IMDb RATING
7.4/10
6.7K
YOUR RATING
Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.
- Director
- Writers
- Stars
Mel Gibson
- Porter
- (archive footage)
Gregg Henry
- Val Resnick
- (archive footage)
Maria Bello
- Rosie
- (archive footage)
David Paymer
- Arthur Stegman
- (archive footage)
Bill Duke
- Detective Hicks
- (archive footage)
Deborah Kara Unger
- Lynn Porter
- (archive footage)
John Glover
- Phil
- (archive footage)
William Devane
- Fred Carter
- (archive footage)
Jack Conley
- Detective Leary
- (archive footage)
Sally Kellerman
- Bronson
- (archive footage)
- (voice)
Kwame Amoaku
- Radioman
- (archive footage)
Justin Ashforth
- Michael The Bartender
- (archive footage)
Len Bajenski
- Fairfax Bodyguard #1
- (archive footage)
Kate Buddeke
- Counter Girl
- (archive footage)
Roddy Chiong
- Chow's Thug #2
- (archive footage)
James Deuter
- Tailor
- (archive footage)
Tom Equin
- Razor Clean #1
- (archive footage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Peep This Reviews
Director's Cut could mean any number of things...studio interference, re- shoots, poor test screenings. Most of the time that just means a couple more minutes added but sometimes there are drastic differences from the original released. This is one of those big changes. I liked this movie with it's sharp writing and nice mix of violence with dark humor. 'Like' has become 'love'. If you've never seen it and your a big film buff I'd say watch both versions to see the difference. If you've never seen it, Straight Up is hands down the way to go.
Typical Mel ruthless to the bone
Porter (Mel Gibson) common criminal is just doing his thing and rather flamboyantly. He pilfers from the mob and his cut is $70,000. He is double-crossed by his buddy and wife as he was left for dead. Well, Porter may be a common criminal but he does have a sense of Justus and does whatever it takes to recover his $70,000. In the process, he is roughed up a few times and the perpetrators find themselves skillfully dispatched. The questions are will he get his money back before there is no one left to give it to him.
Yep, it is a formula; yep Mel has a tendency for overacting. We get the standard surprises. Lots of action.
Be sure to check the details out on the different packaging as there are variations on the story.
Yep, it is a formula; yep Mel has a tendency for overacting. We get the standard surprises. Lots of action.
Be sure to check the details out on the different packaging as there are variations on the story.
edges out the original
I have to agree with the previous poster's comments. I do miss Mel's voice over a bit and especially the opening score. Overall this version is better, but just edges out the original. It is really cool to see a movie which was good to begin with, but with a twist and still good. I found Maria Bello's performance towards the end especially powerful. I'm still on the fence about the very end.
A lot of good extras on the DVD, the director's narration in particular. You have to feel for Brian; it never ceases to amaze me some of the BS the directors have to coupe with from the studio executives. For the most part, the successful films have been ones which are new and original, where the studio exec's always seem take the exact opposite stance.
A lot of good extras on the DVD, the director's narration in particular. You have to feel for Brian; it never ceases to amaze me some of the BS the directors have to coupe with from the studio executives. For the most part, the successful films have been ones which are new and original, where the studio exec's always seem take the exact opposite stance.
Really misses the entertainment of the original.
What made the 1999 cut of the movie so great was its entertainment value. It was an incredibly fun movie to watch, with a cool fun style and soundtrack and some nice twists and turns to its story. All of that is basically gone in this version and its a much darker and serious one.
After production finished the Brian Helgeland was deemed too dark and not suitable for the mainstream public. A re-write got done and scene's got re-shot by a different director for the original theatrical release. 90% of the times that a studio decides to do this and changes a movie entire, it isn't for the best. Director's cuts are therefor often way better than the original released versions. However this time I have to say I agree with the studio. This version is a much poorer written and constructed one that lacks whit, charm and whatever more. The 1999 "Payback" was an original and fun movie to watch, "Payback: Straight Up - The Director's Cut" however is just one typical revenge flick that just isn't among the best the genre has to offer.
You could say that this movie is more of a thriller, while the original, even though it was more entertaining, was done much more film-noir style, that was also a more violent one as well.
What is surprisingly different as well in this movie are its characters. It's amazing what some editing, a visual- and musical style and different scene additions can do to a character. The main character is much darker and seems basically depressed all of the time. It just makes Mel Gibson less great to watch in this version. Also most of the other characters don't work out halve as effective. The whole Maria Bello story-line and character in particular don't work out at all and seem totally out of place.
The movie is just overall also often too slow and dull to watch. Some sequences drag on for too long and not everything in the flows well.
The movie story-wise actually isn't that much different from the original release, until its final 30 minutes or something. The movie its ending is a totally different one. I must say that the ending of this movie is just a much weaker one that besides comes far too sudden and isn't really very satisfying.
Lacks all of the whit, charm, originality and entertainment of the original version. As a director's cut this movie is nothing but a disappointment. Just watch the 1999 "Payback" instead.
6/10
http://bobafett1138.blogspot.com/
After production finished the Brian Helgeland was deemed too dark and not suitable for the mainstream public. A re-write got done and scene's got re-shot by a different director for the original theatrical release. 90% of the times that a studio decides to do this and changes a movie entire, it isn't for the best. Director's cuts are therefor often way better than the original released versions. However this time I have to say I agree with the studio. This version is a much poorer written and constructed one that lacks whit, charm and whatever more. The 1999 "Payback" was an original and fun movie to watch, "Payback: Straight Up - The Director's Cut" however is just one typical revenge flick that just isn't among the best the genre has to offer.
You could say that this movie is more of a thriller, while the original, even though it was more entertaining, was done much more film-noir style, that was also a more violent one as well.
What is surprisingly different as well in this movie are its characters. It's amazing what some editing, a visual- and musical style and different scene additions can do to a character. The main character is much darker and seems basically depressed all of the time. It just makes Mel Gibson less great to watch in this version. Also most of the other characters don't work out halve as effective. The whole Maria Bello story-line and character in particular don't work out at all and seem totally out of place.
The movie is just overall also often too slow and dull to watch. Some sequences drag on for too long and not everything in the flows well.
The movie story-wise actually isn't that much different from the original release, until its final 30 minutes or something. The movie its ending is a totally different one. I must say that the ending of this movie is just a much weaker one that besides comes far too sudden and isn't really very satisfying.
Lacks all of the whit, charm, originality and entertainment of the original version. As a director's cut this movie is nothing but a disappointment. Just watch the 1999 "Payback" instead.
6/10
http://bobafett1138.blogspot.com/
The alternate version of Porter getting his money back
Payback revisited and a whole new ending. I wanna get this off to begin with; I really like the original cut. It's been circulating for years that it was the result of studio tinkering and the director wasn't all that pleased with the final version. Given that many films suffer similar fate and with disastrous results I thought maybe Payback was the exception.
Gone here is the blue bleach filter look, a lot of the music score which has been filled in with new cues, some alternate scenes throughout and some excised and a whole new final act. Everything is good here. I liked Porter's confrontation with his wife (brutal and uncompromising), the music score does help in giving it a darker tone and the new ending is fitting.
But I must say that the difference in quality between this Director's Cut and the original theatrical one isn't huge. Call me crazy but I actually miss Mel's voice over and I thought the bluish look suited the film. The humour has been downsized drastically and Porter's mean side has been fleshed out a bit more, which is good by the way. I just don't think one can be called great and the other crap.
The film plays more like a direct homage to the old 70's crime flicks and as the director explains that was what he was going for. The original does feel a bit lighter but that wasn't maybe such a bad thing. This darker version leaves more unanswered as to how Porter got back from the dead (but probably everyone has already seen the theatrical cut so they already know) and is more understated and mood driven.
To sum it up; Payback: Straight Up is an excellent companion piece to a first rate film. It's good to see director Helgeland's cut restored to his liking and it thoroughly deserves to be seen. Now fans can pop the film in the player that best suits their mood. The original a bit lighter and the latter more moody. It doesn't go wrong either way.
Gone here is the blue bleach filter look, a lot of the music score which has been filled in with new cues, some alternate scenes throughout and some excised and a whole new final act. Everything is good here. I liked Porter's confrontation with his wife (brutal and uncompromising), the music score does help in giving it a darker tone and the new ending is fitting.
But I must say that the difference in quality between this Director's Cut and the original theatrical one isn't huge. Call me crazy but I actually miss Mel's voice over and I thought the bluish look suited the film. The humour has been downsized drastically and Porter's mean side has been fleshed out a bit more, which is good by the way. I just don't think one can be called great and the other crap.
The film plays more like a direct homage to the old 70's crime flicks and as the director explains that was what he was going for. The original does feel a bit lighter but that wasn't maybe such a bad thing. This darker version leaves more unanswered as to how Porter got back from the dead (but probably everyone has already seen the theatrical cut so they already know) and is more understated and mood driven.
To sum it up; Payback: Straight Up is an excellent companion piece to a first rate film. It's good to see director Helgeland's cut restored to his liking and it thoroughly deserves to be seen. Now fans can pop the film in the player that best suits their mood. The original a bit lighter and the latter more moody. It doesn't go wrong either way.
Did you know
- TriviaThis is Brian Helgeland's version of Payback (1999). Helgeland was replaced by Paul Abascal as director after Helgeland was fired from the original.
- GoofsWhen Porter sits on the sidewalk to wait for Rosie, the blue backpack is about a foot behind him. Although Porter later says "Backpack, backpack," and Rosie replies, "Got it," when Rosie first comes around the car, the backpack is nowhere to be seen.
- ConnectionsEdited from Payback (1999)
Details
Box office
- Budget
- $90,000,000 (estimated)
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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