarnation. Who is killing him every day and why? And who is the blonde girl?
This was all good stuff up to a point, but when things start being explained, it all becomes a bit ho-hum. Not a bad film, mind, the creatures are pretty good creations, and there's plenty of tension, but I think the film makers were looking towards creating a Clive Barker-like worlds-within-worlds mythology. It didn't quite work. For some reason the baddies all dress like Matrix people. Didn't quite get that bit either.
It's okay, just don't get yourself too excited when watching the first half.
Ian Stone is a ice hockey player that gets hunted down and killed by a strange monster. The next day, he's an office worker who's girlfriend turns into a monster and kills him. The day after that, he's a taxi driver who gets stalked by monsters. The only constant is a blonde girl who turns up in every incarnation. Who is killing him every day and why? And who is the blonde girl?
This was all good stuff up to a point, but when things start being explained, it all becomes a bit ho-hum. Not a bad film, mind, the creatures are pretty good creations, and there's plenty of tension, but I think the film makers were looking towards creating a Clive Barker-like worlds-within-worlds mythology. It didn't quite work. For some reason the baddies all dress like Matrix people. Didn't quite get that bit either.
It's okay, just don't get yourself too excited when watching the first half.
This film interested me as it was a new concept, a man dying and keep coming back each day in a new life. I cant be bothered to write the ins and outs of the film but overall it was an interesting but non scary story. It was well shot and overall well done.
Bad points - the brown haired lady started off well along with the first 40 minutes of the film, but towards the end i think the strength of the film was lost through some of the acting, and costume designs an almost matrix wanna-be with that one, you'll see what i mean if you watch it. So you really have to take with a pinch of salt and go with the flow of it.
Overall it is a good film, at times can be a bit corny but for a fairly unknown film in the UK even though it was made here, was a gripping and engaging film however not consistent throughout sadly.
Never the less if you come across it watch its entertaining and different 7/10
Bad points - the brown haired lady started off well along with the first 40 minutes of the film, but towards the end i think the strength of the film was lost through some of the acting, and costume designs an almost matrix wanna-be with that one, you'll see what i mean if you watch it. So you really have to take with a pinch of salt and go with the flow of it.
Overall it is a good film, at times can be a bit corny but for a fairly unknown film in the UK even though it was made here, was a gripping and engaging film however not consistent throughout sadly.
Never the less if you come across it watch its entertaining and different 7/10
In England, Ian Stone (Mike Vogel) finds himself trapped in a weird situation: everyday, he meets the same persons in the most different situation, including Medea (Jaimie Murray) and Jenny (Christina Cole); around 5 PM, the watches stop and Ian is haunted by creepy beings with claws and has a painful death, waking again in another life. When an old man meets him and tells that he must protect Jenny to resurrect again, Ian begins to unravel a great mystery.
"The Deaths of Ian Stone" has a promising and intriguing beginning that recalls "Groundhog Day", "12:01" and "The Matrix", with the lead character awaking every day in a different reality after dying. Unfortunately the explanation of the Harvesters is weak and very disappointing. There are many points that deserve better clarification, like why the existence of parallel lives? Or how can the realities change and how could Ian return to the initial life if he died? With a better development of the story, resolving the flaws in the screenplay, this movie could be excellent. But it entertains and is original and my vote is six.
Title (Brazil): "Prisioneiro da Morte" ("Prisoner of the Death")
"The Deaths of Ian Stone" has a promising and intriguing beginning that recalls "Groundhog Day", "12:01" and "The Matrix", with the lead character awaking every day in a different reality after dying. Unfortunately the explanation of the Harvesters is weak and very disappointing. There are many points that deserve better clarification, like why the existence of parallel lives? Or how can the realities change and how could Ian return to the initial life if he died? With a better development of the story, resolving the flaws in the screenplay, this movie could be excellent. But it entertains and is original and my vote is six.
Title (Brazil): "Prisioneiro da Morte" ("Prisoner of the Death")
Went into this expecting a bunch of gore, but instead go an interesting story and premise. The idea is a merging of quite a few ideas you may recognize, but was done very well. Up until a certain point.
The last 25 minutes or so seemed that they ran out of ideas on how to tie up a thought out start with a decent ending, so they just went for a typical and somewhat predictable end.
By no means is it a horrible movie, and there are some good performances in it. Just don't expect to walk away stunned at the end.
Oh...while not overloaded with CGI - what they do use is amazing looking.
The last 25 minutes or so seemed that they ran out of ideas on how to tie up a thought out start with a decent ending, so they just went for a typical and somewhat predictable end.
By no means is it a horrible movie, and there are some good performances in it. Just don't expect to walk away stunned at the end.
Oh...while not overloaded with CGI - what they do use is amazing looking.
Did you know
- ConnectionsFeatured in Phelous & the Movies: The Deaths of Phelous (2010)
- SoundtracksVery Gun
Performed by Black Wire
- How long is The Deaths of Ian Stone?Powered by Alexa
Details
Box office
- Gross US & Canada
- $97,182
- Opening weekend US & Canada
- $512,000
- Nov 11, 2007
- Gross worldwide
- $1,506,562
- Runtime
- 1h 27m(87 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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