The Reader

Very well acted and presented and a faithful representation of the main points of the novel on which it is based. This film encourages us to look closely at very difficult issues surrounding the atrocities of World War II. I am at a loss to understand why so many critics have been so damning of it. Perhaps it is too subtle for them to understand. It seeks to outlaw the false and intellectually lazy theory to explain the holocaust, namely that the horrors were committed by monsters. In its place we are offered contextualization, not as excuse but as explanation of how quite ordinary people were able to do extraordinarily dreadful things. We avoid these uncomfortable facts at our peril.

David Hare wrote one of my favorite female characters in "Plenty", Meryl Streep brought her to life in the most extraordinary way. Here, Hare writes another power house female character. It doesn't have the intellectual aspirations of "Plenty" but there is also a form of mental illness in his character. Kate Winslet is magnificent. Her early scenes with the wonderful David Kross are filled with compelling, contradictory and totally believable undertones. My misgivings are to be pinned on Stephen Daldry, the director. His sins as a filmmaker start to become a sort of trade mark, visible and palpable in the moving "Billy Elliot" and the shattering "The Hours" I can't quite pinpoint what it is but in "The Reader" that element is more obvious than in the other two. Maybe it has to do with loftiness. There are moments so frustratingly long and slow here that he lost me in more than one occasion. In any case, the cast makes this film a rewarding experience. Besides Kate Winslet and David Kross. The tortured Ralph Finnes has a couple of wonderful moments as well as Bruno Ganz and Lina Olin in a dual role.

The film is a series of profound moral dilemmas—while contrived by the author, they are fair questions—that resonate deeply in the 21st Century: The role of guilt in victims, perpetrators, individuals and collectively, as well as justice, forgiveness, redemption, shame and, of course, literacy and its role in Western thought.

All this is a pretty heady mix for a film, but Stephen Daldry (as with "The Hours" ) makes literary conceit play very naturally here. David Hare's screenplay and the remarkable cinematography of the always remarkable Roger Deakins together with a sensitive score by Nico Muhly, this is indeed rarefied film-making.

But the actors are what drag the audience into this story. David Kross is amazing as the young Michael who has to play a range of virginal innocent to wizened and bitter. It's the key role in the film, and we're all lucky he was found to play this role. And the ever confounding Kate Winslet. What an amazing career for this young actress! Running through a list of her credits, she has some of the best performances of the last decade: "Holy Smoke," "Eternal Sunshine…," "Iris," "Finding Neverland," "Little Children." But here she does something very different. Playing what amounts to a monster, we see that they too are human. Not many actresses could bring this off, but it may be her greatest accomplishment to date.

Ralph Fiennes brings a continuity to the work David Kross begins, and there's a brief appearance by Lena Olin who commands the dignity the role deserves.

I'm puzzled at the lukewarm reception to this film. I almost missed seeing it. And it turned out to be one of my favorite and the most heart-rending films of the year. All involved should be very proud.

Kate Winslet, I absolutely adore her, she's my favorite actress of all time. I still can't believe that she hadn't won an Oscar, her first nomination was in 1995 with Sense and Sensibility. Finally after 14 long years, she finally won the coveted award with the movie The Reader. I finally was able to see this movie the other day and it blew me away, I'm still debating if this really was my favorite Kate Winslet performance, but once again with a strong cast telling a powerful story, The Reader was definitely one of the best films out of 2008. So many holocaust films have been made, it's hard to make another that stands out, but we really haven't had a story where the Nazi guards were on trial. A lot of people debate if this movie is trying too hard to push sympathy on Kate Winslet's character, but my love for this film is to just show that they were human as well, hard to believe, but that our mothers, sisters, friends, whoever could have done something so shameful.

Michael Berg in 1995 Berlin watches an S-Bahn pass by, flashing back to a tram in 1958 Neustadt. A teenage Michael gets off because he is feeling sick and wanders around the streets afterwards, finally pausing in the entryway of a nearby apartment building where he vomits. Hanna Schmitz, the tram conductor, comes in and assists him in returning home. The 36 year old Hanna seduces and begins an affair with the 15 year old boy. During their liaisons, at her apartment, he reads to her literary works he is studying. After a bicycling trip, Hanna learns she is being promoted to a clerical job at the tram company. She abruptly moves without leaving a trace. The adult Michael, a lawyer, at Heidelberg University law school in 1966. As part of a special seminar taught by Professor Rohl, a camp survivor, he observes a trial of several women who were accused of letting 300 Jewish women die in a burning church when they were SS guards on the death march following the 1944 evacuation of Auschwitz. Hanna is one of the defendants. Stunned, Michael visits a former camp himself. The trial divides the seminar, with one student angrily saying there is nothing to be learned from it other than that evil acts occurred and that the older generation of Germans should kill themselves for their failure to act then. But Michael is conflicted on what to do, if to speak out on Hannah's behalf on some of her innocence in the murders or keep quiet.

This is one of the most powerful movies I have ever seen, it was so incredible and just heart breaking. One of the things I respected about the film was the way they handled the awkward "love story" between Michael and Hannah, she's older, he's younger, but it's not even a perverted thing, so strange to say that. I don't know how to put it exactly, but their connection was real and in some sense they both needed each other. If you have the chance to see this movie, I seriously suggest that you take it, the powerful performances really make this film captivating. The story is so heart wrenching and painful, but was told so well. Kate now finally has the award she's deserved for so long and pulls in a terrific performance with The Reader.

10/10

Kate Winslet is just outstanding in this very interesting film that is almost two stories-in-one. The first part is a sexual story of an older woman having affairs with a teenage boy and the second part is her war crimes tale and what happens afterward. The first is a somewhat happy jaunt of a short story and the second is a very serious and depressing story. That's where Winslet really shines. Obviously, she's developed into an an outstanding actress.

The second part is what most people, I assume, will remember about this film. Can "Hanna Schmitz," a Nazi employee (so to speak), who was part of concentration camps, be a sympathetic character? To me, that's what it looked like that's the question the story was asking. The answer may have come in the final minutes of the movie when her ex-lover "Michael Berg," now grown up and played by Ralph Fiennes, confronts a survivor of the camp. That, too, was very intense and interesting scene. Lena Olin is riveting as "Rose/Illana Mather."

"The Reader" was full of quiet, but intense scenes. This is a very thought-provoking film, especially for one that doesn't start off that way but look almost like some soft-porn flick to get our attention. It is anything but that.

For Germans, this film must bring out many emotions and thoughts. Guilt and forgiveness are just two of the issues that are dealt with in this unique film. "Hanna Schmitz" turns out to be an incredibly simple-yet-complex person, unlike any I've encountered on film in a long time. You see her in all kinds of light, both good and bad.

Kudos, too, to David Kross' acting as the young Michael Berg. It must be strange for someone his age (barely turned 18) to do the scenes he did with 30-something Winslet.

Overall, a very different and excellent film that stays with you and makes you ponder its main characters.