Patti Smith: Dream of Life

I had no expectations of this movie. About two minutes into it I got that feeling, you know the one, the feeling that wow, this is going to be a good one. So I settled back and let the film take me with it. It took me into Patti's world through a poetic portal in her self. She is the artist as a real person who touches, loves, nourishes and creates. Patti takes the viewer through her childhood, young adulthood, the Chelsea days, her days of mothering her children and tells of her losses and her rebirth into the world of touring once again. The cinematography combines with Patti's poetry to create scenes of dreams that you don't want to end. Because the film took 11 years to make, her children grow and mature into young talented adults so much like Patti was at their age. It is wonderful to see Sam Shepard playing guitar duets with Patti just off the cuff in her room sitting on a box on the floor after all the years that have come between them. There was still so much feeling between them like they were just kids again. I loved this movie. I loved the fact that it showed such a strong and tender woman who laughs so easily and is still so vital and relevant. The movie is about Patti Smith, so I don't see how people can criticize her for being the center of this universe. Her poetry may last forever.

Patti Smith: Dream of Life is a frankly disappointing documentary which gives little real insight into its subject. Made by Patti Smith herself, the film tends to gloss over large sections of her life, without giving viewers an understanding of their significance. Even more annoyingly, given that its musical focus, it is largely lacking in concert footage.

For example, although the film mentions Smith's friendship with Robert Mapplethorpe, it fails to delve into what influence he might have had on Smith's artistry. Given that this case represented two of the major artists of the twentieth century living together, one would have thought this would merit a sustained discussion.

The lack of musical footage is also glaring. In the end, we are interested in Smith not because of her life or opinions, but because of her music. That should have been a far greater element within the piece.

Ultimately, those who want to learn more about Patti Smith would be better off seeking out her memoir, or finding a good interview with her.

PATTI SMITH: DREAM OF LIFE is a free-floating ramble through the life of one of America's premiere poets. The time sequences are hazy, her children appear and reappear at dramatically different ages, and this only adds to the visionary quality of the film. This is the farthest one could imagine from the standard Rock Bio that one might see on VH1. The Patti Smith of today seems just as interesting and dynamic as the artist who created HORSES many years ago. She is among the few contemporary artists who manage to connect the Beatnik sensibility of the late 50's and the rock and roll music of today's social and political activists. Hopefully, this film will spread her musical and poetic influence to people who may not be aware of her compelling aesthetic vision.

"Patti Smith: Dream Of Life" was a film I saw at the 11th Annual Maine International Film Festival on July 16, 2008.

This film will without a doubt appeal mostly to Patti Smith fans. Those who don't know that much about her, and want to find out more, may want to buy one of her earlier albums (such as "Horses") or read about her on the Internet first. I say this only because the parts of this documentary when we hear Patti Smith in her own words are very well done, and at many times artistic. However, the movie loses its momentum within the second part when the director seems to be only interested in how Smith acts backstage. This latter subject takes up approximately 60% of this 109 minute movie, and it had me checking my watch constantly as I sat in the theater.

For the record, I have heard some of Patti Smith's records and generally like her music, but I don't count myself a big fan of hers which may be why I found myself bored through some of the movie. Truth be told, she is probably one of the most devoted musicians of the last 40 years, not to mention the most devoted and spirited female artist. She may not have a following as big as Bob Dylan or the Rolling Stones, but she has influenced countless alternative bands including R.E.M., Marilyn Manson, Red Hot Chili Peppers, Talking Heads, and other influential artists.

In regards to this documentary, the parts that truly shine are when Patti Smith speaks to the audience and recounts her influences, which include various poets not to mention Bob Dylan. I also liked some of the backstage footage of her interacting with her bandmates and even sometimes with her children. For such a musical legend, she is very personable and incredibly down to earth. She also is well aware of where she came from, as evidenced from the interesting part of the documentary where she visits her parents.

There are other great gems in this documentary, such as when she makes a live tirade against President George W. Bush. After hearing that speech, it made me wish that more antiwar protesters were that spirited.

You'll notice that so far, I've given Patti Smith a lot of compliments, all of which are well deserved. This documentary did her justice, and I will give it credit for that. However, it was just too unfocused for me, and those great moments were just thrown in there with a whole lot of rubble. The film could have truly benefited with some better editing and more finite organization. As a result, by the second half of the film, the momentum is completely lost and the film just drags.

It appeared that the filmmakers didn't know whether they wanted to make a true portrait of an artist or a concert feature. If they wanted to make a concert feature, they could have taken a hint from Martin Scorsese, who directed such great concert films as "The Last Waltz" and "Shine A Light". A concert feature wouldn't have been a bad idea either. Patti Smith fans would have enjoyed it, and those who aren't familiar with her work would be introduced to her great songs, energetic stage presence, and appealing personality. If the filmmakers had any inclination on a focal point to base this documentary around, it would have made for a far more energetic take on the first true alternative artist.

With all that said, it's difficult for me to recommend this picture. Die-hard Patti Smith fans may like it, but better editing would have brought this documentary to greater heights.

It is OK to make a sentimental family movie - but it is not polite to bother other people by distributing it! "Vanity" is the word that describes this movie. However, it asks couple of questions: are the artists really incapable of talking about their own work (no, not all of them, I believe)? Second, does Patti Smith really believe that her art will survive her - i.e. human being is mortal, poetry is immortal? Well, her books and Cd's are now on sale for couple of bucks, I am not sure in ten years it will be any better ... And finally, why does she treats herself as the most important thing in the universe ... thanks god for those punk bands that can make fun out of them. Well, if you have not seen this movie, you did not missed much. Play some of Patti Smith CDs instead - any of them is much better to this.