Rails & Ties

Maybe some say this is a typical "woman movie". I'd not say so, but there surely is a tendency towards women more appreciating it than the men. It's not, however, much of a love story, it's a rather bittersweet tale with ASTONISHING ACTORS from A to Z.

It's a movie that makes you feel human. You'll most probably shed some tears and laugh at some of the subtle jokes, some will do so more than others, but all in all it's not a dramatic hell rise like in BREAKING THE WAVES, though Bacon's character surely is a guy you'd like to kick in the butt just to 'wake up' or something. But then, the end comes.

I can recommend that if you're out for a softer, heart-felt DVD experience.

I started watching this movie because it sounded like it involved something about a train accident. It does, but that's not what this movie is about. What got me is the sad clip of the train engineer's wife looking at her mastectomy in the mirror - couldn't stop watching after that. The story is both tragic and uplifting - but most of all it's compelling to watch once you get started.

Storywise, it starts out with a mother who commits suicide by placing her car in front of an approaching train. The train engineer makes a judgment call to hit the car instead of risking a sudden stop. Eventually, her son finds his way into the lives of the engineer and his terminally ill wife... and the story progresses from there.

The story itself is unusual and that made it a somewhat novel experience. The acting is amazing - esp. by Marcia Gay Harden (the ill wife). It's definitely a show worth watching if you're looking for a well-done drama.

This is the directorial debut of Alison Eastwood. Daddy Clint must have taught her his cinema's tricks. That influence is seen, even though this was her first.

Although not a movie without its flaws, it is human, dramatic and real. It's solid on story, drama and actors's performances, particularly the lead actors: Marcia Gay Harden, Kevin Bacon and especially Miles Heizer. This boy is sensational! He takes the whole movie alone and makes the movie's best scenes, so realistic is his sorrow. I'm kinda shocked that his filmography is practically TV series and almost no full-length movies. How can that be with a boy this talented?? America doesn't know what it missed!!

Miles Heizer's character (Davey) is, like Kevin Bacon's character said, a strange boy because he is so mature for his age.

RAILS & TIES (2007) **1/2 Kevin Bacon, Marcia Gay Harden, Miles Heizer, Marin Hinkle, Eugene Byrd, Bonnie Root, Steve Eastin, Laura Ceron, Margo Martindale, Kathryn Joosten. Unlikely melodrama about a young boy (newcomer Heizer) who comes into the lives of a train engineer and his dying wife (Bacon and Harden respectively) after an act of fate occurs binding the three together through their grief. Actress Allison Eastwood – daughter of Clint – parallels her father in the film-making process in this directorial debut that comes across as a Lifetime TV Movie but she employs many of his skills (i.e. soft fades to black, expert acting, subtle camera movements) that overlook the script's shortcomings.

I know very little of this movie until I saw it. All I know is that it's about a railroad engineer and his wife who's suffering from cancer. There's another element in the movie that I didn't know about until I saw the movie and it's about a young boy who has a troubled mother. Somehow the lives of the couple and the young boy would intersect literally and tragically. All this sounds like a melodrama from the 1930s. And in many ways it is, but it also has a brutal frankness in it that the 1930s movies didn't have.

The movie stars Kevin Bacon as the train engineer and his wife played by Marcia Gay Harden, we could see that there's a riff in their marriage. He would much rather work than spend time with his wife even though his boss is telling him he could have some time off. She doesn't understand why he's being so distant. It's obvious he's burying himself in work as she faces a dire future. This part of the movie is very frank as we see the despondency both have.

The other element in the movie is the boy played by Miles Heizer. He has a troubled mother, it's obvious he has become the adult in the relationship. He enters the engineer's world angrily and he blamed the engineer for the death of his mother. The engineer's wife would take pity on him and soon he finds himself staying with them. Somehow the tragedy that took the boy's mother would bring something that the boy has never had and the couple thought they lost.

It's really a simple melodrama but it has a frankness in it that they would never consider in the 1930s. One unforgettable scene is when she looked at herself in the mirror and see the scar cancer has left and breaks down, while he was on the other side of the door not knowing what to do. During one argument he blurts out angrily "Because You had cancer", it sounds as if he were angry at her. Obviously he's angry at the disease for what it has taken away from him, the possibility of children and now his wife. Also when the boy was crying out blaming himself for the death of those he love. It's very honest and frank how children sometime blame themselves for things they do not understand.

Credit and blame goes to both the writer Mickey Levy and director Allison Eastwood created a group of characters who are very complex and are facing difficult situations but then it spirals into sentimentality. The story of the engineer and his wife by itself is powerful then add the story of the boy trying to go on with his life and understand what's going on would make the movie even more powerful but when the two story is combined it became too sentimental.

Miss Eastwood's directing style is very similar to that of her father, tell the story in a straightforward way and get out of the way of the actors, The acting is superb, it's obvious that both Mr. Bacon and Miss Harden are very good actors but young Mr. Heizer proves too that he has talent. He's definitely a young talent to keep an eye on.

All in all I think it's a good modern melodrama but with the frankness of modern times but then it spiraled into an almost shameless, unabashed treacle.