-30-
- Episode aired Mar 9, 2008
- TV-MA
- 1h 33m
IMDb RATING
9.6/10
8.2K
YOUR RATING
Carcetti maps out a damage-control scenario with the police brass in the wake of a startling revelation from Pearlman and Daniels. Their choice: clean up the mess...or hide the dirt.Carcetti maps out a damage-control scenario with the police brass in the wake of a startling revelation from Pearlman and Daniels. Their choice: clean up the mess...or hide the dirt.Carcetti maps out a damage-control scenario with the police brass in the wake of a startling revelation from Pearlman and Daniels. Their choice: clean up the mess...or hide the dirt.
Michael Kenneth Williams
- Omar Little
- (credit only)
Featured reviews
10RM851222
Greetings from Lithuania.
-30- - was the last episode of Season 5 and "The Wire". It was excellent, yet felt a bit to rushed. The story here was superb and i liked how it all turned out, yet this season needed for 2 more episodes to flesh out the story more. It felt like there was to much content and not enough time - especially in the last episode which at running time 1 h 30 min was constantly running at breakneck speed. Therefore few more episodes like they did in previous 4 seasons would made this season better, but even despite this flaw it was superb.
Overall, great episode of a great season.
-30- - was the last episode of Season 5 and "The Wire". It was excellent, yet felt a bit to rushed. The story here was superb and i liked how it all turned out, yet this season needed for 2 more episodes to flesh out the story more. It felt like there was to much content and not enough time - especially in the last episode which at running time 1 h 30 min was constantly running at breakneck speed. Therefore few more episodes like they did in previous 4 seasons would made this season better, but even despite this flaw it was superb.
Overall, great episode of a great season.
The top brass are aware the serial killer is a fake, whilst Pearlman and Levy discuss Marlo's crew.
The writers explore the fallout of McNulty's scheme in typical The Wire fashion by showing all the human flaws in various institutions. Lots of personal interests are prioritised over everything and as much as certain moments should frustrate and anger the viewer, they feel ultimately plausible. Thankfully, some rays of light involving certain characters shine through all the darkness and are enjoyable moments to behold.
It is impossible to reveal much plot detail without spoiling, but it's safe to say that all characters have the opportunity to shine and no matter how much the players change, the game stays the same.
All actors are on great form, signing off in style.
The visuals are spectacularly good, as is the choice of music. Certain street scenes and cityscapes are used perfectly to conclude what is probably my favourite television show of all time.
My only negative about the episode is that it is the last one.
The writers explore the fallout of McNulty's scheme in typical The Wire fashion by showing all the human flaws in various institutions. Lots of personal interests are prioritised over everything and as much as certain moments should frustrate and anger the viewer, they feel ultimately plausible. Thankfully, some rays of light involving certain characters shine through all the darkness and are enjoyable moments to behold.
It is impossible to reveal much plot detail without spoiling, but it's safe to say that all characters have the opportunity to shine and no matter how much the players change, the game stays the same.
All actors are on great form, signing off in style.
The visuals are spectacularly good, as is the choice of music. Certain street scenes and cityscapes are used perfectly to conclude what is probably my favourite television show of all time.
My only negative about the episode is that it is the last one.
Rewatched this series as it's on NowTv and it still holds up as a brilliant authentic story.
Viewers could watch this in 50 or even 100 years time and be drawn in to the world which captures the era so vividly and truly.
It's an absolute masterclass of crime television. The Wire is up there with The Sopranos and Breaking Bad.
This was my second time watching this all the way through, the first time was 2008 and given the time passed it still holds up and draws you in with its complex characters, themes and authentic world being. It's no surprise considering the fact the writers lived this world as I believe one was a veteran detective and another a newsman in Baltimore and the inspiration for the story was derived from their real life experiences.
Authentic, timeless and truly entertaining. Bravo to all involved, they don't make them like this anymore!
Viewers could watch this in 50 or even 100 years time and be drawn in to the world which captures the era so vividly and truly.
It's an absolute masterclass of crime television. The Wire is up there with The Sopranos and Breaking Bad.
This was my second time watching this all the way through, the first time was 2008 and given the time passed it still holds up and draws you in with its complex characters, themes and authentic world being. It's no surprise considering the fact the writers lived this world as I believe one was a veteran detective and another a newsman in Baltimore and the inspiration for the story was derived from their real life experiences.
Authentic, timeless and truly entertaining. Bravo to all involved, they don't make them like this anymore!
The Wire is a series on the American City understood as a concept or as the Absolute Whole. It is also a series that tries to confront us with the problems posed by the police, politics, the press or the school. Four different backgrounds of course but similar because they are interconnected. In this way, it is also the contemporary family - or at least a certain form of it - which is exposed with its ups and downs. The Wire is thought out and lived as a coherent whole: if you are shown season 3 when you have not seen the second or the first, do not start! If you can watch "The Big Bang Theory" each episode individually by varying the seasons, nothing like it in The Wire. The scriptwriters have not minced the work of the viewer: a fact mentioned, a line of dialogue, a seemingly innocuous gesture, etc., can each anticipate and/or recall another sequence from the series. In addition, these anticipations and reminders are created between the characters in order to signify that the different environments shown on the screen form a single whole. The Wire is therefore a series with a reinforced concrete scenario even if it is not free from bias. The Wire must therefore be considered as a novel whose episodes are so many chapters that must bring us to the end.
Paradoxically, his immense qualities did not allow the series to be a success with the public at the time of the broadcast. The cast, made up of 85%-90% African-Americans, is probably not for nothing, but does not explain everything. If I tell you that season 2 was the most followed when it is the one where the cast is mainly white, does that surprise you? The racial question is, as we unfortunately saw again during the summer of 2014, very present in the United States. Perhaps what really kept The Wire from becoming an Emmy regular like The Sopranos were was his very constructed side. Certain sequences or lines of dialogue can only make sense after several viewings of the same episode. At this rate, the show's writers and cast didn't expect to take home many accolades. It wouldn't be surprising if they even took some pride in it...
Paradoxically, his immense qualities did not allow the series to be a success with the public at the time of the broadcast. The cast, made up of 85%-90% African-Americans, is probably not for nothing, but does not explain everything. If I tell you that season 2 was the most followed when it is the one where the cast is mainly white, does that surprise you? The racial question is, as we unfortunately saw again during the summer of 2014, very present in the United States. Perhaps what really kept The Wire from becoming an Emmy regular like The Sopranos were was his very constructed side. Certain sequences or lines of dialogue can only make sense after several viewings of the same episode. At this rate, the show's writers and cast didn't expect to take home many accolades. It wouldn't be surprising if they even took some pride in it...
A great series ended with a great episode. Hats off to the writer especially for writing this amazing series. It's called a TV novel for this reason. The way it dwells upon the viewers is fantabulous. The series was moving, gripping, cunning in it's own way. The slowness is its greatness. The finale is really really good.
This is the best season of all times along with the sopranos, hats off. The pillars of TV
Did you know
- TriviaThe song that plays during the final montage is the version of "Way Down In The Hole" that was used in the opening credits of Season One.
- Quotes
[last line of the series]
Det. James 'Jimmy' McNulty: Let's go home.
- ConnectionsFeatured in The 60th Primetime Emmy Awards (2008)
- SoundtracksThe Green Mountain
Traditional
Performed by Liz Carroll
Details
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 4:3
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