Vanaja

The Great Beauty

Film : Vanaja Director : @rajnesh_d Dop : Milton Kam Music : Indhira Amperianeni Bhaskara S Narayanan Cast : Mamatha Bhukya Urmila Bhavani Renikunta Karan Singh Krishnamma Rama chandraih

#Vanaja face of freshness and delight !! A timeless beauty which unfolding against an class exploitation that sadly stands still in India !It screened at over 100 film festivals in 49 countries and won 24 international awards 2 nominations.

The line was inspired by child scream being separated from his mom in #sophieschoice but later he stated a study of class distinctions and fading institutions of folk art, old buildings that are collapsing, things which we should be protecting - which are a part of our heritage. Speaking of the need for preservation of Indian culture and heritage, he said that making the film was an opportunity to emphasise the Indian folk arts, too.

#mamathabhukya right combination of intelligence, commitment and talent as well. Her act was touching and believable !

#rajneshdomalpalli gives a detailed sense of place and shows a mastery of story telling.With the help of colors of saris and room decorations, the dazzle of dance costumes and the dusty landscapes,hills and vistas, its oxen and elephants,houses, boat settings.Praise his guts to breaking stereotypes on those days that too new Comer's not with professional actors ! And I loved it the way he Started film with BurraKatha !

#miltonkam was made using natural lighting situations, the colour and saturation quality was excellent. His frames explores,evokes village life with stark authenticity !

Great to see the film in telugu and 16 mm aspect ratio, renowned Carnatic music !

"Vanaja" depicts a spirited 14-year-old rural South Indian girl who possesses an uncanny common sense intelligence which she puts to use to try to improve the lot of herself and her poor fisherman father. Writer, director, and co-editor Rajnesh Domalpalli wrote the story as part of a first semester project at Columbia University and completed it as his thesis for a Master of Fine Arts in Film.

The film highlights the plight of the working poor, an unfortunately universally understood situation of hard work concomitant with escalating debt and a systematic lack of control over many aspects of one's life. Filmed in Andhra Pradesh, lead Vanaja (Mamatha Bhukya) and other villagers are vassals of landlady Rama Devi (Urmila Dammannagari). Her natural self-confidence boosted by a prophecy that she will be an accomplished dancer, Vanaja secures household employment with Rama Devi to help pay the father's debts, as well as to see if she can manage to get some dance lessons.

Things seem to be going well when the landlady's son, Shekhar (Karan Singh) returns from the United States, groomed to run for local politics. His unhealthy attraction to Vanaja proves an overpowering match for her innocent strength. The outrageously common mentality of blame and shame foisted on a victimized woman is somewhat mitigated when the landlady comes to understand the resulting situation and confronts Shekhar. There is an uneasy truce after the baby is born with Vanaja sometimes returning for work. In interests of quelling political innuendo, Vanaja's father is paid a hefty bribe and the baby is to be brought up in the comfort of Rama Devi's home.

The remaining narrative, though somewhat predictable, is interesting and driven by the lead character's strong willpower. One leaves the film feeling muted sadness, desiring that opportunity and social mobility can quickly permeate and make the study of caste purely a historical one.

My own appreciation of the film was greatly enhanced by having access to a press kit, including a beautifully presented booklet about the film. For example, I learned that one of the many challenges in making the film was finding talent among common people; placing ads just wouldn't work as the crew were already being rumored to be after stealing organs and body parts. So they placed ads for household help, such as "female, aged 35 to 50, needed to care for elderly parents" and gauged potential among respondents. Urmila Dammannagari, for example, married at age 9 and a widow with four children, was working as a bottle sealer for a while but unemployed when she saw the ad; "shocked and completely taken aback when she found out the real motive of the ad, she nevertheless took on the role" of the landlady "and the 25km commute, quickly becoming not just an assured actor, but a mother-hen to a brood of young actors in training".

The film owes a lot to the excellent and very natural acting of the lead, Mamatha Bhukya. Just as Ms. Dammannagari came into her aristocratic role so surprisingly smoothly, so did Ms. Bhukya, who had no dance or acting background. In fact, the film changed her ambition from that of being a doctor to pursuing acting and Kuchipudi dance.

I found all but one of the actors to be quite convincing, and am awed knowing of their very simple backgrounds. Karan Singh, however, a Wesley College-educated model, delivered a disappointing performance. His sneering, detached aloofness was not realistic, and his entire character as heir apparent seemed totally unfounded by any political ability. I also found the editing at times to be somewhat abrupt; continuity would have been enhanced with the use of recurring motifs or more of a soundtrack.

Vanaja is not a feel-good film and is not suited for children or perhaps teenagers. While it has its flaws, it is a remarkable film in the context of the local "actors" used and their magnificent performances, as well as considering that this is a thesis. I look forward to seeing future films that Rajnesh Domalpalli, IIT-Mumbai computer engineer turned artist who divides his time between New York and his hometown of Hyderabad, may create.

Vanaja's U.S. premiere is August 31 in New York. A DVD as well as musical soundtrack are expected to be released in 2008.

Winning 26 out of the 28 awards it was nominated for, there is no doubt that this film will stand as one of the best of 2007. The fact that it was made with non professionals who were trained to act and dance makes it that much more special.

It is not a Bollywood production, but it is about art. A lower caste girl wants to sing and dance. She wants to move up in society, but there is a limit. Everyone cannot be President in India, there is a caste system, and the narrow minds will not allow it to be breached.

Vanaja (Mamatha Bhukya) quits school at 15 and goes to work for the Landlady (Urmila Dammannagari), who was once an accomplished dancer. After some time working the animals, she is taught to sing and dance. The film is strikingly beautiful with rich color. It is amazing what can be done with $20,000, as this film was a Master's project for the writer director.

The Landlady's son (Karan Singh) returns from America to run for office and is struck by the girl. But, she is lower caste and can only be a vessel for his lust. Things are no better at home as her father drinks and eats and steals her money. She ends up pregnant and has to sell the baby to the Landlady.

In the end, she never rises above her caste, but the story was fascinating and the acting was really good.

"Vanaja" is well done and the first-time director (Rajnesh Domalpalli) apparently made the film for his masters degree! This is very impressive and he showed an amazing deftness for such an inexperienced director! However, while I did appreciate the great work done to make this film, I must warn you that this is an incredibly depressing film--mostly because the value of woman in many places in the world still is minimal. In this story, a young girl, Vanaja, is horribly mistreated and while you know such things happen, it sure is sad to watch.

The film begins with Vanaja about 15 years-old. However, to me she only appeared about 11 or perhaps 12--and this made the story a bit more disturbing because she looked so much like a child. But long before this, we see the girl go to work for a local rich landlady. Vanaja has spirit--she's spunky but likable and soon the rich lady takes her under her wing and teaches Vanaja to dance. Vanaja has a real passion and talent for dancing and you assume through the course of the film she'll rise to greatness. However, while this could happen, the film instead centers on he immediate life--and it sure gets pretty bad. But, as I don't want to ruin the film for you, I'll say no more and just encourage you to see it.

I think this is an important film in the way it documents the devaluation of women as well as the evils of classism. So, from an academic sense, it's well worth seeing. However, it's anything but a feel-good picture--and will most likely depress you--especially because it doesn't end on a particularly satisfying note. But, of course, in real life this IS often the case.

Vanaja is a film of superlatives. It has an exceptionally well thought-out cast with Mamatha being the crowning jewel, a superb production and possibly pre-production with Rajnesh at the helm, a fantastic journey of rural Southern India through the eyes of a 15 year old, a remarkable mixture of song and dance, traditional and modern, blended perfectly, and a beautiful backdrop of lush color of the flora and fauna that make up the magnificent experience. What a towering achievement for a debut director!! The casting was absolutely dead-on. I wish India would come out with more of such films. This film will remain as one of my top favorites for my entire life. 9/10.