Gardens of the Night

Especially, the first hour of the movie is just so hard to watch. It is so depressing, haunting.

Ryan Simpkins was one of the best child actors I've seen and learning about the inspiration behind Tom Arnold's performance is heartbreaking.

My only complaint is that second half was lacking the nuance of first half and I feel like the kids traumas' weren't processed enough apart from Donnie beating himself (in a feeling of letting Leslie down) and Leslie breaking down. In which, the latter was one of the best moments of Gillian Jacobs' career in such an early stage.

Knowing her from many other projects and, following many interviews of her she mentions this moment often and remembers it as one of the most special collaborations she ever did thanks to John Malkovich and his generosity. Apparently, she wasn't in the necessary emotional state before the scene and John Malkovich made an improv over what happened to her character throughout the years to bring her to that state.

Relentlessly raw, authentic and sad: I hope that description doesn't drive you away because it is also brilliantly directed and intensely human, and there is a loving relationship at the center that lights it all up like the sun. A scene in an arcade where the two main characters are doing Dance Dance Revolution together had me weeping. Catch this one, however you can.

IMDb says I have to add more lines so I'll say that the casting is as good as casting gets -- one character after another is blazingly real. And the cameo by Malkovich does not feel like a gimmick: he's a genius, and therefore always welcome.

This movie is really tough and some people have or had problems with it's themes (check the synopsis if you have no problem with a bit of a spoiler), but I love it for being so bold and not shying away from taking any punches.

The performances are central to this movie and although they are mostly dark (you haven't seen Tom Arnold like this before) and you don't really fee like they are likable, you get that the circumstances made them the way they are. Either you take them as they are and the decisions they make or you won't like it at all. A feel good movie this ain't ...

I can't believe I got through this film, first of all, because that little blond angel of an actress that played little Leslie made the evil of the subject matter all the more horrific. Tom Arnold was brilliant, and had me feeling sorry for his character. Kevin Zegers was convincing as Tom's "turned" accomplice, dark and damaged. Jeremy Sisto was so creepy I cannot forget his sleazy grin as he offered a "discount" to Tom.

Gillian's eyes said it all. What a great actress this girl is. Such dead eyes. And John Malkovich as a good guy...just enough to keep me off balance.

All the actors in this film gave stunning performances about a very distasteful subject: broad daylight abductions of children, the business of child pornography, and the murdering of innocent souls.

There was never going to be a happy ending to this movie, and it took courage to make this film knowing that nobody is going to watch it twice, unless they're perverted; or recommend it to their friends. However, everyone needs to recommend it to anyone they know who has children. Because evil is cunning.

I will never be the same.

My question was always how beautiful, SMART, promising children get abducted in the first place and erased from their family's dynamics. This movie is every parents nightmare and to see how Tom Arnold (Alex) and his partner (Frank), played by Kevin Zegers go through the cunning, gut wrenching process of surreptitiously convincing an 8 yr.old gorgeous child, that he worked for the father and she needed to get into the car and talk about his father's 'big troubles'. Tom Arnold played this monster abductor with such skill, and at first with gentle convincing persuasion that they had been abandoned by their families because of their FAMILIES' bleak circumstances. "Never talk to Strangers" goes above and beyond, because they both are so eloquent and seamless in their successful display of believability. I presume that walking alone back and forth from school is a thing of the past! This is a tough watch, so get your gut strong and the message is clear. This is all done for money marketing these children into porno, rape and abuse. Without giving the ending away it is certainly a movie that educates, and depicts a well researched account by the writer Damian Harris. For two years he worked among the pimps, shelters, child porno industry to identify this horror and how it manifests within these young adults as they grow to know the truth.