The Beales of Grey Gardens

The 75-year film focused on the relationship between mother and daughter and themselves, and this one focused more on their relationship with their surroundings, more showing their friends and even interacting with the director. It is further supplemented with content about swimming, Catholicism, costumes and constellations, and Mrs. Bell mentioned poetry.

We saw the Canadian premiere screening of "The Beales of Grey Gardens" on the afternoon of Monday Sept. 11, 2006 at the Al Green Theatre during the 2006 Toronto International Film Festival (TIFF). Also on the program was Albert Maysles' very first film, "Psychiatry In Russia" from 1955, in what may have been its World Premiere screening in a theatre, as it had previously only been shown on American Public TV as far as Maysles himself could remember. Albert Maysles was introduced briefly at the start by TIFF programmer Nicholas Davies and was interviewed at the end by fellow director Barbara Kopple (dir. "Harlan County USA", "Dixie Chicks -Shut Up And Sing") and answered several questions from the audience.

"The Beales of Grey Gardens" is an entirely new film that has been assembled from the extra footage that Albert Maysles (camera) shot with his brother David Maysles (sound) in 1972-74 for the film released in 1975 called "Grey Gardens". Both films will be issued in a new 2 disc Criterion DVD set in December 2006. (You'll also be able to purchase them separately, in case you already have the 1st one.)

"Beales" does seem to be assembled on the assumption that anyone seeing it has already seen the original "Grey Gardens". There is no introduction or newspaper montage such as the first film has to give you any context or information about who these women are and why are they living in only a few rooms of a once imposing mansion that seems to be slowly going back to nature. Only late in the film there is a mention of Jackie Kennedy Onassis convincing her 2nd husband Ari (Aristotle Onassis) to help out the Beales with funding for renovations and upkeep of the Grey Gardens estate.

I felt overall that "Beales" perhaps showed more of a needy side to Little Edie that wasn't shown quite so overtly in the first film. Her flirtatious manner towards both of the Maysles brothers is more apparent and her questioning of their choice of the first film's title as "Grey Gardens" seems to hint at some disappointment that the film isn't titled after herself or her family, but rather the house (Maysles is obviously making up for this in the title of this 2nd film). The first film has more of a defiant pride where even the apparent desolate circumstances cannot undo her. Big Edie gives the same mother of all she surveys portrayal in both films.

The afternoon was even more enhanced by getting a chance to hear Albert Maysles tell anecdotes about the film and just speak in general about life and documentary film. Barbara Kopple did try to direct questions his way but it seemed that Maysles was simply more interested in getting certain views out and he actually seemed to be ignoring what he was asked and just using it as a springboard to carry on telling us a continuing story. Kopple wasn't in the least offended by this and seemed to be quite happy just to be there to act as a prompter for Maysles.

Among the tidbits that came out from Maysles was a quote of Little Edie's reaction after the Beales were given a private screening of the first film: "The Maysles have created a masterpiece!", and that Albert Maysles had recently re-connected with the neighbour's gardener Jerry Torres who as a young man was a frequent guest to Grey Gardens and who appears in both films and now drives a cab in New York City. Maysles also had some impassioned things to say about how documentary film was important in the world as a means to promote our understanding of each other and to act as a deterrent to anger and hate. An interesting comment made about the Beales but also about people in general was that "People want to tell the truth about themselves. They don't like to keep secrets".

All in all a great afternoon of documentary film. Kudos to TIFF for organizing it.

Certainly the easiest way to put this is if you liked GREY GARDENS, you'll like this, and if you didn't, it's not going to change your mind. A pastiche of outtakes for those who love Edith and Edie, it's a mellower selection of clips which are all pretty captivating, thanks mostly to Edie's larger than life personality. I think I could listen to her talk and ramble on all day long. This is a less revealing and focused film than its predecessor, however... the scenes are shorter on average, focusing less on the odd family dynamic and history, and more on the amusing. Still, it's a treat for fans of the Beales.

7/10

The Beales of Grey Gardens (2006)

*** (out of 4)

Albert Maysles and David Maysles took the unused footage from their 1975 documentary GREY GARDENS and came up with this new film. As with the first, we take a look at Big Edie and Little Edie, the relatives to Jackie Onassis who lived in an estate that was pretty much ran down and which they shared with a various of creatures including cats and raccoons. Having just watched the original film a few weeks before this, I was very familiar and it was still fresh in my mind. I don't think viewing the two so close hampered this film but at the same time I think it's clear that this one here isn't nearly as good. I think you could point to several different factors but for some reason I just kept saying to myself that this footage wasn't included in the original for a reason. That reason was probably that it simply wasn't all that interesting or at least it wasn't as interesting as what we got in the first movie. I thought GREY GARDENS was a pretty weird film because it really didn't seem to have a point other than to show how weird these people were. It at least had a structure to it but that's not the case here. It really does seem like the entire movie was just thrown together for the sake of the filmmakers having another picture for the credits. That's not to say that this is a bad movie but at the same time it really does feel as if you're watching 90-minutes worth of deleted scenes that you'd typically just see on a film's special features. Some of the highlights in this film include a sequence where a fire breaks out and you can see the damage in the original film but there it doesn't have an explanation. Another highlight is hearing the two ladies talk about their thoughts on the Catholic church and men in general. Fans of the first film will probably get the most out of this but the rest should certainly seek out the original first.

I have watched this movie 5 times in the past month. I think I am a little obsessed with Edie Beale. She shows such joie de vivre in this film and is full of joy and wonder. The movie is wistful and at times bittersweet. I wish I could have known the Beales and visited them. They show such love and respect for each other. I also love Lois. This movie makes me nostalgic for the 1970s. I feel like I am in a time capsule. I actually prefer this movie to Grey Gardens; I felt that Edie's true personality, charm and joy was shown in a better light. Lois was also highlighted more. Love love love this movie. I will probably watch it a million more times. When I watch it, I feel like I am a friend visiting with them, passing the time and singing songs. It puts me at peace. Namaste.