The Uninvited

The Uninvited (2009) is a movie that I recently watched on HBOMAX. The storyline follows a traumatized young lady who returns home from a psychological institution for the first time since her mom dramatically died and her dad remarried. She returns home to a hostile relationship with her stepmother, run ins with the ghost of her mom and a sister that just doesn't give an damn. Things get worse as more and more ghosts from her past return.

This movie is codirected by Charles and Thomas Guard, who also codirected Round about Five, and stars Emily Browning (Sucker Punch), Arielle Kebbel (Grudge 2), Elizabeth Banks (The Hunger Games), David Strathairn (The Firm) and Jesse Moss (Tucker and Dale vs Evil).

This is one of those movies where you wanted a little more from it. The cast is really good and everyone delivers a solid performance. The ladies in the cast are gorgeous. The plot has some good twists and turns. The end is clever and was pretty smart. My only complaint is the horror elements are limited and the jump scares were cheesy.

Overall, with a story this good if they could have ratcheted up the horror elements this could have been a gem. I would score this a 6/10 and recommend seeing it once.

What worked: It's a beautifully shot and captured movie, with amazing natural space. The movie keeps its essence and mysterious till the end, which is a plus point, making it a watchable movie What did not work I must say the screenplay and narrative of the movie is weak, making it a dull watch because of the lack of substance. The movie is a simple thriller, with few thrills or exciting scenes. I would have loved the movie more if the movie had maintained the mood and climate of the movie. It's not a bad watch but an average watch Final verdict: it's an okay time pass movie

After the death of her mother, Anna receives help for her mental health in hospital, after a long stay, she returns to her family home, treated badly by her stepmother Rachel, Anna has terrible visions of her dead mother.

I'm not sure what genre I'd place this in, yes it's a horror, but I'd put it more in the psychological thriller with horror undertones, it's definitely got a degree of suspense and intrigue.

Anna's definitely an interesting character, but it's the stepmother that I wanted to learn about, not typical in any way, shape of form, beautiful, but sinister, the father was totally disinterested by his daughter's.

It builds very well, and unlike many films in the genre, the best bit was actually the ending, not what I was expecting, it worked very well. Some good jump scares, definitely a few moments that grab your attention.

Definitely well acted and well made, it's a quality movie, a film I'd definitely recommend.

8/10.

I haven't seen the original Tale of Two Sisters by Kim Ji-woon to begin with so I won't be able to do any meaningful comparisons. But if a remake is any indication of how the original is generally miles better, especially if done by Hollywood, hen it probably is worth my while to put the Korean horror movie in my to-watch list. After all, Kim Ji-woon's film is one of Korea's top box office draws when released.

There have been more misses than hits when Hollywood adapts what it thinks could be instant box office gold with its fountain of Asian content, and since there have been only a limited number of successful Asian horror releases in recent years, it had looked inwards and cannibalized on remaking its own shock/slasher films. This one took a long while to translate to The Uninvited, and I guess taking some 6 years indicated the filmmakers wanted to do things right instead of rushing through and come out with crap.

As such the directing duo of the Guard Brothers Charles and Thomas managed to find some balance between telling a psychological thriller, and moments where they can properly employ tricks from the usual formula book to scare an audience, with the usual light and shadows, smoke and mirrors, warped beings, decomposed bodies and jump cuts with ghouls staring down at you. Surprisingly it didn't rely on sound or lack thereof to add a further sensory dimension to set pulse racing, which I thought was a little let down in its moments to build up to the next "Boo!" If anything, the acting duo of Emily Browning (Lemony Snicket's A Series of Unfortunate Events, with pouty lips to rival Angelina Jolie's, and given special attention too in this narrative) and Arielle Kebbel shine as skimpily clad sisters Anna and Alex respectively, who have to rely on each other as they uncover the truth behind the death of their mom (Maya Massar). It doesn't help of course with Anna just being certified sane and safe to be released from a mental institution, and their suspect happens to be their nanny-turned-new-step-mom-to-be Rachel (Elizabeth Banks) whom dad (David Strathairn) intends to marry. Given the short run time of under 90 minutes, the pace is kept compact with little room wasted to pump in unnecessary subplots (unless set up just to provide an additional avenue to unleash horrific mayhem), focusing very much of the relationship between the two sisters, and their strained one with their father. Emily Browning, as the lead, of course had enough latitude to showcase a double-head snake role in being "nice" to Rachel, in order for some fishing of information.

That isn't to say there isn't any loophole that a jumbo jet can't fly through. Even if you have no background knowledge gained from the original Korean film, it is easy enough for sharp-eyed viewers, or those whose cinematic staple is horror films, to stay one step ahead and deduce just what is exactly going on. Which makes me wonder just how much it'll take for shockmeisters to scare seasoned audiences since they're getting savvier, and easily bored with the same old bag of tricks.

If anything, The Uninvited would have piqued your interest in the original, which has a longer run time and in all likelihood, the exploitation of mood and atmosphere that are quite standard tools for horror films from Asia, which is sorely lacking in this version. Nonetheless it's still one of the better Western remakes of Asian horror attempted.

I typically find newer horror movies to be cheesy, humorous, boring, and above all: not scary. You know that feeling you get when a movie starts to take its toll on your patients and causes your eyes to wander around the theater? You don't get that at all with this film. This movie grabbed me from the beginning and refused to let go. The film's music score is extremely effective at creating a suspenseful and uneasy viewer sensation, which I think deserves full appreciation for the movie's ghostly flavor. Without any doubt, appropriate music in a movie is like butter on popcorn. Would Jaws scare you without the renowned theme music? The cast was nothing less then superb. Emily Browning was perfect at playing the "sad, quiet girl with horrible visions" role. I'm not going to spoil it for anyone, but the ending of this movie really twists your mind and makes you think. I found it to be an adequate yet abrupt closure for the story despite how it is following a certain trend with recent horror movie endings.