Intertwining couples and singles in Los Angeles break-up and make-up based on the pressures and expectations of Valentine's Day.Intertwining couples and singles in Los Angeles break-up and make-up based on the pressures and expectations of Valentine's Day.Intertwining couples and singles in Los Angeles break-up and make-up based on the pressures and expectations of Valentine's Day.
- Awards
- 7 wins & 12 nominations total
Featured reviews
Cluttered, sloppy romantic comedy would have benefited from the elimination of a few of its many stories. Mixed bag of performances, both Julia and Emma Roberts, Cooper, Dane are charismatic and do what they can to flesh out thin characters. Anne Hathaway and Topher Grace have a great chemistry and really could have supported their own independent romantic comedy. MacLaine and Elizondo are wasted in a throwaway story that does contain a nice twist. Several of the quality performers, like Queen Latifah and Kathy Bates are shoved in small parts strictly for marquee value. Most of the others range from adequate to vapid. Taylor Swift stands out for giving the most annoying performance. Let's hope that this is the beginning and the end of her acting career. One last thought, with all the talent available they chose to focus the largest portion of the film's story on someone as bland as Kutcher? Bad idea.
I was the classic husband dragged to see this on Valentine's Day weekend as a goodwill gesture. It was every bit as bad as could be possibly imagined. Half of Hollywood's A List star as vacuous stereotypes, moronically obsessed with the holiday in question. This despite the fact they are all living millionaire lifestyles, with perfect tans and the whitest of teeth. It's Love Actually, without a sense of humour or any depth whatsoever. No- one and nothing is remotely realistic - every storyline has a trite and convenient resolution and none is convincing or interesting. There is a perfect and unlikely ratio of ethnicities and sexualities. The sex trade is entirely trivialised and sanitised. No-one stays upset about relationship breakdowns for more than one scene. People break into spontaneous dance sequences in which everyone knows the pre-rehearsed moves but the film doesn't have the conviction to show it for more than 3 seconds... Just utter pointless and patronising bilge...
On the Valentine's Day in Los Angeles, the lives of several dwellers are entwined and affected somehow by love. The florist and owner of the Siena Bouquet Reed Bennett (Ashton Kutcher) proposes his insecure girlfriend Morley Clarkson (Jessica Alba) that says yes to him. His best friend Julia Fitzpatrick (Jennifer Garner) is in love with Dr. Harrison Copeland (Patrick Dempsey), but she does not know that he is married and celebrating his fifteenth wedding anniversary with his wife Pamela Copeland (Katherine LaNasa). The bitter TV sports reporter Kelvin Moore (Jamie Foxx) is assigned by his boss to cover stories of people in love in LA. The phone sex entertainer Liz (Anne Hathaway) hides her profession from her boyfriend Jason (Topher Grace). The grandson of the couple Edgar (Hector Elizondo) and Estelle (Shirley MacLaine), Edison (Bryce Robinson), has a secret unrequited love at school while his grandparents are facing a crisis in their marriage. The executive Holden Wilson (Bradley Cooper) befriends Captain Kate Hazeltine (Julia Roberts) that is eleven months away from home in the fourteen-hour flight back to LA. The contract of the veteran quarterback Sean Jackson (Eric Dane) is not renewed by his team and he schedules an interview to the press with his neurotic publisher Kara Monahan (Jessica Biel) that hates Valentine's Day. The teenagers Alex (Carter Jenkins) and Grace (Emma Roberts) are planning to have sex for the first time. The cheerleader Felicia (Taylor Swift) is in deep love with her boyfriend, the athlete Willy (Taylor Lautner). In the end of the day, revelations will fortify or end loves.
"Valentine's Day" is a sweet movie of director Gary Marshall with a constellation of stars in the cast. The concise screenplay succeeds in developing characters and entwined stories along 125 minutes running time. There are some excellent lines, with jokes (Taylor Lautner telling that he feels uncomfortable taking his shirt off in public is hilarious) and surprises (the revelation of Holden and Kate loves are among the best). I was surprised with the bad reviews in IMDb. My vote is seven.
Title (Brazil): "Idas e Vindas do Amor" ("Comings and Goings of the Love")
"Valentine's Day" is a sweet movie of director Gary Marshall with a constellation of stars in the cast. The concise screenplay succeeds in developing characters and entwined stories along 125 minutes running time. There are some excellent lines, with jokes (Taylor Lautner telling that he feels uncomfortable taking his shirt off in public is hilarious) and surprises (the revelation of Holden and Kate loves are among the best). I was surprised with the bad reviews in IMDb. My vote is seven.
Title (Brazil): "Idas e Vindas do Amor" ("Comings and Goings of the Love")
You don't know what awful is until you've seen this film. I wasn't looking for a profound commentary on the human experience - I watched "Valentine's Day" expecting 100 minutes worth of harmless and fun escapism. To say that I was disappointed is a bit of an understatement.
To begin with, the film is WAY too long - or perhaps it just seems like an eternity. Minute after minute, it is sickeningly sappy and sweet, without any depth of character or plot to justify its duration. The acting is for the most part atrocious - or, at best, mediocre. Taylor Swift, in a nightmarish "comic relief" role, and the annoying little boy, in particular, stand out as paragons of annoying incompetence. However, the writing is so awful, even the greatest of thespians could not make this movie bearable. I honestly felt rather embarrassed for the actors, most of whom I'm sure are quite capable if given a half-decent script. Perhaps worst of all, "Valentine's Day" acts like it is an eye-opening and touching study of human relationships, while it's really drivel.
If there's anything I'd like the reader to learn from this review it's to avoid this film at all costs. It isn't good, it isn't even so-bad-it's-good - it's just plain dreadful.
To begin with, the film is WAY too long - or perhaps it just seems like an eternity. Minute after minute, it is sickeningly sappy and sweet, without any depth of character or plot to justify its duration. The acting is for the most part atrocious - or, at best, mediocre. Taylor Swift, in a nightmarish "comic relief" role, and the annoying little boy, in particular, stand out as paragons of annoying incompetence. However, the writing is so awful, even the greatest of thespians could not make this movie bearable. I honestly felt rather embarrassed for the actors, most of whom I'm sure are quite capable if given a half-decent script. Perhaps worst of all, "Valentine's Day" acts like it is an eye-opening and touching study of human relationships, while it's really drivel.
If there's anything I'd like the reader to learn from this review it's to avoid this film at all costs. It isn't good, it isn't even so-bad-it's-good - it's just plain dreadful.
Throw a bunch of famous actors in and you'll get a great movie right? Wrong.
Director: I want big names in my movie. Assistant: Which ones? Director: Yes.
Director: I want big names in my movie. Assistant: Which ones? Director: Yes.
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Did you know
- TriviaSandra Bullock turned down Julia Roberts' role in this movie.
- GoofsJulia never left to go to San Francisco. This can be heard when she calls Kara on the phone and says that she is still in LA.
- Crazy creditsGag reel during the closing credits, and at the end of the closing credits cheerleaders form a heart on the football field.
- SoundtracksSay Hey (I Love You)
Written by Michael Franti and Carl Young
Performed by Spearhead (as Michael Franti & Spearhead)
Courtesy of Anti/Universal Republic Records
Under license from Universal Music Enterprises
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Día de los enamorados
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $52,000,000 (estimated)
- Gross US & Canada
- $110,528,528
- Opening weekend US & Canada
- $56,260,707
- Feb 14, 2010
- Gross worldwide
- $216,528,528
- Runtime
- 2h 5m(125 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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