Traffic Signal

After profiling seedy bars (in Chandni Bar), scheming politics (Satta), high society parties (Page 3) and the business circus (Corporate), Madhur Bhandarkar now eyes the Traffic Signal.

Well to start with 'Traffic signal' has portrayed the dark side Mumbai gullies .Why? Traffic signal, depicts what the relationship is between the "beggars" of the traffic signal and the politician's. Not only the politicians but also the underworld don.

Its not only that about, but what traffic signals shows is how one suffers, lives, smiles, earn's money in these eerie streets of India.

Kunal Khemu as 'Silsila' has done an impressive job. Obviously the dark make-up that he wears to show that he is a poor person is shown. Neetu Chandar as Rani has portrayed her character in a very tender and delicate manner. Noorie played by Konkana deserves a very big mention. Her role as a prostitute has been done with passion and complete fluency. Also a mention to the 'lady-boy' gay character who sells himself on the street.

Here are oddities to the likes of eunuchs, handicapped and impaired beggars, lepers, street kids, drug addicts, and prostitutes, vendors selling flowers, fruits, sunscreens to sunglasses.

Traffic signal is a tale of a person(S) who need not decide what they need to do in live but to decide how to live is these nasty streets .

The movie "Traffic signal" was a good plot as you mentioned. But I would rather say it lacked the director's extract of every individual cast in it. Moreover, movie could have been well played with raw'ness it actually had in it. Director had tried to show almost every possible incident that we come across in a day to day traffic signal but lost his focus on the deepness of the plot . Over all I would say " it was almost over killed by too much but saved only by its subject ". The story could have been handled better if it was in safe hands.

I will rate it 2.5/5. Just for the core subject and for the actors struggling to make use of their best opportunity in this movie.

Dx..

Very ambitiously this movie tries to deal with more plots than are usually expected in a single movie. I am sure Madhur had his hands more than full with all that he wanted to communicate through this movie. Even though the actors have done a decent job, and some pretty insightful sub plots emerge during the course of the movie, in the end it leaves one with a feeling of things having been dealt with incompletely. The movie is in fact more like a series of sketches, each dealing with a different sub-plot or idea. This feeling is enforced by the fact that it's scenes do not fit together as a tight, cohesive production. This is because even though they involve the same characters, each of them tells a very different story.

Traffic Signal seems to be the perfect example where a director should have gone for an extensive treatment of all these ideas through a serialized production rather than trying to put everything into one grand movie where the limitation of time is a huge constraint. Give me this movie's reel and a pair of scissors and I'll neatly cut out about 10 different episodes that could be independently developed to create a wonderful hard-hitting docu-drama series. With how much the movie attempts to cover of the Indian society and really, also the human condition at a deeper level, I really believe it would have been served better if executed in the way of Kieslowski's work on Dekalog.

6 out of 10.

"Traffic Signal " delves into the lives of beggars and street vendors, highlighting how their existence is upended by the presence of traffic signals, the oppressive burden of an imposed, non-existent tax demanded by a gang leader, and the devastating impact on their daily lives when a flyover is constructed over the road where the traffic signal once regulated.

The narrative is truly compelling and kept me engaged throughout. Though the story at times feels like moving blindly forward into uncertainty, this effect is clearly intentional. The title Traffic Signal serves as a metaphor, illustrating the harsh realities faced by those living in slums, struggling to survive through begging and small-scale trade.

Kunal Khemu consistently chooses to engage with distinctive and thought-provoking projects, and this film continues that trend.

What is truly striking is that I regard this movie as superior to many conventional Bollywood films, as it consciously avoids the repetitive, formulaic patterns so common today. Despite knowing that the film might not achieve commercial success, the filmmakers proceeded undeterred, driven by a commitment to conveying a meaningful message to the audience.

Definitely should watch this piece.

I hesitated to purchase this movie for fear of too much realism (or over-the-top melodrama), but I was pleasantly surprised to find that it really had a lot of heart, while showing a whole side of street life that's usually invisible to the passerby.

I didn't feel that the subject was being 'candy-coated' either -- much of the awfulness and heartbreak of such an existence is graphically included, and the director stated that they 'did their homework' in bringing the realities of it to the screen. Kunal Khemu is a very talented actor, so very expressive, and not afraid to show emotion. I recommend it to anyone who wants a glimpse into this part of Indian society, and maybe a partial understanding of what this type of life is like for so many.