In 1976 Melbourne, a lonely 8-year-old girl strikes up a correspondence with an unlikely pen pal: a severely obese 44-year-old New Yorker with Asperger's syndrome.In 1976 Melbourne, a lonely 8-year-old girl strikes up a correspondence with an unlikely pen pal: a severely obese 44-year-old New Yorker with Asperger's syndrome.In 1976 Melbourne, a lonely 8-year-old girl strikes up a correspondence with an unlikely pen pal: a severely obese 44-year-old New Yorker with Asperger's syndrome.
- Awards
- 6 wins & 9 nominations total
Eric Bana
- Damien Popodopolous
- (voice)
Barry Humphries
- Narrator
- (voice)
Christopher Massey
- 911 Operator
- (voice)
- (as Chris Massey)
- …
Daisy Kocher
- Alleyway Bully Two
- (voice)
- …
Dan Doherty
- BMX Bandit
- (voice)
Julie Forsyth
- Bus Stop Mother
- (voice)
- …
Mandy Mao
- Cher the Chihuahua
- (voice)
- …
Adam Elliot
- Dr. Bernard Hazelhof
- (voice)
- …
Mr. Peck
- Ethel the Rooster
- (voice)
Michael James Allen
- Ferrari Driver
- (voice)
- (as Michael Allen)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Mary and Max' is acclaimed for its distinctive claymation style, engaging narrative, and profound examination of friendship and loneliness. The film addresses mature themes like depression, anxiety, and Asperger's Syndrome, appealing to adult viewers. Voice performances by Philip Seymour Hoffman and Toni Collette are lauded for their emotional depth. While the animation is celebrated for its creativity, some find it repetitive. The letter-driven narrative is praised for its originality and poignancy. Despite critiques on pacing and certain story elements, the film is largely considered a touching and intellectually stimulating work of animation.
Featured reviews
Coming from Australia, Mary and Max is one of these few films you'll remember all your life. This amazing claymation touches upon an unlikely friendship between two pen pals: a young girl living in Australia and an aging Jew from New York. It's unbelievable what a precisely structured narrative this is. Director-writer Adam Elliot blends odd scatological, yet clever humour with poignant dramatizations to a splendid effect creating one of the best tragicomedies of the past few years. The fact that it's in the form of claymation only helps to enhance uniqueness of the whole experience. The movie was 5 years in the making and this is visible in its every frame. Elliot masterly captures the motion in an endlessly creative manner. Most importantly though, his lovably oddball characters are well developed and admirably complex with all their awkward traits and quirks. Due to its serious themes and dark tone, Mary and Max is an adult movie aiming much higher than its big studio counterparts. It happens to be more contemplative, and intelligent mimicking the real life with all its ups and downs. Calling Elliot's movie an extraordinary piece of art is certainly not an overstatement.
Masterfully directed, edited and animated to pique your interest from the off, it has you falling into the worlds of Mary and Max and sharing their challenging journeys through life, as well as their genuine, realistic and engaging correspondence and gifts to each other. Stuffed full of sad and sorrowful events, the solitude and isolation felt by both characters is palpable all the way through. Not really a film to make you smile but one that will make you think and that, after all, is what the best of storytelling is really all about.
10ori_64
It's hard to describe just how excellent this film is. The story is great, both very funny and touching. The art-design and animation are a delight, thoughtful, very rich in details, and very consistent in style. The music is great. The storyline and direction... I can't find a bad word to say, except that the story drags a little half- way through, but then picks itself up again toward the end. Truly, a must-see. If you like adult animation, this is definitely for you. I agree with those comparing it to Aardman films, Waltz with Bashir and Persepolis, but this movie's animation is so professional, that only Aardman truly compares.
I went into this film at the Berlinale with mixed feelings. I knew that Adam Elliot's shorts were great but frankly the last few years haven't been great for Australian films and a number of short filmmakers have made disappointing first features.
But right from the opening frame, this film shattered any of my doubts. It's so refreshing to see a film told with such a strong unique vision and pulled off so effortlessly. This is made even more remarkable not only as it's made using stop motion animation but also because of the characters and subject matter it tackles.
Mary is an 8 year old outcast living in the suburbs of Melbourne. On a whim, she chooses a name at random in a phone book and sends off a letter asking about life on the other side of the world. The letter is received by Max, an overweight depressive in his 40's living in New York, suffering from Aspergers Syndrome. A friendship is born as the pair exchange letters over the next 20 years. offering each other support, advice and the chance to see life through another set of eyes.
While the world is painted in gloomy hues of brown and grey and the characters lead bleak lives, the genius of the script is that the characters never wallow or feel sorry for themselves. The tone is kept humorous and balanced allowing us to be moved by the characters as they stumble through life but also laugh at their foibles and observations of the world they struggle to fit into. Not since Muriel's Wedding has Australia produced so fine a comedy with such rich detail and I probably got even more laughs out of this.
My only criticism of the film would be some of its music particularly its use in one key scene of the Humming Chorus (already used so memorably in the finale of Heavenly Creatures). It meant that in a critical moment I was thinking of Kate Winslet up to no good instead of connecting with Mary & Max. But this is more a personal concern and if that's the weakest thing about the film, it's doing pretty well. I hope this film is seen by the wide audience it so richly deserves.
But right from the opening frame, this film shattered any of my doubts. It's so refreshing to see a film told with such a strong unique vision and pulled off so effortlessly. This is made even more remarkable not only as it's made using stop motion animation but also because of the characters and subject matter it tackles.
Mary is an 8 year old outcast living in the suburbs of Melbourne. On a whim, she chooses a name at random in a phone book and sends off a letter asking about life on the other side of the world. The letter is received by Max, an overweight depressive in his 40's living in New York, suffering from Aspergers Syndrome. A friendship is born as the pair exchange letters over the next 20 years. offering each other support, advice and the chance to see life through another set of eyes.
While the world is painted in gloomy hues of brown and grey and the characters lead bleak lives, the genius of the script is that the characters never wallow or feel sorry for themselves. The tone is kept humorous and balanced allowing us to be moved by the characters as they stumble through life but also laugh at their foibles and observations of the world they struggle to fit into. Not since Muriel's Wedding has Australia produced so fine a comedy with such rich detail and I probably got even more laughs out of this.
My only criticism of the film would be some of its music particularly its use in one key scene of the Humming Chorus (already used so memorably in the finale of Heavenly Creatures). It meant that in a critical moment I was thinking of Kate Winslet up to no good instead of connecting with Mary & Max. But this is more a personal concern and if that's the weakest thing about the film, it's doing pretty well. I hope this film is seen by the wide audience it so richly deserves.
To say it short, this movie is about a friendless 8 year old girl in Australia who befriends an obese 44 year old male in New York by writing mails to each other.
I'm not a big animation fan, so I wasn't looking forward to see this movie. I am currently working on the IMDb Top 250 list and Mary and Max just entered the IMDb top 250, so I took a look at it.
I watched it with a small screen on my computer while chatting with someone on Facebook. But then I logged out because I got hooked by the fantastic but sad narration mixed with humor by Barry Humphries, so I watched it with a big screen. Thank God that I did that, because this is an unforgettable and heartbreaking cinematic experience! It got fantastic narration and dialogue that will make you laugh and cry!
PS.There are many scenes that will choke you up, so bring some tissues.
PSS.Don't watch this movie with your kids!
I hope this review was useful!
I'm not a big animation fan, so I wasn't looking forward to see this movie. I am currently working on the IMDb Top 250 list and Mary and Max just entered the IMDb top 250, so I took a look at it.
I watched it with a small screen on my computer while chatting with someone on Facebook. But then I logged out because I got hooked by the fantastic but sad narration mixed with humor by Barry Humphries, so I watched it with a big screen. Thank God that I did that, because this is an unforgettable and heartbreaking cinematic experience! It got fantastic narration and dialogue that will make you laugh and cry!
PS.There are many scenes that will choke you up, so bring some tissues.
PSS.Don't watch this movie with your kids!
I hope this review was useful!
Did you know
- TriviaIt took 2400 teaspoons of lubricant to create the ocean when Max imagines himself on a desert island.
- GoofsPart of the movie is set in Australia and part of the movie is set in New York, however, the cars always drive on the left side of the road, even the scene in New York.
- Quotes
Max Jerry Horovitz: The reason I forgive you is because you are not perfect. You are imperfect. And so am I. All humans are imperfect.
- Crazy creditsBefore the end credits the next quote appears: "God gave us our relatives; thank God we can choose our friends" by Ethel Watts Mumford.
- ConnectionsFeatured in De wereld draait door: Episode #5.148 (2010)
- SoundtracksPerpetuum Mobile
Composed by Simon Jeffes
Published by Editions Penguin Café Ltd
Performed by the Penguin Cafe Orchestra (as Penguin Café Orchestra)
Licensed by Fable Music Pty Ltd on behalf of Zopf Ltd
Details
Box office
- Budget
- A$8,240,000 (estimated)
- Gross worldwide
- $1,740,791
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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