Traffic Signal

I hesitated to purchase this movie for fear of too much realism (or over-the-top melodrama), but I was pleasantly surprised to find that it really had a lot of heart, while showing a whole side of street life that's usually invisible to the passerby.

I didn't feel that the subject was being 'candy-coated' either -- much of the awfulness and heartbreak of such an existence is graphically included, and the director stated that they 'did their homework' in bringing the realities of it to the screen. Kunal Khemu is a very talented actor, so very expressive, and not afraid to show emotion. I recommend it to anyone who wants a glimpse into this part of Indian society, and maybe a partial understanding of what this type of life is like for so many.

"Traffic Signal " delves into the lives of beggars and street vendors, highlighting how their existence is upended by the presence of traffic signals, the oppressive burden of an imposed, non-existent tax demanded by a gang leader, and the devastating impact on their daily lives when a flyover is constructed over the road where the traffic signal once regulated.

The narrative is truly compelling and kept me engaged throughout. Though the story at times feels like moving blindly forward into uncertainty, this effect is clearly intentional. The title Traffic Signal serves as a metaphor, illustrating the harsh realities faced by those living in slums, struggling to survive through begging and small-scale trade.

Kunal Khemu consistently chooses to engage with distinctive and thought-provoking projects, and this film continues that trend.

What is truly striking is that I regard this movie as superior to many conventional Bollywood films, as it consciously avoids the repetitive, formulaic patterns so common today. Despite knowing that the film might not achieve commercial success, the filmmakers proceeded undeterred, driven by a commitment to conveying a meaningful message to the audience.

Definitely should watch this piece.

Very ambitiously this movie tries to deal with more plots than are usually expected in a single movie. I am sure Madhur had his hands more than full with all that he wanted to communicate through this movie. Even though the actors have done a decent job, and some pretty insightful sub plots emerge during the course of the movie, in the end it leaves one with a feeling of things having been dealt with incompletely. The movie is in fact more like a series of sketches, each dealing with a different sub-plot or idea. This feeling is enforced by the fact that it's scenes do not fit together as a tight, cohesive production. This is because even though they involve the same characters, each of them tells a very different story.

Traffic Signal seems to be the perfect example where a director should have gone for an extensive treatment of all these ideas through a serialized production rather than trying to put everything into one grand movie where the limitation of time is a huge constraint. Give me this movie's reel and a pair of scissors and I'll neatly cut out about 10 different episodes that could be independently developed to create a wonderful hard-hitting docu-drama series. With how much the movie attempts to cover of the Indian society and really, also the human condition at a deeper level, I really believe it would have been served better if executed in the way of Kieslowski's work on Dekalog.

6 out of 10.

After profiling seedy bars (in Chandni Bar), scheming politics (Satta), high society parties (Page 3) and the business circus (Corporate), Madhur Bhandarkar now eyes the Traffic Signal.

Well to start with 'Traffic signal' has portrayed the dark side Mumbai gullies .Why? Traffic signal, depicts what the relationship is between the "beggars" of the traffic signal and the politician's. Not only the politicians but also the underworld don.

Its not only that about, but what traffic signals shows is how one suffers, lives, smiles, earn's money in these eerie streets of India.

Kunal Khemu as 'Silsila' has done an impressive job. Obviously the dark make-up that he wears to show that he is a poor person is shown. Neetu Chandar as Rani has portrayed her character in a very tender and delicate manner. Noorie played by Konkana deserves a very big mention. Her role as a prostitute has been done with passion and complete fluency. Also a mention to the 'lady-boy' gay character who sells himself on the street.

Here are oddities to the likes of eunuchs, handicapped and impaired beggars, lepers, street kids, drug addicts, and prostitutes, vendors selling flowers, fruits, sunscreens to sunglasses.

Traffic signal is a tale of a person(S) who need not decide what they need to do in live but to decide how to live is these nasty streets .

"Documentary styled Bollywood Movie" Madhur Bhadarkar has created a genre in Bollywood (pity there is no one yet who contributes to it). He does slice-and-dice of an industry and shows it inside out leaving the audience "begging" for more.

Traffic Signal treads the same path as Page 3. It gives an insight into the lives of beggars in India and the nexus/ cartel that we thought never exists! Just like any other corporate industry, it showcases the opportunities, threats, do-and-don't's, the hardships, the middle-men and the kingpin. It has a sugary-romance (reality check on Yash Raj movies) and an upright officer fighting for justice (typical Bollywood!).

Kunal Khemu gives his best shot. The ring-leader is in gym-toned body while the beggars are malnutritioned. Explains why!

Neetu Chandra does leave much impact though she had an opportunity of lifetime.

Konkana Sen Sharma and Ranvir Shorey need no words for their performance. They are absolutely spot-on and probably the most convincing characters.

Upendra Limaye (a Madhur's regular) was miscast this time around.

Nassar Abdullah reprises his Page 3 character once again.

Sudhir Mishra, sorry but you weren't the right choice. Mahesh Manjarekar probably?

There are a few character artistes in Bollywood noted for their typical, distinguished, one track performance. Razak Khan, Makrand Deshpande and Bobby Darling come to Top of Mind recall.

Manoj Joshi is as usual dependable.

The inspector puts up a authentic performance (Mukesh Tyagi?).

Next time you stop by the Traffic Signal, your eyes will not see the same.