Linkeroever

It took me 8 years to see this flick which in fact started the fame of Matthias Schoenaerts. He's leading here in this dark supernatural flick. I was lucky to have worked with him just before he left for Hollywood so I'm happy he signed this DVD. But back to this flick. Not only is Matthias above mediocre, the girl (Marie) he met is played by Eline Kuppens, not that famous but she also delivers the best.

The supernatural thing going on is the fact that Marie get injured while running in the woods. Her knee is damaged and slowly that knee decides her life. She falls for the smooth talking Bob (Schoenarts). They have sex everywhere they can have it and it's shown, both go the full monty.

It's towards the end when Marie is solving the puzzle that the supernatural comes in. The ending is an enigma, nothing is really explained.

Nice editing and shooting and the score do adds something special to the atmosphere. I can understand why this flick can be found at a lot of horror conventions. But if you want the original DVD that came out in Belgium you will have to search really hard, it's OOP. Luckily elsewhere in the world it's sold as Left Bank. A must see.

Gore 0/5 Nudity 2/5 Effects 2,5/5 Story 3/5 Comedy 0/5

The director sure spent most of his effort on the sex scenes, leaving the "horror" to be filmed in a shaky, dark, style.

This was not a scary movie, as a matter of fact, not much happens in the first half at all, except for a very gratutitious sex scene. Lots of sex scenes, and nudity.

Not much horror. Meh.

The synopsis for 'Left Bank' sounded interesting to me, and with my intentions to start watching more European films I decided to give this one a go. Unfortunately the synopsis, while ultimately accurate, isn't really a good indication of what the film is like. The problem for me was that the main character 'Marie' didn't really know that anything was amiss - and so there was no mystery. If she's not solving a mystery, how can we be?

I also found the film quite dull for large parts through the middle. The characters were so bland that couldn't carry anything, and all that was left was the story. There was a little bit of intrigue in that respect, but not enough. This is a very sexual film. Some very explicit sex scenes and a lot of nudity.

I don't even know really how I'd describe this film to someone. It's a hard film to put in a genre. Because ultimately it's intended as a horror, but when you think back on it there isn't a lot to actually support that. Whatever it falls into though one thing's for sure - I won't remember this film a week from now.

There are only so many story lines guys. All Romcoms are about getting the girl, action flicks about getting the honour or the loot and so on. So yes this is an old story like Rosemary's baby and many many more.

Why do i give this one so much credit? Because it's a subtle story with solid acting. No Hollywood over abundance. Just a very well acted film with a classic story that moves slowly but steadily forward to a surprising ending. The story is rounded. There is a why and a how appose to just horror for the making of a scary film. I thought it to be very original within it's genre and the ending is brilliant. It has the suspense of the old Polanskis like The Tennant. Who can we thank for this? Matthias Schoenaerts! What's not too love about this flemish gem.

Set in a region of Antwerp with a dark Medieval past, the mood of this flick is one of which the sun would not rather spill its radiance upon, instead hiding behind of wall of cloudy gloom, infinitely waiting for the darkness below to pass such that it can make its tardy appearance. It has been a long wait, and this flick offers no reprieve. Instead, this tale is of the seedy underbelly of ineffable undertakings, and our heroine must learn first hand of that which is best left on the other side. Eline Kuppens does just that in her commendable debut, laudably including enough skin to impress a taxidermist. This atmospheric horror from Belgium, a place not known for great horror, is the exception to its usually mediocrity, crafting stories of past times into a sweet little cringer. Maybe this country, known more for its border intrusive neighbors, is set upon changing its stale cinematic presence. Whether the exception or the vanguard, Left Bank is an unusual treat from an even more unusual source. Merci beaucoup.

Genruk of Evil Eye Reviews