Owl and the Sparrow

I love Vietnamese films be it three seasons,the scent of the green papaya,floating lives and a lot other but owl and sparrow is one of the best n most heart touching film I saw,so pure,understated and realistic.The film boast of nice location,good dialouges(eng subtitles)and great acting,the little girl,airhostess and zookeeper are so natural that it doesn't look like they are acting.THe film has touching moments between the three main character which makes the film a pleasure to watch.I Think I will have to rate this as one of my five favourite films.KUdos to the whole team for making a heart warming film.

I went to see this film not expecting it to be anything much but I thought it was a respectable effort after I had seen it. I must admit I was surprised to be the only person in a cinema with about 200 seats-I think that speaks to the way people are avoiding going out these days in general more than it speaks to the quality of the film. The use of colour in the film was very good and the part played by a kid was very well done-it is a film that also shows various shots of kids all over the Vietnam area and I think some other places also-sort of like a 'homage' to kids-as they are often forgotten parts of the modern world in many ways in the sense that modern society is mostly about being adults-people forget there are kids growing up all over the place taking in the never ending adult self gratification show from a distance. The film is sensitive and intelligent-and not in English-it is in Vietnamese, but has easy to read English subtitles. Great shots of grinning kids from all over East Asia. Fun and a treat if you like world cinema.

I don't know anything about movie composition, shots, lighting etc so my rating about the movie storyline and how it affected me, not about the technical production by the director. Clearly, the story talks about young children trying to make it on the street in a large city, a heart-rending proposition in most cases. Frankly, I cared about the little girl from the opening sequences on and I got more and more worried about her blundering about on her own... Through her lucky fate and her own pluckiness and "goodness of heart", she makes it on the streets for about a week, manages to worm herself into the heart of two unrelated strangers and actually brings them together! That little girl had amazing insight into the hearts and minds of adults. Miracles do happen, heart-melting events do happen, moving stories do happen. The story is totally vietnamese, features vietnamese scenes from the country and the street, children trying to fit into the adult world, and adults trying to make sense of their own lives. Great story!

As the adoptive father of a Vietnamese orphan, I was absolutely blown away by this film, about a little girl, orphaned, who is living with/working for, her verbally abusive uncle and runs away to Saigon, where she lives on the street, selling post cards and roses, until she befriends a young adult woman and becomes the matchmaker between the woman and a young man. It's charming, but also heartbreaking because of the honest portrayal of children living on their own on the streets of Saigon, left to survive for themselves. There, but for the grace of God, could go my own lovely daughter. How rare it is to have four characters who are each so honest and genuine.

As I apprehensively waited these last few years to watch this film, I realize how unfair I've become based on fear of an all too familiar let down by another filmmaker, who, for the most part by and - as large as our tiny community is - create such derivative cinematic tripe of obvious contrivance that's usually riddled with unapologetic bias. After watching this film, I was not only blown away by the exquisite lighting and bold composition, but also was mesmerized by the beautiful story that seemed to be exploring the oftentimes insidious nature of power and the hero's who refuse to be victimized by it.

The Owl And The Sparrows wonderful characters triumph in the end and the subtle journalism of contemporary Vietnam demands the critical viewer to think beyond the happy ending, to listen for the barely audible sounds of change and to embrace what is inherently true.

Stephane Gauger should be added to the small list of great directors.