Ulak

This film definitely has its own way of telling a story. While watching, it gives you the feeling of listening to a fairy tale, which I haven't felt for many years. I must admit that the film has religious implications, because of the story in the background, but they are not necessarily negative criticisms. By choosing children as the main audience in the "messiah story", this film separates itself from any other religious-story-telling films or books. The costumes, acting and conversations all have that fairy tale style as a whole. I see "hope" as the main theme of this film as "even an unrealistic hope can change people's lives". Please don't watch and judge this movie with your or others belief-defending opinions. It just shows the power of imagination. Also it is a good and a different step for Turkish cinema.

A mysterious stranger with lots of secrets and a lot to say in his tales pays a visit to a village where people are desperate because of the fear and cruelty they have been suffering. Will the stranger give them hopes to overcome their fears? What are people afraid of? Are sins and crimes punished sooner or later?

Cagan Irmak, the successful director of the Turkish film "My father and my son" has created a new masterpiece. His new film Ulak "The Messenger" is quite different to his first film. The theme and plot are both striking. Costumes and music make the story seem to be real. Acting is spellbinding. The Turkish Cinema is certain to have a new master now.

the atmosphere. the architecture. the emotion. the words who becomes pillars. the image of wise story teller. and the magic in a not comfortable manner. a film who could be window to memories. or rediscover of pure story, from classic Oriental recipes. but, step by step, scene by scene, you discover it be more than charming introduction in mythical universe. but a parable who remains the perfect manner to describe the present as just one of forms of past. the expectation. the force of dream. the fear. and the curiosity. the challenge. and the bitter words. and, sure, the large slices of silence. a film who is more a window to a lost world than a fairy tale's exposure. because it reminds the roots of the life. and the importance of its values.

First of all, the ''Turkish Cinema'' had produced the same things throughout. But this idea of making something different contrary to the meaningless, cheap movies of bad filmmakers is a very venturous business. I think that we owe Çağan Irmak therefore a debt, because his early work was ''Babam Ve Oğlum'', which was very successful in the box-office. Irmak has tried something at least but the transformation of the idea of telling a myth is done very bad to a movie. The development of the movie is very choppy, the characters are sketchy without any deepness, the music was predominantly weird and the overall performance of the actors were common to bad. But the biggest point is, that the movie was too theatrical. This attribute is not appropriated to cinema,you can find it in theaters. The director wanted to give the messages in a artless way, which made some scenes and the filmmaker funny. All in all it's a good try but nothing more...

That was what Cagan Irmak said before the movie was seen "if you are expecting clichés, you will not be satisfied". This movie was totally different. The style, the life, the people in the movie was kind of weird. However, everything was great, well prepared. Movie tells a tale about a "messenger" in ancient times. The tale tells people every side of a life, a woman lets men use her daughter for money, a bad man, a crazy woman, a boy and a girl that can not be together... Cetin Tekindor (Zekeriya) played nearly perfect in the movie. In addition, kids played their roles awesome. They were too natural, and they were living the environment. The soundtracks are great, images are impressive. One of the bests, 9/10.