Kisses

Interview with Lance Daly

Synopsis Kisses is a road movie in which two teenagers are trying to flee from their dysfunctional home situation. The change in their life is the discovery of each other (and themselves) while wandering through Dublin (and Trollhatan). The basis for Kisses can be found in major social problems, but Lance Daly is not really appealing to a higher moral or coming up with solutions for Irish victims of abuse. The moral of the film: When you kiss, you either give or you take.

Where did you find Kylie and Dylan, the lead actors in the film Kisses? LD: We have seen a lot of kids at schools, malls, etc. Finally we made a selection of 15 boys and girls and invited them for a serious screen-test. The role of Kylie was clearly for Kelly O'Neill , as she didn't need any encouragement at all. Dylan (Shane Curry) was the only one who could cope with the attitude of Kelly and after seeing the end result I think we have done a good job casting the two.

Working with and directing of kids is generally experienced as very difficult and time consuming, how was that the case for Kisses? LD: Working with kids is indeed difficult and puts a strain on your endurance and mood. I had to adjust to the fact that we were not allowed to keep on filming, because the kids are protected by laws indicating they may only work so much a day. Secondly, they have a mind of their own and you just can not treat them the same as adults. This was at times frustrating, especially Kylie is very demanding and time consuming. On the other hand, Kylie and Dylan make the film and they have done a superb job.

Can you elaborate some more about the title, why did you choose for 'Kisses'? LD: The title was pretty obvious for me and came up during writing the script. The film consists of several chapters and every chapter ends with a kiss. The kisses symbolize hope and love, which makes it a bit cheesy and romanticizes the film. But hey it works and closes the chapters well.

There are many references to Bob Dylan, where does this fascination come from and why was it so pre-eminently in the film? LD: Well Bob Dylan is a great musician, whose music fits perfectly with the spirit of the film. The appearance of the look alike was a coincidence but also works out perfect with the accidental meeting with Kylie and Dylan.

Have you considered adding English subtitles to the film as the Irish accent is difficult to understand for non Irish viewers? LD: It is funny that you ask me that question. Recently we have had this discussion back home and we just didn't know for sure. During the Q&A after the screening at festivals we have asked the audience if they would have understood the film better if there were English subtitles. Almost half of the people would have liked it and therefore I expect subtitles will be added before the theatrical release.

What is the foresight for Kisses? LD: Focus Features and CAA (North America) picked up Kisses for sales and distribution. At this point the film is still showing at some festivals and around December 2008 Kisses will have its theatrical premiere in several countries.

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All very Ken Loach, (before he discovered FC United!), but nevertheless a charming, short film. Dylan & Kylie, (a fabulous, if mismatching pair of character names), were sweet in their own brow-beaten way, and all credit to Lance Daly for sticking with the sometime impenetrable dialogue.

Never mind. Credit also to Kelly O'Neill (especially) and Shane Curry for demonstrating that acting is much more than just words. But what I loved was the fact that the whole feel-good aspect of the film could be attributable to …. Heelys! ("They don't come cheap you know!")

Yup, Keely floating through the Dublin shopping arcades was as graceful as anything seen in a (South) West coast surfer movie – and made me infinitely more jealous. And then, just as this fairytale turns dark, the Heelys come to the rescue in a magnificent cinematic moment. Extra marks for that!

Ron

(Viewed 26Jul09)

An excellent movie even. Even with a short 75 minute running the movie is crafted and developed impressively. Not a feel good movie in the slightest. It is the story of two Irish runaway children that come from abusive homes. It is unabashedly forthright in its hopeless outlook on life in general. The subject matter of the movie is undeniably grim and pessimistic, but this is a great example of superb minimalist film making. Nothing is overdone or excessive. Everything on screen seems to be needed and no time or scene is wasted for any reason. This movie will satisfy fans of art house and foreign film. Some people will be put off by it due to its subject matter but others who appreciate this kind of movie will definitely want to go see it.

I caught this movie in the 49th Thessaloniki Film Festival in Greece just yesterday, and I have to admit it was an unexpected gem, since you can't really have high expectations out of the movies in Film Festivals...

Sweet, kind-hearted, honest, brave, wonderfully-outlined characters, wonderfully-developed scenario, all in all -an amazing film. I wish I could stumble upon movies like this more often. The cinematography and the direction are splendid. The Bob Dylan soundtrack tribute not only brings this movie to life, but makes it all the more stunning, as is the rotation between color and black-and-white; the film obtains color when the two protagonists are happy and it turns back to black-and-white when they are unhappy.

I'm pretty content to have caught this diamond of a movie amongst the piles of rocks. Congratulations to all involved for truly bold film-making.

On Christmas Day two kids run away. Trust me, they had good reason. "Kisses" takes us on the next 24 hours of their lives as they wander through Dublin looking for a guy named Barry who will supposedly take care of them. At the same time they are running from the imaginary "sackman" who, the girl insists, takes young children and animals, throws them in a sack and beats them to death for fun. The story of these 2 runaways is charming, terrifying, bleak, beautiful, and just about everything else in between.

There is an instantly recognizable poetic quality to this film. That means: things are not necessarily spelled out, but instead we are made to piece together a backstory based on images, events and clues. Like the story of the 2 kids following the trail of this mysterious Barry fellow, we learn piece-by-piece exactly what's going on.

There is a subtle yet strong structure to this film. It is told in chapters with each chapter ending with a kiss (hence the name "Kisses"). Each kiss is symbolic and meaningful. Another interesting thing to note is the way the film changes between black & white and color, almost imperceptibly, yet in a very symbolic & meaningful way.

If you haven't guessed, this film has a lot more going than what's on the surface. Add to the mix a very appropriate soundtrack of Bob Dylan songs (in particular, great use of "Shelter from the Storm"), and you've got yourself an artistic treat.

The dialogue is mostly between the 2 young figures, and I was surprised at how authentically child-like it was while figuring in some absolute pearls of wisdom. One of my favorite lines is what the girl says to the boy as they're wandering off into the night: "You were right. There is no Devil. Just people."

The 2 young actors Kelly O'Neill ("Kylie") & Shane Curry ("Dylan") are, of course, what bring this film to life with a magical quality as only 2 genuine kids can display. It came as no surprise to me when I found out that these 2 were not actors. They were chosen from a bunch of kids that had been found at malls, schools and other such places. The result is a powerful film with a lot of honesty... not a pretentious art-house romp but an artistic film with real humanity.

If you enjoy meaningful "slice of life" movies as seen through the eyes of kids, then definitely check this one out. Also be on the lookout for "48 Angels" about a young boy who wanders off in search of Jesus, "Io non ho paura" ("I'm not afraid") about a boy who finds a deep hole where another boy is being held prisoner, the Wim Wenders classic "Alice in the Cities", and my favorite "Kikujiro" about a boy in search of his mother... accompanied by the grumpiest, foullest scoundrel in all of Japan.