IMDb RATING
7.1/10
5.4K
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Dominican baseball star Miguel "Sugar" Santos is recruited to play in the U.S. minor-leagues.Dominican baseball star Miguel "Sugar" Santos is recruited to play in the U.S. minor-leagues.Dominican baseball star Miguel "Sugar" Santos is recruited to play in the U.S. minor-leagues.
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Demonstrating the challenges facing many Latin American baseball prospects
It's a baseball drama set in the 2000s in the Dominican Republic, Arizona, Iowa, and New York City. It follows the experience of a young Dominican ballplayer's dream to be a successful professional player in the United States.
Miguel "Sugar" Santos (Algenis Perez Soto) is a 19-or-20-year-old Dominican ballplayer from a poor family. He's received a $100,000 signing bonus from the Kansas City Knights and is the hope of his fatherless family. He is also a skilled furniture maker.
The movie begins in the Dominican baseball academy sponsored by the Kansas City team. One of their scouts shows Miguel how to through a good knuckle curveball, making him an effective pitcher. It follows him to spring training in Arizona and his assignment to a Single-A team in rural Iowa. He is boarded by an elderly, very religious couple, Earl (Richard Bull) and Helen (Ann Whitney) Higgins. Their granddaughter, Anne (Ellary Porterfield), also shows an interest in Miguel.
Miguel, who is more subdued than some of his Dominican teammates, sometimes follows teammates into trouble, struggles with language issues in a foreign culture, and experiences a lot of isolation until he decides his future.
This is a low-key but well-done film demonstrating the challenges of many Latin American baseball prospects trying to make it in North America. However, I think it tried to compress a bit too much into one story. Miguel is actually a little too old for the story. I also think the number of Latin players in professional baseball means even Single-A teams would have someone on staff who speaks Spanish and relates to Latin players in Miguel's situation. So it felt a bit overdrawn. Nonetheless, it's a good attempt at an important story.
Miguel "Sugar" Santos (Algenis Perez Soto) is a 19-or-20-year-old Dominican ballplayer from a poor family. He's received a $100,000 signing bonus from the Kansas City Knights and is the hope of his fatherless family. He is also a skilled furniture maker.
The movie begins in the Dominican baseball academy sponsored by the Kansas City team. One of their scouts shows Miguel how to through a good knuckle curveball, making him an effective pitcher. It follows him to spring training in Arizona and his assignment to a Single-A team in rural Iowa. He is boarded by an elderly, very religious couple, Earl (Richard Bull) and Helen (Ann Whitney) Higgins. Their granddaughter, Anne (Ellary Porterfield), also shows an interest in Miguel.
Miguel, who is more subdued than some of his Dominican teammates, sometimes follows teammates into trouble, struggles with language issues in a foreign culture, and experiences a lot of isolation until he decides his future.
This is a low-key but well-done film demonstrating the challenges of many Latin American baseball prospects trying to make it in North America. However, I think it tried to compress a bit too much into one story. Miguel is actually a little too old for the story. I also think the number of Latin players in professional baseball means even Single-A teams would have someone on staff who speaks Spanish and relates to Latin players in Miguel's situation. So it felt a bit overdrawn. Nonetheless, it's a good attempt at an important story.
A Major Milestone In Hispanic Cinema
Sugar is an important Hispanic film. And yes, two Americans made it, Fleck and Boden, but they do so without compromise, without an agenda, and without patronising - and what we get IS an Hispanic film - it is not a film about America, it really is a superb Hispanic (Spanish in America) perspective - and it just blew me away. 100% convincing, valid, justified - and simply a great film.
The story of the baseball player Sugar, played with consummate skill by Soto, has all the elements of a good sports movie plus the added dimension of a very well thought through arc and development.
This is without a doubt one of the better films of the year; it captures both baseball and the alienation of the Hispanic experience in the US with alacrity and a light touch. The characters have real depth and emphasis is placed on the internal rather than simply the external.
Strongly recommended as a breakthrough film for Hispanic film in the US, both in the quality of the story and acting and for excellence in film making.
The story of the baseball player Sugar, played with consummate skill by Soto, has all the elements of a good sports movie plus the added dimension of a very well thought through arc and development.
This is without a doubt one of the better films of the year; it captures both baseball and the alienation of the Hispanic experience in the US with alacrity and a light touch. The characters have real depth and emphasis is placed on the internal rather than simply the external.
Strongly recommended as a breakthrough film for Hispanic film in the US, both in the quality of the story and acting and for excellence in film making.
Sugar: Sweet as a story, but not a baseball movie
Baseball movies are often deemed cliché in today's world of cinema. You have a team or a player the film focuses around, they're usually underdogs or feel good stories, they have an improbable season and the end result is usually a championship for the team, or a life altering moment for a player. The movie, Sugar goes completely against this modern day norm.
As a baseball movie, Sugar won't stand-alone. What does set it aside is the cultural quantum leap the main character endures. The films main character, Miguel Santos, whose nickname is the movies namesake, is the hero of his small, Dominican Republican village, as a pitcher with lively arm, an ideal build, and terrific upside. He receives mounting pressure from his family and the community to become the next Dominican baseball star, and eventually gets his shot. It's a reminder for every Sammy Sosa and Pedro Martinez who makes it from the Dominican Republic; hundreds of others burn out and are never heard from again.
It's the off the diamond aspects of the opportunity he gets that makes the movie an interesting character piece. Short, and seemingly innocuous scenes help build the movie, and show the struggle that Santos endures in his assimilation to Americanized life, which ultimately correlates to his performance on the field. As mentioned, as a baseball movie it goes away from the norm, Hollywood cookie cutter of a sports movie, but as an allegory of the struggle that millions of Latino baseball players go through, it couldn't be more spot on.
For a person with virtually zero prior acting experience, Algenis Perez Soto gives a noble performance as the films protagonist. He's never really asked to go outside his main personality, which is stoic and monotonous, but he has a few moments where he breaks off, and his ability to act at emotional pinnacles are shown. Surely this won't be the end of his acting career, as he virtually won the acting lottery by randomly being selected for a lead in a semi-major motion picture. Most of the actors don't have enough of a part in the movie to shine, as no other character was given enough screen time to even be considered a strong supporting actor.
The writing and story is thorough in its sports detail, which a baseballs junkie would enjoy, but the average moviegoer might not understand. The subplots in the movie like the love story and the conflicts surrounding the supporting characters lack substance. Those subplots, along with the characters involved in it seem to just disappear abruptly. The story is somewhat episodic, divided into a few large parts, with none of those parts supporting characters carrying on through the movie. As a whole, the movie takes on a slow pace, and sometimes struggles to keep the interest of the viewer.
If you plan on seeing Sugar, don't go in expecting a team to pull in a superstar to save the day in the last second, or for the main character to pitch a World Series no-hitter, or you'll be disappointed. Mainly, don't go into the movie expecting a baseball movie, or you won't be satisfied. In the end, the movie lacks a punch that would make it stand out, but gets my praise for tackling a plot that usually will end with a cold dose of reality.
Rating: 7/10
As a baseball movie, Sugar won't stand-alone. What does set it aside is the cultural quantum leap the main character endures. The films main character, Miguel Santos, whose nickname is the movies namesake, is the hero of his small, Dominican Republican village, as a pitcher with lively arm, an ideal build, and terrific upside. He receives mounting pressure from his family and the community to become the next Dominican baseball star, and eventually gets his shot. It's a reminder for every Sammy Sosa and Pedro Martinez who makes it from the Dominican Republic; hundreds of others burn out and are never heard from again.
It's the off the diamond aspects of the opportunity he gets that makes the movie an interesting character piece. Short, and seemingly innocuous scenes help build the movie, and show the struggle that Santos endures in his assimilation to Americanized life, which ultimately correlates to his performance on the field. As mentioned, as a baseball movie it goes away from the norm, Hollywood cookie cutter of a sports movie, but as an allegory of the struggle that millions of Latino baseball players go through, it couldn't be more spot on.
For a person with virtually zero prior acting experience, Algenis Perez Soto gives a noble performance as the films protagonist. He's never really asked to go outside his main personality, which is stoic and monotonous, but he has a few moments where he breaks off, and his ability to act at emotional pinnacles are shown. Surely this won't be the end of his acting career, as he virtually won the acting lottery by randomly being selected for a lead in a semi-major motion picture. Most of the actors don't have enough of a part in the movie to shine, as no other character was given enough screen time to even be considered a strong supporting actor.
The writing and story is thorough in its sports detail, which a baseballs junkie would enjoy, but the average moviegoer might not understand. The subplots in the movie like the love story and the conflicts surrounding the supporting characters lack substance. Those subplots, along with the characters involved in it seem to just disappear abruptly. The story is somewhat episodic, divided into a few large parts, with none of those parts supporting characters carrying on through the movie. As a whole, the movie takes on a slow pace, and sometimes struggles to keep the interest of the viewer.
If you plan on seeing Sugar, don't go in expecting a team to pull in a superstar to save the day in the last second, or for the main character to pitch a World Series no-hitter, or you'll be disappointed. Mainly, don't go into the movie expecting a baseball movie, or you won't be satisfied. In the end, the movie lacks a punch that would make it stand out, but gets my praise for tackling a plot that usually will end with a cold dose of reality.
Rating: 7/10
A Wonderful Movie in Every Way
What's with the low ratings for this movie? I saw this at the Toronto Film Festival, and people loved it. Is it that some audiences wanted a regular sports movie, with everything leading up to the big game? This follows Dominican ball players and their dreams of making it to the bigs. We go from the Dominican to small town Iowa, then to New York City in a movie that's pitch perfect the whole way. And it got everything right, from how small towns in America watch these young guys grow and progress, to how they're treated like animals when they face injuries or setbacks.
The actors are mostly unknowns, and they give the movie a documentary feel. I especially loved the old couple that takes one ball player in every year, and the minor league baseball manager, who is portrayed very fairly as a guy who pushes his players, but wants to see them make it.
This movie is a home run, pardon the pun, because it transcends the sports genre and becomes a movie about finding one's self worth, no matter where your career path takes you.
I believe that if you want something more from a sports movie than being just a past-time, you'll find it in "Sugar", from the team who directed "Half Nelson", another movie that was more concerned with characters and self-worth over silly plot requirements.
To the low scorers out there I would say don't judge a movie for what it's not, and really look at what it is. Because this is a special movie that never goes wrong.
The actors are mostly unknowns, and they give the movie a documentary feel. I especially loved the old couple that takes one ball player in every year, and the minor league baseball manager, who is portrayed very fairly as a guy who pushes his players, but wants to see them make it.
This movie is a home run, pardon the pun, because it transcends the sports genre and becomes a movie about finding one's self worth, no matter where your career path takes you.
I believe that if you want something more from a sports movie than being just a past-time, you'll find it in "Sugar", from the team who directed "Half Nelson", another movie that was more concerned with characters and self-worth over silly plot requirements.
To the low scorers out there I would say don't judge a movie for what it's not, and really look at what it is. Because this is a special movie that never goes wrong.
The "Friday Night Lights" of baseball
"Sugar" is simply one of the best sports movies ever and it does so avoiding every sports movies cliché ever made. The story of the main character is simply a composite of the story of the majority of people who go to play the game professionally. Not only that, but also reflects the story of the immigrant who comes to America pursuing a dream.
Spoken mostly in Spanish, the movie almost qualifies as a foreign language film. The filmmakers do an excellent job capturing the contrast in atmosphere of the Dominican Republic -a poor country, rich in happiness- to the heartland of America, and back to the Bronx -a Dominican stronghold outside of the island, also stricken by poverty.
As in "Friday Night Lights" you can feel the constant stress these young players endure to make it big. It's every bit as tense and if you like baseball, and are interested a little bit about these foreign superstars now playing the game, this movie is going to be a treat.
One of the best films of 2009.
Spoken mostly in Spanish, the movie almost qualifies as a foreign language film. The filmmakers do an excellent job capturing the contrast in atmosphere of the Dominican Republic -a poor country, rich in happiness- to the heartland of America, and back to the Bronx -a Dominican stronghold outside of the island, also stricken by poverty.
As in "Friday Night Lights" you can feel the constant stress these young players endure to make it big. It's every bit as tense and if you like baseball, and are interested a little bit about these foreign superstars now playing the game, this movie is going to be a treat.
One of the best films of 2009.
Did you know
- TriviaSome of the last names of the Swing of the Quad Cities players in the film were those of actual players on the team. However, they were not portrayed by the real Swing players. During filming, the real players were still in their regular season and then post-season.
- GoofsWhen Miguel is pitching to the Loons in the top of the fifth, the scoreboard already shows 0 runs. The score for a half inning is not registered until the half inning is completed.
- SoundtracksLos Que Me Esperaban, Llegue
Written by Tony Sugar
Performed by Yoan Soriano
Courtesy of Mambo Media, LLC
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Untitled Dominican Project
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,082,124
- Opening weekend US & Canada
- $60,140
- Apr 5, 2009
- Gross worldwide
- $1,144,438
- Runtime
- 1h 54m(114 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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