How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the fut... Read allHow do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and... Read allHow do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving ... Read all
- Director
- Writer
- Stars
- Awards
- 1 win total
- Self
- (as The 14th Dalai Lama of Tibet)
- Self
- (archive footage)
- Self
- (archive footage)
- Self
- (as Tenzin Geyche Tethong)
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- Writer
- All cast & crew
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Featured reviews
You don't have to be a believer or even a particularly spiritual person to be moved and inspired by this film, which provides us with a rare up-close-and-personal look at one of the key religious figures in the world today. What comes out both in the interview and in the various glimpses we are given of him in his meetings with many of the world's movers and shakers in government and religion, is just what a fun-loving, down-to-earth, and self-effacing a man he truly is, even though he is never shy about confronting injustice whenever or wherever it rears its ugly head. Much of that feistiness derives, of course, from his own experience of having to flee his native Tibet in the early 1950's when the Communist Chinese invaded that country, and then being forced to live as an exile in a foreign land ever since.
To a disinterested observer, the Dalai Lama may seem, in many ways, to be a walking contradiction; an advocate for the ancient art of transcendence through meditation, he is also a passionate devotee of science and a champion of modern technology (his monks are very "hep" to the internet, and he, himself, is well-versed in quantum physics and neuroscience). In fact, if there is disagreement between science and religion, he will generally come down on the side of science. Fiercely ecumenical and tolerant of the beliefs of others, he's quick to point out the flaws in his own traditional beliefs when they conflict with the more enlightened ways of the modern world (the elimination of the caste system, equality for women etc.). The Dalai Lama comes across as a man ruled as much by the practical concerns of having to exist in a highly diverse, multicultural world as by his obviously innate love for humanity itself.
But it is when confronted with the question of how to respond to evil in the world that this man shows what he is truly made of. A passionate believer in civil disobedience (like Jesus, Gandhi and Martin Luther King before him), the Dalai Lama stays true to his principles by not calling for violent action even against his own people's oppressors, the Chinese. He still believes, all these years later, that more can be gained by engaging on a personal level with one's enemy than by fighting them. That's a bit tough for us in the West to understand, especially when the film shows us the terrible suffering and injustice the Tibetan people have endured under Communist rule. Yet, when you hear him speak, it's impossible not to be convinced by the depth of his wisdom and the force of his moral character.
Going beyond the conversation itself, Ray provides fascinating background information on the history of Buddhism, the invasion of Tibet, and the biographical details of the Dalai Lama himself, including how he was chosen for this exalted position, how he spent his childhood, how he fled the invaders when still a teen, and how he has dedicated his life since to fighting, through nonviolent means, for the restoration of Tibet to its rightful people.
Filled with exquisite vistas and beautiful images of nature, Ray's film is a passionate cry for justice as well as a finely-wrought, contemplative vision of a leader who calls upon the better angels in all of us to help make this world a more peaceful place both for ourselves and those who will come after us.
However, the overall tone of the film annoyed me. Because of the way the voice-overs are done, the Dalai Lama is presented in a disrespectful way.
It is a well-known fact that the Dalai Lama is a refreshing, fun-loving person who likes to laugh. But here we are treated to a montage where he is semi-mocked for proposing festivals for world peace, followed by the his assistant's informing us that he doesn't even like festivals himself and often falls asleep during them (is the assistant accusing him of hypocrisy - proposing something he himself hates?), all over top of video where he seems to be thoroughly enjoying himself at festivals. Which is the truth? I thought it was Documentary Making 101 not to confront the viewer with pictures and words that conflict with each other, unless this cognitive dissonance is being created on purpose for some subversive intent. What was the subversive intent, here? I don't think there was one, I think it was just sloppy film-making.
Next we are informed how much the Dalai Lama loves to laugh, even at "inappropriate" moments, and we are treated to video after video where he is laughing with the rich and powerful figures that he has met with over the years, in ceremonies which are supposedly very formal. I personally do not consider his behavior here inappropriate. It's not like people are offended. His laughter is infectious and he makes people happier by it. Yet the overly serious intoning of the narrator goes on and on how "inappropriate" this is. Is the Dalai Lama a giggling idiot? Apparently the narrator thinks so.
And then there's just something about the way the interviewer looks while he's interviewing the Dalai Lama -- sort of like Jed Clampett come to the mountain to talk to the wise man.
Even when there was fascinating archival footage, the narration almost ruined it, with the narrator's flat and uninteresting delivery. I don't want to discourage anyone from learning more about Tibet and the Dalai Lama, but I myself could barely sit through this film. It was that annoying to me to see the 14th Dalai Lama reduced to some giggling idiot who cannot even lead his people to squash the nasty Chinese (and that was there as a subtext, in my opinion -- like Jed Clampett, I felt like the narrator was someone who might admire a pacifist and a wise man, but really, dudes, let's break out the rifles, 'kay?).
I hope someone, someday soon makes a really thought-provoking and well-done documentary about the Dalai Lama. In my opinion, this isn't it.
While watching this movie, I enjoyed the marvelous quality of the facts about the 14 Dali Lamas, and the war between the Chinese and Tibet. I definitely understand the point of the war now, and also hold a grudge against China. Even though some of Tibet's traditions have been taken out, it was very interesting to watch the ones that still live on to this day. Although the content was very rich, I found the filming quality of the movie, especially in the interview, was very poor and not professional. The sound quality was also not very good, and some scenes in the movie were quite dull. Overall, it was very informative and would recommend it for anyone wanting to learn about Tibet's History and the Dali Lama.
Did you know
- SoundtracksSurrender
Performed by Peter Kater and R. Carlos Nakai
From the CD 'Migration' courtesy of Silverwave Records
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Десять вопросов Далай-ламе
- Filming locations
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- See more company credits at IMDbPro
Box office
- Budget
- $100,000 (estimated)
- Gross US & Canada
- $224,546
- Gross worldwide
- $484,487
- Runtime
- 1h 25m(85 min)
- Color