Traffic Signal

"Traffic Signal " delves into the lives of beggars and street vendors, highlighting how their existence is upended by the presence of traffic signals, the oppressive burden of an imposed, non-existent tax demanded by a gang leader, and the devastating impact on their daily lives when a flyover is constructed over the road where the traffic signal once regulated.

The narrative is truly compelling and kept me engaged throughout. Though the story at times feels like moving blindly forward into uncertainty, this effect is clearly intentional. The title Traffic Signal serves as a metaphor, illustrating the harsh realities faced by those living in slums, struggling to survive through begging and small-scale trade.

Kunal Khemu consistently chooses to engage with distinctive and thought-provoking projects, and this film continues that trend.

What is truly striking is that I regard this movie as superior to many conventional Bollywood films, as it consciously avoids the repetitive, formulaic patterns so common today. Despite knowing that the film might not achieve commercial success, the filmmakers proceeded undeterred, driven by a commitment to conveying a meaningful message to the audience.

Definitely should watch this piece.

The movie "Traffic signal" was a good plot as you mentioned. But I would rather say it lacked the director's extract of every individual cast in it. Moreover, movie could have been well played with raw'ness it actually had in it. Director had tried to show almost every possible incident that we come across in a day to day traffic signal but lost his focus on the deepness of the plot . Over all I would say " it was almost over killed by too much but saved only by its subject ". The story could have been handled better if it was in safe hands.

I will rate it 2.5/5. Just for the core subject and for the actors struggling to make use of their best opportunity in this movie.

Dx..

After profiling seedy bars (in Chandni Bar), scheming politics (Satta), high society parties (Page 3) and the business circus (Corporate), Madhur Bhandarkar now eyes the Traffic Signal.

Well to start with 'Traffic signal' has portrayed the dark side Mumbai gullies .Why? Traffic signal, depicts what the relationship is between the "beggars" of the traffic signal and the politician's. Not only the politicians but also the underworld don.

Its not only that about, but what traffic signals shows is how one suffers, lives, smiles, earn's money in these eerie streets of India.

Kunal Khemu as 'Silsila' has done an impressive job. Obviously the dark make-up that he wears to show that he is a poor person is shown. Neetu Chandar as Rani has portrayed her character in a very tender and delicate manner. Noorie played by Konkana deserves a very big mention. Her role as a prostitute has been done with passion and complete fluency. Also a mention to the 'lady-boy' gay character who sells himself on the street.

Here are oddities to the likes of eunuchs, handicapped and impaired beggars, lepers, street kids, drug addicts, and prostitutes, vendors selling flowers, fruits, sunscreens to sunglasses.

Traffic signal is a tale of a person(S) who need not decide what they need to do in live but to decide how to live is these nasty streets .

May be my expectations were too high after watching chandni bar and page-3. The effort was no where to be seen through-out this movie.

Having a good plot is not enough. The script was far below PAR, a lot of the scenes don,t glue together( most of them look to be squeezed in between)

None of the actors were able to make an impression, except for konkana sen . I am still not able to digest madhur using "bollywood" style melodrama, in desperate attempt to create some effect on the viewer. kunal's dialogue delivery was mediocre, the scene when kunal talks to his folks while being taken away by the police, is the worst of all.

spare your self!

"Documentary styled Bollywood Movie" Madhur Bhadarkar has created a genre in Bollywood (pity there is no one yet who contributes to it). He does slice-and-dice of an industry and shows it inside out leaving the audience "begging" for more.

Traffic Signal treads the same path as Page 3. It gives an insight into the lives of beggars in India and the nexus/ cartel that we thought never exists! Just like any other corporate industry, it showcases the opportunities, threats, do-and-don't's, the hardships, the middle-men and the kingpin. It has a sugary-romance (reality check on Yash Raj movies) and an upright officer fighting for justice (typical Bollywood!).

Kunal Khemu gives his best shot. The ring-leader is in gym-toned body while the beggars are malnutritioned. Explains why!

Neetu Chandra does leave much impact though she had an opportunity of lifetime.

Konkana Sen Sharma and Ranvir Shorey need no words for their performance. They are absolutely spot-on and probably the most convincing characters.

Upendra Limaye (a Madhur's regular) was miscast this time around.

Nassar Abdullah reprises his Page 3 character once again.

Sudhir Mishra, sorry but you weren't the right choice. Mahesh Manjarekar probably?

There are a few character artistes in Bollywood noted for their typical, distinguished, one track performance. Razak Khan, Makrand Deshpande and Bobby Darling come to Top of Mind recall.

Manoj Joshi is as usual dependable.

The inspector puts up a authentic performance (Mukesh Tyagi?).

Next time you stop by the Traffic Signal, your eyes will not see the same.