Metropia

can't quite understand the negative reviews on this movie. yes, the animation isn't 'high tone' but the story line will keep you glued to the movie.

the other more positive reviewers have finely analyzed and explained this short movie so i will not repeat their efforts. but i do suggest to give this most unusual film a look.

there are some weak spots in the story but as a whole it all works! it's different in look and atmosphere and isn't that what movie buffs seek out.

please don't approach this little gem of a movie expecting a wow wee in special effects. that's not what it's about. i believe the director is making a subtle comment on our times.

A very unique Scandinavian-English language film from the technical aspect. The only one kind in the whole world which is actually an experimental product from the new productions. It was made primarily using photoshop, and then adobe after effects for animation. If you're wondering what kind it is, actually a 2.5D animation, that means it is neither 2D or 3D, but between those two. Like tricking the 2D object as the 3D material.

Well they have succeeded to bring a visually impressive animation that mainly focused on the film character faces. The story was decent which is another dystopian concept where metro trains are the main content, hence it is called 'Metropia'. But the title also means 'visual refraction', that's what the story is slightly related too.

Anyway, it was very suspenseful till the final and mostly talking drama than physical action sequences. At some point I felt it was like the recent stop-motion animation 'Anomalisa', but realised that I predicted wrong and the story travelled in a different path to end decently. Though the overall film was very impressive from both technical and narrative wise. One must not miss it, just for a its rare kind, especially you like animations, but best suitable for adults.

7/10

I just screened this in advance of its showing at the San Francisco International Animation Festival. It's an interesting film, more for its technique than its narrative. Set in the not-to-distant future in a VERY bleak world, it tells the story of one man's fight against an evil corporation's machinations. Nothing really new narrative-wise, but the plot really isn't the point of this film. It's the animation. The process uses photomontage as its basis, and is quite creepy in its execution. The voice work is well done, and it's always good to see/hear cult film fave Udo Kier. If you enjoyed "1984" or "Brazil," you might want to check this film out.

Take a trip to Europe in the year 2024. This is a dark age, where the automobile is no longer in use, replaced by a cross country subway system. The most popular product on the market (in fact pretty much the only item) is a shampoo manufactured with a secret mind controlling chemical, which the major corporations use to monitor the public in George Orwell fashion.

In an age where animation can do anything, the decision to do almost nothing certainly stands out in film. Metropia is without doubt the bleakest animated feature I know; a murky institutional world, without a drop of color or sunshine, and everywhere we go is under lit. This makes enough sense when taking into account that this is a future where society is low on energy.

Not everything however feels credible. The absence of people in great numbers is unusual. The few people who do wander in and out of frame are almost hollow shells. They have no soul, but more importantly they have no movement. Metropia uses the least amount of energy possible to give life to illustrations. To attempt to describe it is not impossible, but it's something that is better off seen for ones self. Metropia is a haunting experience. It's almost a ghost world, not just from the absence of sight, but from the absence of sound. Metropia makes effective use of silence in all the right places, accompanied by an effective, very new age score.

As for the storyline, it is familiar, but not painfully so. It's similar to Brazil, which itself is the product of George Orwell's influence. The climax here feels a bit rushed, and easy, leaving Metropia a bit shorter than I think it should've been, but it remains an entertaining experiment.

So first of all: In general I am a big fan of low-budget and small films. I think thats where the real passion is.

And Metroia really was a one-man-thing. At least that what I took from it. So there is a pretty impressive achievement here. No doubt. I respect that. I like that.

So it kinda hurts me that I have to say that Metropia would have been a better short film then a feature. It sometimes just dragged. And not in a moody or artistic way (dont worry, I am all in for Tarkovsky and Co) but just with spans of scenes that are not interesting. You can argue that a certain kind of monotony helps you understand the character better. I guess thats correct. But there was still a little underwhelming taste in the end.