Koara kachô

Just one year after the superb and absurd Calamari Wrestler, Minoru Kawasaki knocked it out of the park again with the equally gonzo Executive Koala. The former I watched about this time last week, and I've found both films to be two of the funniest I've watched all year. Kawasaki may be some kind of genius, and I very much want to dig into his filmography more.

Executive Koala follows a businessman who's also a koala, and he's worried he might be a serial killer... or possibly having vivid dreams that he's a serial killer. Honestly, the first 2/3s feels like American Psycho if it was set in Japan and Patrick Bateman was a koala. It becomes something else entirely in its final third, but I'm not sure I could explain how it gets there, even if I was okay with spoiling things.

There were a couple of points where Executive Koala almost lost me, but whenever that came close to happening, it would find a way to top the absurdity that came before, leading to continual hilarity throughout. Lots of this is genuinely hilarious, laugh out loud stuff, and it's the kind of comedy that's simultaneously genius and also very, very stupid. I just love most of what this and Calamari Wrestler offer, but both feel like acquired tastes for sure.

OK this is probably not a movie everybody will enjoy. But I did. I loved Calamari Wrestler and I loved Excecutive Koala even more. The simple idea of having an animal in the lead role (and a few supporting roles) works sooo good. I won't reveal the plot here, but what I really loved about this movie, apart for the animal costumes, is all it different settings and themes - mixed with lame humor and animal suits. This is a comedy. But it also a prison movie, a slasher-flick, a musical, a love story, a drama and a Kung-Fu movie. It seems like the director wanted to incorporate as many different genres and settings in this movie in case he never gets to make another movie again (I hope he does). The result is that you never get bored when watching Executive Koala. It's a low-budget flick with ambitions like a Spielberg movie - The end product is hilarious and awesome. Sure the movie is lame - very lame, but in a good way, which can only make you love it!!

The idea of putting an actor in a furry koala suit in a movie and giving him the lead role does sound appealing. However, the lack of serious direction really ruins the idea. This is a mystery/ psychological thriller themes movie. But is also tried to include elements like martial arts/ kung fu, humor and light hearted musical, etc. It made the movie loses it's focus and audience like me will be more confused than entertained. Some of the elements like the killer traveling on off screen were too repetitive. It might be a cool effect for the first and second time but doing the same thing a couple of scenes and repeats at least 2 times per scene really worn out the effect. I always won't understand why Japanese movies often lack the seriousness. It's like the writer can't come up with a complete story for a good idea he had. There's interested characters (actors in animal suits)like the Koala, the bunny , the convenient store frog, etc. None of them were able to stand out because the lack of energy the scripts has for the characters.

I don't really like the movie and I can't think of a reason to recommend it to anyone. I see it as a failed attempt for making a horror/comedy movie.

I'm sure I missed some of the nation-specific satirical barbs in this off the wall Japanese comedy about cutthroat corporate culture and an anthropomorphic koala who may or may not be a killer. To this Western viewer, "Executive Koala" played like an Adult Swim entry with its unfailing, straight faced commitment to the absurd. Trying to cope with the disappearance of his wife, businessman and man-sized koala Tamura attempts to lose himself in corporate negotiations. He increasingly finds himself haunted by memories of violence and develops a tendency to fly into fits of unbridled rage accompanied by blinking, glowing eyes.

I don't want to spoil any of the film's surprises and would advise renters to avert their eyes from the DVD label as it gives away one of the film's best visual gags. Those viewers who complain about the cheap special effects--for instance, the zipper being visible on the Koala's costume--have failed to realize that these are both budget and style choices. Director Kawasaki, who previously brought us "Rug Cop" and "Calamari Wrestler," has developed a cheapo aesthetic and this is an undeniable part of the film's charm. Troma fans are sure to be delighted by Kawasaki, but will find a sweeter, more gentle film in "Koala" than those produced by Kaufman.

But a little of this goes a long way and the film's story is too flimsy to be compelling. The film works to a degree as it continually amps up the absurdity, but the plot is a tired retread of Hithcock themes with more concern about style than storytelling. It's DePalma for furries.

Bizarre hardly begins to describe this peculiar offering. Tamura is a divorced company employee about to embark on a new venture with his company. Suddenly is sweetheart is found murdered and he's the prime suspect. Did I mention that Tamura is a koala? No? Oh! The fact that he is a koala doesn't seem to have any bearing on the plot at all. It's more of a strange distraction from the films inability to focus. By the time it gets to amnesia, implanted memories, and a shady past, it is all a bit too much. Certainly enjoyable at times, but when switching from dreamlike martial art sequences and axe murder, you can't really fathom what it's aiming to do.