Cheeni Kum

An awesome movie; Amitabh and Tabu were just fantastic. I laughed almost throughout the movie and I loved the flawlessly spiced dialogue between Amitabh and Tabu. Cheeni Kum is about the unadulterated but sweetened love-story of a 64 year old man (I'm pretty sure Amitabh Bachchan is at that age right now in his real life) and a 34 year old woman.

An arrogantly sarcastic Buddhadev Gupta (Amitabh Bachchan), who is still a bachelor at 64 meets a 34 years old spinster, simple and sweet Nina Verma (Tabu) at his restaurant, one of London's top authentic Indian Restaurant. The similarities in their difference brings them together which culminated into a romance of a funnier genre.

There were many ingredients of spices, little more than a typical romantic Hindi Movie; besides Amitabh and Tabu, the sizzler of curly straight dialogue from the 9 year old Sexy (Swini Khara) is refreshing to make you laugh all along. The kiddish delight of the 58 year old Omprakash Verma's (Paresh Rawal) Gandhism as Nina's father was the ultimate dessert to the main course romance. Of course, Amitabh's 85 year old mother (Zohra Sehgal) who loves TV shows with muscle man and "Sex and the City" added enough flavor to make you reach out for the side dish that she flaunts.

At the point in this romantic comedy where they are definitely getting interested in each other, Amitabh Bachchan and Tabu are sitting on a bench in a park in London, and she tells him animatedly to run to a tree across a meadow and touch it and run back. It's the kind of thing you tell a little boy to do -- a brilliant touch that captures so much of what's good about the movie: their fresh dynamic, her self-possessedness, his readiness, if reluctant, to step out of a somewhat ossified "grownup" character. I think you'd be sorry if you missed this, supposing you had a way of finding out what you'd missed.

I don't think light romantic comedy is easy to do - at all - and this movie does it very well -- there's not a sloppy or wince-inducing moment . Moreover there's the pleasure of a love story between grownup characters, an especially rare pleasure. Tabu and AB are really good together - it's nice to see them both matched in terms of their size, for one thing, and Tabu emanates the kind of intelligent, self-confident, unsentimental, serious young woman who often is happiest with an older man -- like Jo in Little Women.

Story takes place in both London and Delhi, which is fun. As everyone who's seen the previews knows, AB is an irritable and perfectionistic chef of 64 who owns a very successful restaurant, realistically filmed and with a pleasing cast of comic minor characters. He meets Tabu, a 34 year old visitor from India, via a character-establishing quarrel when she sends back a dish. And eventually there's her father in Delhi to deal with.

AB lives with his 90-year-old mother (Zora Seghal, she's the grandmother in most movies) and one of the great things about the movie is their totally mutually insulting relationship -- she is a horrible cook and he is very mean and funny about it; she watches wrestling and Sex and the City or something on TV all day and nags him to go to a gym. This is delightful in an Indian movie, as relief from the standard Mataji of the brimming-over compassionate gaze -- and we also unexpectedly see his deep reliance on her, and her availability, when something very distressing happens to him.

Alongside the AB-Tabu story is the story of AB's relationship with a little girl next door who has leukemia. She gives him advice and he promises her the "adult dvds" she wants to watch. And the scene where he goes into the video store and demands "adult dvds that are suitable for small children" is the kind of thing this movie excels at.

The presence in the story of people of all ages, from little girl to 90-year-old Mother, as well as Tabu's father who is younger than AB and thinks of himself as elderly (and carries on to AB about how AB is so-lucky to have been "old enough to see Gandhi-ji") -- all of them written as anti-stereotypes -- makes a very nice philsophical background score about life, love, and mortality.

I like the actual music a lot too - no "singing" by characters, but some nice scored passages that won't leave you, if Bollywood is your home, feeling exiled.

The title exactly sums sums up the film. Yes, it is not too sugarcoated but it has does not have much taste either. While the movie is appealing and a delight to watch in the first half and slowly seems to change track in the second half, things get a little too messy in the last third after Buddha goes to India to meet Neena's father. The first half works as a romantic comedy where Balki introduces the love story of the two interesting protagonists, Buddha (Amitabh Bachchan) and Neena (Tabu) There are some very funny feel good scenes. The comedy between Amitabh and Tabu works well and Zohra Sehgal is absolutely hilarious. Once Buddha lands in India things go haywire. Was the screenwriter suffering from writer's block and pressured to meet a deadline? Did he not find any other way to get Neena's father to accept the proposal or for Buddha to finally manage to convince Mr. Verma without showing all that forced melodrama? Tabu is charming and has amazing screen presence but her character isn't exactly well-written as a result of which her performance suffers. In the last third she is barely given importance. This is among her weakest performances but in all fairness to her, the script does not give her enough scope to make the character more appealing. Amitabh Bachchan returns to his angry man mode (again) and he severely hams at many scenes. Zohra Sehgal is a delight to watch and Swini Khara is wooden (her voice sounds a little monotonous but her non-verbal expressions are good at times) Why did the writer choose to give a little girl a nickname like 'Sexy' (forced humour?)?. Paresh Rawal gives a forgettable performance. In addition to that, there are some very passable songs (but nothing great) and the locations are nice to look at. Anyway, 'Cheeni Kum' mainly suffers because of bad writing and poor direction. I wouldn't want to watch it again.

Rarely do Bollywood movies live up to their hype. This one comes very close.

Amitabh Bachchan owns Spice6, the best Indian restaurant in London. To him, being a chef is more than a profession. It is an art, in fact, the greatest art of all. He personally ensures every dish that leaves his kitchen is up to his exacting standards. His employees respect him, but his angered outbursts send shivers down their spine. It is during one such outburst that he sees a dish, Hyderabadi Zafrani Pulao no less, returned by a customer (Tabu) because it's too sweet (and hence the recommendation to reduce sugar or Cheeni Kum). Enraged, he walks up to the table, and challenges Tabu to make it any better. She leaves without uttering a word, but brings in some Hyderabadi Zafrani Pulao the next day that even Amitabh finds delicious. He now owes her an apology, thus setting into motion a series of events that lead to attraction between the two, and finally love.

Although the age gap between Amitabh and Tabu is there to see, it is totally downplayed and doesn't even come into focus until later in the second half. Their exchanges are loaded with witty repartees and sarcastic remarks that leave the audience in splits. The tight script and screenplay make sure the movie progresses at a good pace although it was slow at times for my liking. I think the director fell for the Bollywood norm of making 2½ hour movies. Also, the movie loses its grip toward the end. The scenes are predictable and the melodrama avoidable. These are minor indiscretions of a first-time director, and in no way, reduce the overall appeal. If you ask me, it is certainly worth a second watch.

Amitabh is calm and composed. The role doesn't challenge him much, but he plays it with conviction. Tabu is brilliant. The last time I saw her was in Fanaa, and firmly believed she's insane. Not only did she pick the right movie here, she's ensured her character isn't sidelined. In fact, in several scenes, her character comes out on top of Amitabh's, and is credible thanks to her acting abilities. Zohra Sehgal, as Amitabh's mom, is on a roll. Swini Khara as Sexy, Amitabh's 7-year old neighbor is cute, and gets to deliver a few punch lines too. Paresh Rawal as Tabu's father is disappointing. His character is too clichéd and completely out of sync with the movie.

In sum, Cheeni Kum is no bitter pill. I rate it 4/5.

aaah! after a long time, here's a romance i could finally relate to. tabu and amitabh capture the long lost magic of romance that follows no reason or rhyme or logic or time, BANG ON! when you watch them both on screen, you realize how much a seasoned actor can do to a role. special mention to tabu, for playing her role at the right tempo - at just the right pace.

balki handles the film with finesse, in the first half. the lines are witty, delivered straight-facedly by amitabh, in what could be one of his most romantic roles. zohra sehgal is sooooo sweet, you wish she was your mom.paresh rawal is strictly okay.

watch this film without having too many expectations. its a nice, frothy romantic comedy and if you keep that in mind, you won't be disappointed. i give it a double thumbs-up