Britz

'Britz' attempts to look at the psychology of contemporary British Muslims, a worthy subject in the age of suicide bombings. Two siblings feature in this drama, and both are viewed with sympathy: a man who joins the security service, and his sister, who become a terrorist. Unfortunately, episode one, centred on the former, is plain daft. MI5 is presented much as it is in 'Spooks': beautiful people, high tech-gadgetry, and a general air of cool. It didn't convince me one iota as real, and seemed as littered with false detail like a bad sci-fi film: for example, we see implausible network analysis graphics on the screens of the agents, whose sinister form was presumably preferred to taking any real network analysis package and putting a real network through it. It's still amazing to me that in the 21st century, films try to impress by simulating imagined computer technology with mock-ups less impressive than the real thing. This point may sound like a geekish digression, but it illustrates a more fundamental truth: that the world we see is a false one, right down to the old cliché of the supposed desk officer going out to find the terrorists by himself when his bosses won't believe him.

Episode two, his sister's story, isn't as silly, but I didn't find that it completely convinced me that the character, who seems rational and sarcastic, would actually end her own life. The suggestion is made that she acts out of anger rather than religious belief; but I am uncertain whether a sane, intelligent and secular human being can really take a decision to commit suicide; her experiences, although tough, do not justify the extreme nihilism of her position. The aim is undoubtedly to make us understand the mind of a bomber; but while Nasira is understandable , she loses plausibility as a result. Additionally, the drama in both episodes is often heavy-handed, rather clumsily making its points. But 'Britiz' is not rubbish. In places, its an interesting

and thoughtful look at certain aspects of life in Britain and Pakistan that are often unreported. But in its efforts to make a bigger statement about a greater and more terrifying mystery, this ambitious film over-reaches itself.

I was greatly impressed with this - it bravely raises issues around racial harmony, integration or persecution that are little examined in contemporary British media.

The plot is suspenseful, if at times a little unbelievable.

The acting is very good, the production and direction artful without overdoing it. Scenes on location overseas very well done.

Overall a very enjoyable, and thought provoking film, which raises difficult political questions for individuals, nations and faiths to think about carefully, but the film reminds us we don't have the luxury of time to ponder these thorny issues, when so many lives hang in the balance day by day.

Well done to all the production staff, and people involved in this project. Goodstuff Channel 4.

This was portentously long and teeth grindingly slow. This is to signify that it wants to be taken VERY seriously and to do so, make you SERIOUSLY suffer. It forced me to watch bits and pieces of Jeremy Paxman just to get to the end, which should define for you what boredom really means.

Apparently the guy who wrote it couldn't find any bomber types to research his story. So he decided to "draw on his own experiences." Must have been his experiences waiting at the bus stop. That is, back in the days before Channel 4 sent a limo to pick him up.

Suffice to say, the best way to cast light on a serious issue in British society is to come up with the most corny Hollywood plot contrivance. Reverse the obvious gender roles (Gosh, how ironic, how cutting edge) and have two members of the same family but on opposite sides end up chasing each other's tails. Brilliant!

No idea what the ending was meant to signify. The ambivalence of the Muslim in British society today? I've no idea. Trouble is, neither did the writer/director if he had been honest with himself in the first place.

I don't know what's more frightening. Islamic terrorism or the money wasted on this project.

I watched the entire four hours plus of Britz in one bum-numbing session. It delivers exactly what you expect from a Channel 4 mini-series – hard-hitting, topical, well-made edgy drama. Sadly it is also overwritten, more than a little preachy, and some of the acting is uneven.

Episode one, Sohail's story, plays like an endlessly drawn-out episode of Spooks. It has it's moments, and Riz Ahmed is rather good, but the highlights are few and far between, and an awful lot of scenes feel padded. Part two, Nasima's story, is more compelling and at the same time more predictable. The ending is a long time coming and you may spot it a mile off, yet the motivations and attitudes set up for the character lead one to feel that the outcome doesn't ring true. I won't give away the game, but I didn't entirely buy it.

This is the first of Kosminsky's celebrated contemporary dramas I've seen and while the quality of his writing and the power of the subject matter are enough to maintain interest for much of the story, it's hard not to feel he could have achieved more at half the length.

What the hell were you doing staring in a Television Drama that is so weak in narrative structure that i honestly thought i was watching an episode of East Enders.

What the hell does the director Peter Kosminsky know about being this topic? On reading an article about the director what does he know about British Muslims???

"British Muslims are fantastically angry and disillusioned," he says. "They are infuriated by a foreign policy that appears to be an attack on Muslims worldwide – a new Crusade – and a shockingly large series of security measures which seem to be aimed solely at them."

The man that is saying these words is white, Jewish, privately educated and in his fifties. He is drinking tea at his beautiful cottage in the Wiltshire countryside. Yet he is trying to describe how a young, moderate medical student from Leeds could become so outraged by what is happening around her that she is willing to strap on explosives. This is just so weak, Its an excuse for C4 to pretend that they are covering controversial topics regarding stories about post 911 yet they are still are made by white middle class film-makers? If C4 were insistent in employing a white director why didn't they let Michael Winterbottom make this film He would of clearly done a better job.

The character for Nasima was totally outrageous and unbelievable Yet Kosminsky insists her motives are fact. Kosminsky also states that he knows a lot of people will be angry! You have got that right we are angry because it was such a weak story and by far this is radical drama.

I am also disappointed by Riz Ahmed, your performance was good, but what were you doing working on such a weak premise ,that is only exploiting and sensationalising Radical Islam. A complete farce.

Riz if your reading this i suggest you next time pick your film projects wisely. As there will be a number of British Muslims that will feel that you have let them down

1- 10 a disappointment! I suggest C4 begin to employ the next generation of British Pakistani's & British Muslim writer & directors who would paint a more realistic picture behind a story which needs authentic voices. Not White Middle Class film directors that have just jumped on the bandwagon. Its about time we hear the real voices of British Pakistani Muslims for a change.

Shame on you C4!