The Lucky Ones

The Lucky ones concerns three Iraq War soldiers who have just returned to the States: Fred Cheever (Tim Robbins) is out for good, and can't wait to reunite with his wife and son in St. Louis; T.K. Poole (Michael Pena) has suffered an embarrassing injury and is on his way to reconnecting with his fiancée before heading back overseas; and the also-injured Colee Dunn (Rachel McAdams) is on a mission to deliver a precious guitar to her deceased boyfriend's parents in Las Vegas. These strangers are brought together when JFK Airport is shut down indefinitely. Deciding that renting a car is a better option than twiddling their thumbs and waiting for the planes to fly, they hit the road on an eventful journey that will bring them closer together than they ever would have expected... The Lucky Ones is a film that doesn't really make any statements about the war. Instead it's a character study of these 3 soldiers and it shows how the return from war can be weird and bizarre. The film handles some very dramatic subjects but, always in a light way. As in every road trip film, the character's journey is full of chance encounters and misadventures, and each one of the soldiers ends up fighting some of their own demons or coming to certain realizations. Granted, some of the events feel a bit contrived, but this is a dramedy, not a realistic war drama. The film was very well acted starting with Michael Pena, who despite doing mostly small roles, was a pleasant surprise as a central character. The veteran Tim Robbins delivered a good, even if subtle, performance as the older soldier who's life becomes upside down. However the film belongs to the gorgeous Rachel McAdams; she was feisty, charismatic and overall, just great, as she usually is. One cannot help but to fall a little bit in love with her every time she does a film. At the end of the day, The Lucky Ones is a quirky little film with a certain gentleness that works mainly, because it focuses on the characters and their emotions and not on the war and it's motives. Definitely a nice watch.

7/10

Here you have three people, no dramatic problems, stuck in an airport. They, strangers to each other, join in a trip across from the East to the Midwest. Ho hum. Oh, wait, Tim Robbins is in it, OK, give it 6 minutes. Then, this believable trio display the best part of human life...empathy. You fantasize, in somber spirit, that humans are like these three. The movie comes to a quiet, completed end, and you love each character and find yourself hoping they have a good life, because they are no longer Tim Robbins, Mike Pena, and Rachel McAdams, the actors. The "public" that they navigate around seem always insincere with their 'thank you for serving', although in real life, past returning veterans were treated with total disdain. The scene in jail and the phony confession to a robbery seemed...not quite honest or believable, but it was the only weak scene.

Did you have any idea that The Best Years of Our Lives was remade in 2007? I didn't either until I was actually watching the movie and figuring out the similarities. The Lucky Ones is a very good film, but unfortunately, hardly anyone has even heard of it. Don't expect a literal remake, though. This one won't make you cry, and it won't change your life, but it is a modern tribute.

Instead of three veterans returning from WWII, the three leads are coming home from Iraq. Tim Robbins is the Frederic March equivalent, an older family man who has to adjust to his relationship with his wife and college-aged child. Michael Pena is the injured party, but instead of missing hands, he has damaged another part of his anatomy that makes him feel like less of a man. And instead of Dana Andrews, there's Rachel McAdams, who's looking for her boyfriend's family (instead of Dana looking for his wife). Just like in the original, they start off with mixed feelings about coming back, and after their homecomings don't go well, they meet up again and help each other through their struggles. It does deviate quite a bit from The Best Years of Our Lives, though, so don't hold it against me that I called it a remake. It's as close to a remake as we're going to get, since the modern time has changed quite a bit from the 1940s. I really like it though, and I own a DVD copy.

Three soldiers who have received non life threatening wounds in Iraq are together on a plane to New York. Two of them are on thirty day leaves while the other has served his time and is on his way home. Due to a power outage, all flights out of New York have been canceled. The three agree to rent a car together in order to continue the trip to their destinations. Thus begins a road trip that is highly dramatic with its share of comic events.

Fred Cheaver is the middle aged father figure of the three - a man who never really expected to do anything in the army except serve his domestic reserve duty. He is glad to be rid of the whole thing and is headed home to his wife and son. The two young soldiers who accompany Fred are Colee Dunn and T.K. Poole. Colee is a bright-eyed innocent who is on a mission for a fallen comrade who saved her life. T.K. is a no nonsense soldier from a family of soldiers who plans to make the army his career and move up the chain of command.

Whereas, Fred's quest is to return home to wife and son, Colee's and T.K.'s goals are to travel to Las Vegas for two entirely different reasons. Colee wants to return her dead comrade's treasured guitar to his family. T.K.'s reason is somewhat mysterious, but we know it is related in some way to his injury that has left him temporarily impotent.

As with all road trip films, the experiences and interactions of these three lead to conclusions not expected by them or the viewers.

Unlike most films featuring vets returning from the horrors of war, this film is not filled with dark angst - not to say the characters are not well-fleshed and genuine. These three are real people with real problems, but their depictions are not heavy-handed.

During this film, the viewer gets to enjoy the work of three excellent actors. Tim Robbins gives his usual fine, understated performance as the older man facing some totally unexpected twists of fate. Rachel McAdams gives Colee a likable innocence but also reveals some darker layers of her character. Michael Peña is very, very good as the macho guy with a heart who only wants to be a good soldier. Watching these three interact is a real treat.

Some may consider the treatment of the subject matter of this film too light handed, but it has a gentleness that rings true. It is surely worth watching.

Neil Burger's offbeat, quirky, dramatic movie is a triumph. It succeeds in all the aspects, from the technical parts to the acting, I can't find a single negative thing about it. Burger doesn't dilly-dally around, he went straight to the point of his subject, giving a fair amount of time for each of the three characters (McAdams, Pena and Robbins) to develop and eventually you can't help but really like them...a lot. Especially McAdams but more on that later. The script is tightly wound, the chemistry between the three protagonists doesn't seem forced, the movie doesn't force you to like them the moment the movie starts but instead, these colorful characters will gradually grow on you.

Tim Robbins, one of my favorite actors, doesn't disappoint. 2008, I have seen him in two movies the other one being The City of Ember. And as long as a movie has Tim Robbins in it, I'm sold. That's why I watched the movie in the first place. Michael Pena, another great guy, gives off a good vibe towards the movie and once you know what's been bothering his character, you can't help but laugh at how one-sided and ridiculous his problem is. Pena gives one of his greatest performance on screen. And of course, the belle of the ball, the star of the show, Rachel McAdams gives a quirky, zesty and joyful performance as a lovable Southerner and I can't help but be reminded of another quirky, zesty and joyful character, Amelie. She just keeps the laughs rolling in and steal every scene she's in. She gives the character such depth that one might come off as one dimensional had it been portrayed by a lesser talent. Definitely an underrated performance for 2008.

Highly recommended.